Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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For now, the Amsterdam morning sparkled, gleamed, shifted around me. Even this morning I found something comforting in the walk along canals from our house to the station, the scent of bread baking and the humid smell of the canals, the not-quite-elegant, busy cleanliness of everything. On a bench at the station, I reviewed my packing: change of clothes, my father’s letters, bread, cheese, foil packages of juice from the kitchen. I had raided the plentiful kitchen cash, too-if I was going to do one bad thing, I was going to do twenty-to supplement what was in my purse. That would tip Mrs. Clay off all too quickly, but there was no help for it-I couldn’t linger until the banks opened to get money out of my childishly small savings account. I had a warm sweater and a rain jacket, my passport, a book for the long train rides, and my French pocket dictionary.

I had stolen something else. From our parlor I had taken a silver knife that sat in the curio cabinet among souvenirs of my father’s far-flung first diplomatic missions, the journeys that had constituted his early attempts to establish his foundation. I had been too young to accompany him, and he’d left me in the United States with various relatives. The knife was of a sinister sharpness and had an ornately embossed handle. It rested in a sheath, also highly decorated. It was the only weapon I’d ever seen in our household-my father disliked guns, and his collector’s taste did not run to swords or battle-axes. I had no idea how to protect myself with the little blade, but I felt more secure knowing it was in my purse.

The station was crowded by the time the express pulled up. I felt then, as I do now, that there is no joy like the arrival of a train, no matter how disturbing your situation-particularly a European train, and particularly a European train that will carry you south. During that period of my life, in the final quarter of the twentieth century, I heard the whistle of some of the last steam locomotives to cross the Alps on a regular run. I boarded now, clutching my schoolbag, almost smiling. I had hours ahead of me, and I was going to need them, not to read my book but to peruse again those precious letters from my father. I believed I’d picked my destination correctly, but I needed to ruminate on why it was correct.

I found a quiet compartment and drew the curtains shut along the aisle next to my seat, hoping no one would follow me in there. After a moment a middle-aged woman in a blue coat and hat came in anyway, but she smiled at me and settled down with a pile of Dutch magazines. In my comfortable corner, watching the old city and then the little green suburbs trundle past, I unfolded again the first of my father’s letters. I knew its opening lines by heart already, the shocking shapes of the words, the startling place and date, the urgent, firm handwriting.

“My dear daughter:

“If you are reading this, forgive me. I have gone to look for your mother. For many years I have believed she was dead, and now I am not certain about that. This uncertainty is almost worse than grief, as you may someday understand; it tortures my heart night and day. I have never told you much about her, and that has been a weakness in me, I know, but our story was too painful for me to relate to you easily. I’d always intended to tell you more as you grew older and could understand it better without being terribly frightened-although, as far as that goes, it has frightened me so much, so unendingly, that this has been the poorest of my excuses to myself about the matter.

“During the last few months, I have tried to compensate for my weakness by telling you little by little what I could about my own past, and I intended to bring your mother gradually into the story, although she entered my life rather suddenly. Now I fear I may not manage to tell you all you should know of your heritage before I am either silenced-literally unable to inform you myself-or fall prey again to my own silences.

“I have described to you some of my life as a graduate student before your birth and have told you a little about the odd circumstance of my adviser’s disappearance after his revelations to me. I have told you also how I met a young woman named Helen who had as great an interest as mine in finding Professor Rossi, perhaps a greater one. At every quiet opportunity I have tried to advance this story for you, but now I feel I should begin to write down the rest of it, commit it securely to paper. If you must read it now instead of listening to me unfold it for you on some rocky hilltop or quiet piazza, in some sheltered harbor or at some comfortable café table, then the fault is mine for not telling it quickly enough or sooner.

“As I write this I am looking out over the lights of an old harbor-and you sleep undisturbed and innocent in the next room. I am tired after the day’s work, and tired at the thought of beginning this long narrative-a sad duty, an unfortunate precaution. I feel I have some weeks, possibly months, in which I will certainly be able to continue my tale in person, so I will not retrace all the ground I have already covered for you during our strolls in so many countries. Past that stretch of time-weeks or months-I am less certain. These letters are my insurance against your solitude. In the worst case, you will inherit my house, my money, my furniture and books, but I can easily believe that you will treasure these documents in my hand more than any of the other items, because they will contain your own story, your history.

“Why have I not told you all the facts of this history at a blow, to get it over with, to inform you fully? The answer lies, again, in my own weakness, but also in the fact that an abbreviated version would be exactly that-a blow. I can’t possibly wish you such pain, even if it would be a mere fraction of my own. Furthermore, you might not fully believe it if I told it at a blow, just as I could not believe my adviser Rossi’s story fully without pacing the length of his own reminiscences. And, finally, what story can be reduced in actuality to its factual elements? Therefore, I relate my story one step at a time. I must hazard a guess, too, at how much I will have managed to tell you already if these letters come into your hands.”

My father’s guess had not been quite accurate, and he had picked up the story a beat or two beyond what I already knew. I might never hear his response to Helen Rossi’s astounding resolution to go with him on his search, I thought sadly, or the interesting details of their journey from New England to Istanbul. How, I wondered, had they managed to perform all the necessary paperwork, to clear the hurdles of political estrangement, the visas, the customs? Had my father told his parents, kind and reasonable Bostonians, some fib about his sudden plan to travel? Had he and Helen gone to New York immediately, as he’d planned to? And had they slept in the same hotel room? My adolescent mind could not solve this riddle any more than it could avoid pondering it. I had to content myself at last with a picture of the two of them as characters in some movie of their youth, Helen stretched out discreetly under the covers of the double bed, my father miserably asleep in a wing chair with his shoes-but nothing else-off, and the lights of Times Square blinking a sordid invitation just outside the window.

“Six days after Rossi’s disappearance, we flew to Istanbul from Idlewild Airport on a foggy weeknight, changing planes in Frankfurt. Our second plane touched down the next morning, and we were herded out with all the other tourists. I had been to Western Europe twice by then, but those jaunts now seemed to me excursions to a completely different planet from this one-Turkey, which in 1954 was even more a world apart than it is today. One minute I was huddled in my uncomfortable airplane seat, wiping my face with a hot washcloth, and the next we were standing outside on an equally hot tarmac, with unfamiliar smells blowing over us, and dust, and the fluttering scarf of an Arab in line ahead of us-that scarf kept getting into my mouth. Helen was actually laughing next to me, watching my amazement at all this. She had brushed her hair and put on lipstick in the airplane and looked remarkably fresh after our cramped night. She wore the little scarf on her neck; I still had not seen what lay under it and wouldn’t have dared to ask her to remove it. ‘Welcome to the big world, Yankee,’ she said, smiling. It was a real smile this time, not her customary grimace.

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