Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“The streets were filled with people and cars by the time we took ourselves out, and we wandered among them through the heart of the old city and into one of the bazaars. Every aisle was full of shoppers-old women in black who stood fingering rainbows of fine textiles; young women in rich colors, their heads covered, bargaining for fruits I had never seen before or examining trays of gold jewelry; old men with crocheted caps on their white hair or balding pates, reading newspapers or bending over to examine a selection of carved wooden pipes. Some of them carried prayer beads in their hands. Everywhere I looked I saw handsome, shrewd, strong-featured, olive-skinned faces, gesturing hands, pointing fingers, flashing smiles that sometimes showed a glimpse of gold teeth. All around us I heard the clamor of emphatic, confident, haggling voices, sometimes a laugh.

“Helen wore her bemused, upside-down smile, looking about her at these strangers as if they pleased her, but as if she thought she understood them all too well. To me the scene was delightful, but I, too, felt a wariness, a sensation that I could have dated in myself as less than a week old, a feeling I had these days in any public place. It was a sense of searching the crowd, of glancing over my shoulder, of scanning faces for good or ill intent-and perhaps also of being watched. It was an unpleasant feeling, a harsh note in the harmony of all those lively conversations around us, and I wondered not for the first time if it was partly the contagion of Helen’s cynical attitude toward the human race. I wondered, too, if that attitude in her was intrinsic or simply the result of her life in a police state.

“Whatever its roots, I felt my own paranoia as an affront to my former self. A week ago I’d been a normal American graduate student, content in my discontent with my work, enjoying deep down a sense of the prosperity and moral high ground of my culture even while I pretended to question it and everything else. The Cold War was real to me now, in the person of Helen and her disillusioned stance, and an older cold war made itself felt in my very veins. I thought of Rossi, strolling these streets in the summer of 1930 before his adventure in the archive had sent him pell-mell out of Istanbul, and he was real to me, too-not only Rossi as I knew him but also the young Rossi of his letters.

“Helen tapped my arm as we walked and nodded in the direction of a couple of old men at a little wooden table tucked away near a booth. ‘Look-there’s your theory of leisure in person,’ she said. ‘It’s nine in the morning and they are already playing chess. It is strange that they are not playingtabla -that is the favorite game, in this part of the world. But I believe this is chess, instead.’ Sure enough, the two men were just setting up their pieces on a worn-looking wooden board. Black was arrayed against ivory, knights and rooks guarded their lieges, pawns faced one another in battle formation-the same arrangement of war the world over, I mused, stopping to watch. ‘Do you know about chess?’ Helen asked.

“‘Of course,’ I said a little indignantly. ‘I used to play it with my father.’

“‘Ah.’ The sound was acerbic, and I remembered too late that she had had no such childhood lessons, and that she played her own kind of chess with her father-with her image of him, in any case. But she seemed to be caught up in historical reflections. ‘It’s not Western, you know-it’s an ancient game from India -shahmatin Persian.Checkmate, I think you say in English.Shah is the word forking. A battle of kings.’

“I watched the two men beginning their game, their gnarled fingers selecting the first warriors. Jokes flashed between them-probably they were old friends. I could have stood there all day, watching, but Helen moved restlessly away, and I followed her. As we went by, the men seemed to notice us for the first time, glancing up quizzically for a moment. We must look like foreigners, I realized, although Helen’s face blended beautifully with the countenances around us. I wondered how long their game would take-all morning, maybe-and which of them would win this time.

“The booth near them was just opening up. It was really a shed, wedged under a venerable fig tree at the edge of the bazaar. A young man in a white shirt and dark trousers was pulling vigorously at the stall’s doors and curtains, setting up tables outside and laying out his wares-books. Books stood in stacks on the wooden counters, tumbled out of crates on the floor, and lined the shelves inside.

“I went forward eagerly, and the young owner nodded a greeting and smiled, as if he recognized a bibliophile whatever his national cut. Helen followed more slowly, and we stood turning through volumes in perhaps a dozen languages. Many of them were in Arabic, or in the modern Turkish language; some were in Greek or Cyrillic alphabets, others in English, French, German, Italian. I found a Hebrew tome and a whole shelf of Latin classics. Most were cheaply printed and shoddily bound, their cloth covers already shabby with handling. There were new paperbacks with lurid scenes on the covers, and a few volumes that looked very old, especially some of the works in Arabic. ‘The Byzantines loved books, too,’ Helen murmured, leafing through what looked like a set of German poetry. ‘Perhaps they bought books on this very spot.’

“The young man had finished his preparations for the day, and he came over to greet us. ‘Speak German? English?’

“‘English,’ I said quickly, since Helen did not answer.

“‘I have books in English,’ he told me with a pleasant smile. ‘No problem.’ His face was thin and expressive, with large greenish eyes and a long nose. ‘Also newspaper from London, New York.’ I thanked him and asked if he carried old books. ‘Yes, very old.’ He handed me a nineteenth-century edition ofMuch Ado About Nothing -cheap looking, bound in worn cloth. I wondered what library this had drifted from and how it had made its journey-from bourgeois Manchester, say-to this crossroads of the ancient world. I flipped through the pages, to be polite, and handed it back. ‘Not enough old?’ he asked, smiling.

“Helen had been peering over my shoulder, and now she looked pointedly at her watch. We hadn’t even reached Hagia Sophia, after all. ‘Yes, we’ve got to be going,’ I said.

“The young bookseller gave us a courteous bow, volume in hand. I stared at him for a second, troubled by something that bordered on recognition, but he had turned away and was helping a new customer, an old man who could have been a triplet to the chess players. Helen nudged my elbow, and we left the shop and went more purposefully around the edge of the bazaar and back toward our pension.

“The little restaurant was empty when we entered, but a few minutes later Turgut appeared in the doorway, nodding and smiling, and asked us how we had slept. He was wearing an olive wool suit this morning, despite the gathering heat, and seemed full of suppressed excitement. His curly dark hair was slicked back, his shoes shone with polish, and he moved quickly to usher us out of the restaurant. I noticed again that he was a person of great energy, and I felt relief at having such a guide. Excitement was rising in me, too. Rossi’s papers rested securely in my briefcase, and perhaps the next few hours would bring me a step closer to his whereabouts. Soon, at least, I might be able to compare his copies of the documents with the originals he had examined so many years before.

“As we followed Turgut through the streets, he explained to us that Sultan Mehmed’s archive was not housed in the main building of the National Library, although it was still under state protection. It was now in a library annex that had once been amendrese, a traditional Islamic school. Ataturk had closed these schools in his secularization of the country, and this one currently contained the National Library’s rare and antique books on the history of the Empire. We would find Sultan Mehmed’s collection among others from the centuries of Ottoman expansion.

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