Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘Please to enter.’ Turgut stopped in front of a row of old houses, ushered us up the double front stair, and checked inside a little mailbox-apparently empty-that carried the namePROFESOR BORA. He opened the door and stepped aside. ‘Please, welcome to my abode, where everything is yours. I am sorry that my wife is out-she teaches at the nursery school.’

“We came first into a hall with a polished wooden floor and walls, where we followed Turgut in taking off our shoes and putting on the embroidered slippers he gave us. Then he showed us into a sitting room, and Helen sounded a low note of admiration, which I could not help echoing. The room was filled with a pleasant greenish light, mixed with soft pink and yellow. I realized after a moment that this was sunlight filtering through a blend of trees outside two large windows with hazy curtains of an old white lace. The room was lined with extraordinary furniture, very low, carved of dark wood, and cushioned in rich fabrics. Around three walls ran a bench heaped with lace-covered pillows. Above this, the whitewashed walls were lined with prints and paintings of Istanbul, a portrait of an old man in a fez and one of a younger man in a black suit, a framed parchment covered with fine Arabic calligraphy. There were fading sepia photographs of the city and cabinets lined with brass coffee services. The corners were filled with colorfully glazed vases brimming with roses. Underfoot lay deep rugs in crimson, rose, and soft green. In the very center of the room, a great round tray on legs stood empty, highly polished, as if waiting for the next meal.

“‘It is very beautiful,’ Helen said, turning to our host, and I remembered how lovely she could look when sincerity relaxed the hard lines around her mouth and eyes. ‘It is like theArabian Nights. ’

“Turgut laughed and waved off the compliment with a large hand, but he was clearly pleased. ‘That is my wife,’ he said. ‘She loves our old arts and crafts, and her family passed down to her many fine things. Perhaps there is even a little something from Sultan Mehmed’s empire here.’ He smiled at me. ‘I do not make the coffee as well as she does-that is what she tells me-but I will give you my best effort.’ He settled us on the low furniture, close together, and I thought with contentment about all those time-honored objects signifying comfort: cushion, divan, and-after all-ottoman.

“Turgut’s best effort turned out to be lunch, which he brought in from a small kitchen across the hall, refusing our earnest offers of help. How he had rustled up a meal in such a short time eluded my imagination-it must have been waiting for him there. He brought in trays of sauces and salads, a bowl of melon, a stew of meat and vegetables, skewers of chicken, the ubiquitous cucumber-and-yogurt mixture, coffee, and an avalanche of sweets rolled in almonds and honey. We ate heartily, and Turgut urged food on us until we were groaning. ‘Well,’ he said, ‘I cannot let my wife think I have starved you.’ All this was followed by a glass of water with something white and sweet sitting on a plate next to it. ‘Attar of roses,’ Helen said, tasting it. ‘Very nice. They have this in Romania, too.’ She dropped a little of the white paste into her glass and drank it, and I followed suit. I wasn’t sure what the water might do to my digestion later, but it was not the moment for such worries.

“When we were nearly bursting, we leaned back against the low divans-I now understood their use, recovery after a large meal-and Turgut looked at us with satisfaction. ‘You are sure you have had enough?’ Helen laughed and I moaned a little, but Turgut refilled our glasses and coffee cups anyway. ‘Very good. Now, let us talk of the things we have not yet been able to discuss. First of all, I am astounded to think that you know Professor Rossi, too, but I do not yet understand your connection. He is your adviser, young man?’ And he sat down on an ottoman, leaning toward us with an expectant air.

“I glanced at Helen and she nodded slightly. I wondered if the attar of roses had softened her suspicions. ‘Well, Professor Bora, I’m afraid we have not been completely open with you up to this point,’ I confessed. ‘But, you see, we are on a peculiar mission and we have not known whom to trust.’

“‘I see.’ He smiled. ‘Perhaps you are wiser than you know.’

“That gave me pause, but Helen nodded again, and I continued. ‘Professor Rossi is of special interest to us, too, not only because he is my adviser but because of some information he communicated to us-to me-and because he has-well, he has disappeared.’

“Turgut’s gaze was piercing. ‘Disappeared, my friend?’

“‘Yes.’ Haltingly, I told him about my bond with Rossi, my work with him on my dissertation, and the strange book I’d found in my library carrel. When I began to describe the book, Turgut started up in his seat and struck his hands together but said nothing, only listening more intently. I went on to relate how I’d brought the book to Rossi, and the story he’d told me about finding a book of his own. Three books, I thought, pausing for breath. We knew of three of these strange books, now-a magic number. But exactly how were they related to one another, as they must be? I reported what Rossi had told me about his research in Istanbul -here Turgut shook his head as if baffled-and his discovery in the archive that the dragon image matched the outlines of the old maps.

“I told Turgut how Rossi had vanished, and about the grotesque shadow I had seen pass over his office window the evening he had disappeared, and how I’d begun the search for him on my own, at first only half believing his story. Here I paused again, this time to see what Helen would say, because I didn’t want to reveal her story without her permission. She stirred and looked quietly at me from the depths of the divan, and then to my surprise she picked up the tale herself and related to Turgut everything she had already told me, speaking in her low, sometimes harsh voice-the tale of her birth, her personal vendetta against Rossi, the intensity of her research on Dracula’s history, and her intention to search for his legend eventually in this very city. Turgut’s eyebrows rose to the edge of his pomaded hair. Her words, her deep, clear articulation, the obvious magnificence of her mind, and perhaps also the flush in her cheeks above the pale blue collar all brought an answering hue of admiration to his face-or so I thought, and for the first time since we’d met Turgut, I felt a twinge of hostility toward him.

“When Helen had rounded out the story, we all sat in silence for a moment. The green sunlight filtering into that beautiful room seemed to deepen around us, and a sense of further unreality crept over me. At last Turgut spoke. ‘Your experience is most remarkable, and I am grateful that you tell me it. And I am sorry to hear your family’s sad story, Miss Rossi. I still wish I knew why Professor Rossi was compelled to write to me that he did not know about our archive here, which seems a lie, does it not? But it is terrible, the disappearance of such a fine scholar. Professor Rossi was punished for something-or he is being punished right now, as we sit here.’

“The languorous feeling cleared from my head in an instant, as if a cold breeze had swept it away. ‘But what makes you so certain of this? And how on earth can we find him, if this is true?’

“‘I am a rationalist, like you,’ Turgut said quietly, ‘but I believe by my instinct what you say Professor Rossi told you that evening. And we have proof of his words in what the old librarian of the archive told me-that a foreign researcher was frightened away there-and in my finding Professor Rossi’s name in the registry. Not to mention the appearance of a fiend with blood -’ He stopped. ‘And now there is this dreadful aberration, his name-the name of his article-added somehow to the bibliography in the archive. It confounds me, that addition! You have done the right thing, my colleagues, to come to Istanbul. If Professor Rossi is here, we will find him. I have long wondered, myself, if Dracula’s tomb could be here in Istanbul. It seems to me that if someone has placed Rossi’s name very recently in that bibliography, then there is a good chance Rossi himself is here. And you believe that Rossi will be found at Dracula’s place of burial. I will devote myself entirely to your service in this matter. I feel-responsible to you in this.’

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