Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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I had meant to utter this ironically, but the unreality of the whole situation dawned on me again as I spoke; here I was, standing on the sidewalk in front of the library as I had hundreds of times before, except that this time I was talking about vampires-as if I believed in them-with a Romanian anthropologist, and we were watching ambulance drivers and police officers swarm across a death scene in which I had been involved, at least indirectly. I tried not to see them at their grisly work. It occurred to me that I ought to leave the quad soon, but without visible haste. I couldn’t afford to be taken in by the police at this point, not even for a few hours’ questioning. I had a great deal to do, and it had to be done immediately-I would need a visa to Turkey, which I might be able to obtain in New York, and a plane ticket, and I would need to leave safely at home a copy of all the information I had already. I was not teaching this term, thank goodness, but I’d have to present some kind of alibi to my department and give my parents some explanation to keep them from worrying.

I turned to Helen. “Miss Rossi,” I said. “If you will keep this business to yourself, I promise to get in touch with you as soon as I come back. Is there anything else you can tell me? Can you think of a way I could reach your mother before I go?”

“I cannot reach her myself, except by letter,” she said flatly. “Besides, she speaks no English. When I go home in two years I will ask her about these matters myself.”

I sighed. Two years was too late, unimaginably so. I was feeling a sort of anxiety already at being separated from this strange companion of a few days-hours, really-the only person besides myself who knew anything about the nature of Rossi’s disappearance. After this I would be on my own in a country I had barely ever thought about. It had to be done, however. I extended my hand. “Miss Rossi, thank you for putting up with a harmless lunatic for a couple of days. If I come back safely I will certainly let you know-I mean, maybe-if I bring your father back safely -”

She made a vague gesture with her gloved hand, as if her interest could not possibly lie with Rossi’s safe return, but then she put the hand in mine and we shook on it, cordially. I had the sense that her firm grasp was my last contact with the world I knew. “Good-bye,” she said. “I wish you the best possible luck with your research.” She turned away in the crowd-the ambulance drivers were shutting the doors. I turned away, too, and started down the steps and across the quadrangle. A hundred feet from the library, I stopped and looked back, hoping to glimpse her dark-suited figure among the ambulance watchers. To my surprise, she was hurrying toward me, already almost on my heels. She reached me quickly, and I saw that her face had picked up a ruby flush over the cheekbones. Her expression was urgent. “I have been thinking,” she said, and then stopped. She seemed to take a deep breath. “This concerns my life more than any other thing.” Her gaze was direct, challenging. “I am not quite sure how to do it, but I think I will come with you.”

Chapter 24

My father had some pleasant excuses for being in the Oxford vampire collection instead of at his meeting. The meeting had been canceled, he said, shaking Stephen Barley’s hand with his customary warmth. My father said he’d wandered up here to an old haunt-there he stopped, almost biting his lip, and tried again. He’d been looking for some peace and quiet (that I could easily believe). His gratitude for Stephen’s presence, for Stephen’s tall, blooming good health, his woolly sweatered wholesomeness, was palpable. After all, what could my father have said to me, if I’d surprised him there by myself? How could he have explained, or even casually closed, the folio under his hand? He did it now, but too late; I had already seen a chapter title stark on thick ivory paper:“Vampires de Provence et des Pyrénées.”

Islept poorly that night in the canopied chintz bed at the college master’s house, waking from strange dreams every few hours. Once I saw light under the door in the bathroom between my room and my father’s, which reassured me. Sometimes, though, the sense of his not being asleep, of quiet activity in the room next door, dragged me suddenly from my rest. Near dawn, when a slate-colored haze was starting to show through the net curtains, I woke for the last time.

This time it was the silence that awakened me. Everything was too still: the faint outlines of trees in the courtyard (I peered around the edge of the curtains), the huge armoire next to my bed, and above all my father’s room next door. It was not that I expected him to be up at this hour; if anything, he would still be sleeping-maybe snoring a little if he was lying on his back-trying to erase the cares of the day before, postponing the grueling schedule of lectures and seminars and debate that lay ahead of him. During our trips, he usually gave my door a genial tap after I’d already gotten up myself, an invitation to hurry out to meet him for a walk before breakfast.

This morning the silence oppressed me for no good reason, and I climbed down from my big bed and dressed and slung a towel over my shoulder. I would wash in the bathroom basin and listen a bit for my father’s nocturnal breathing while I was at it. I knocked gently at the bathroom door to be sure he wasn’t inside. The silence was even deeper once I was there in front of the mirror, drying my face. I put an ear to his door. He was certainly sleeping soundly. I knew it would be heartless to interrupt his hard-won rest, but panic had begun to creep up my legs and arms. I tapped lightly. There was no stir inside. We had for years left each other’s privacy intact, but now, in that gray morning light from the bathroom window, I turned the door handle.

Inside my father’s bedroom the heavy drapes were still drawn, so that it took me a few seconds to register the dim outline of furniture and pictures. The quiet made the skin quiver along the back of my neck. I took a step toward the bed, spoke to him. But up close the bed lay smooth and neat, dark in the dark room. The room was empty. I let out my indrawn breath. He had gone outside, gone walking alone, probably, needing solitude and time for reflection. But something made me switch on the light by the bed, to look around more carefully. In the circle of brightness lay a note addressed to me, and on the note rested two objects that took me by surprise: a small silver crucifix on a sturdy chain and a head of fresh garlic. The stark reality of these items made my stomach turn over even before I read my father’s words.

My dear daughter:

I am terribly sorry to surprise you like this, but I’ve been called away on some new business and didn’t want to disturb you during the night. I’ll be gone just a few days, I hope. I’ve arranged with Master James to get you safely home in the company of our young friend Stephen Barley. He has been excused from classes for two days and will see you to Amsterdam this evening. I wanted Mrs. Clay to come for you, but her sister is ailing and she has gone to Liverpool again. She’ll try to join you at home tonight. In any case, you will be well cared for and I trust you will look after yourself sensibly. Don’t worry about my absence. It’s a confidential matter, but I’ll be home as quickly as possible and will explain then. In the meantime, I ask you from the bottom of my heart to wear the crucifix at all times, and to carry some of the garlic in each of your pockets. You know I have never been one to press either religion or superstition on you, and I remain a firm unbeliever in either. But we must deal with evil on its own terms, as far as possible, and you already know the domain of those terms. I beg you from a father’s heart not to disregard my wishes on this point.

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