Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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Around us lay softly worn flagstones, interrupted here and there by heavy shade trees-serious, melancholy old trees with the occasional bench underneath. A little rectangle of perfect grass and a narrow pool of water lay at the feet of the college’s main building. It was one of Oxford ’s oldest, endowed by Edward III in the thirteenth century, its newest additions shaped by Elizabethan architects. Even that patch of carefully clipped grass looked venerable; certainly I never saw anyone step on it.

We skirted the grass and water and made our way to the porter’s office just inside, and from there to a suite of rooms adjoining the master’s house. These rooms must have been part of the original design of the college, although it was hard to tell what they had originally been used for; they were very low-ceilinged, with dark paneling and tiny leaded windows. My father’s bedroom had blue draperies. Mine, to my infinite satisfaction, had a high chintz canopy bed.

We unpacked a little, washed our travelers’ faces in a pale-yellow basin in our shared bathroom, and went to meet Master James, who was expecting us in his office at the other end of the building. He turned out to be a hearty, kind-spoken man with graying hair and a knobby scar on one cheekbone. I liked his warm handshake and the expression of his large, rather protuberant hazel eyes. He seemed to find nothing strange about my accompanying my father to the conference and went so far as to suggest that I tour the college with his student assistant that afternoon. His assistant, he said, was an obliging and very knowledgeable young gentleman. My father said I could certainly do that; he himself would be busy with meetings then, and why shouldn’t I see the treasures of the place while I was there?

I turned up eagerly at three o’clock, my new beret in one hand and a notebook in the other, since my father had suggested I might get notes for a school paper out of the tour. My guide was a pale-haired, gangly undergraduate, whom Master James introduced as Stephen Barley. I liked Stephen’s fine, blue-veined hands and heavy fisherman’s sweater-“jumpah,” he called it when I admired it aloud. It gave me a feeling of temporary acceptance into that elite community to stroll across the quad at his side. It also gave me my first faint quaver of sexual belonging, the elusive feeling that if I slipped my hand into his as we walked along, a door would fall open somewhere in the long wall of reality as I knew it, never to be closed again. I’ve explained that I had led an extremely sheltered life-so sheltered, I see now, that even at nearly eighteen I hadn’t realized how close its confines were. The quiver of rebellion I felt walking beside a handsome university student came to me like a strain of music from an alien culture. But I clutched my notebook and my childhood more tightly and asked him why the courtyard was mainly stone instead of grass. He smiled down at me. “Well, I don’t know. No one’s asked that before.”

He took me into the dining hall, a high-ceilinged, Tudor-beamed barn full of wooden tables, and showed me where a young Earl of Rochester had cut something rude into a bench while dining there. The hall was lined with leaded windows, each ornamented in the center with an ancient scene of good works: Thomas à Becket kneeling at a deathbed, a priest in a long gown ladling out soup for a line of the cowering poor, a medieval doctor bandaging someone’s leg. Above the Rochester bench was a scene I couldn’t figure out, a man with a cross around his neck and a stick in one hand bending over what looked like a bundle of black rags. “Oh, that’s a curiosity indeed,” Stephen Barley told me. “We’re very proud of that. You see, this man is a don from the early years of the college, driving a silver stake through the heart of a vampire.”

I stared at him, speechless for a moment. “Were there vampires in Oxford in those days?” I asked finally.

“I don’t know about that,” he admitted, smiling. “But there’s a tradition that the early scholars of the college helped protect the countryside around here from vampires. Actually, they collected quite a bit of lore on vampires, quaint stuff, and you can still see it in the Radcliffe Camera, across the way. The legend says that the early dons wouldn’t even have books about the occult housed in the college, so they were put in various other places and finally ended up there.”

I suddenly remembered Rossi and wondered if he’d seen some of this old collection. “Is there any way of finding out the names of students from the past-I mean-maybe-fifty years ago-in this college? Graduate students?”

“Of course.” My companion looked quizzically at me across the wooden bench. “I can ask the master for you, if you like.”

“Oh, no.” I felt myself blushing, the curse of my youth. “It’s nothing important. But I would-could I see the vampire lore?”

“You like scary stuff, eh?” He looked amused. “It’s not much to look at, you know-just some old folios and a lot of leather books. But all right. We’ll go and see the college library now-you can’t miss that-and then I’ll take you up to the Camera.”

The library was, of course, one of the gems of the university. Since that innocent day, I have seen most of those colleges and known some of them intimately, wandered through their libraries and chapels and dining halls, lectured in their seminar rooms and taken tea in their parlors. I can safely say there is nothing to equal that first college library I saw, except perhaps Magdalen College Chapel, with its divine ornamentation. We first went into a reading room surrounded by stained glass like a tall terrarium, in which the students, rare captive plants, sat around tables whose antiquity was almost as great as that of the college itself. Strange lamps hung from the ceiling, and enormous globes from the era of Henry VIII stood on pedestals in the corners. Stephen Barley pointed out the many volumes of the originalOxford English Dictionary lining the shelves of one wall; others were filled with atlases from a long sweep of centuries, others with ancient peerages and works of English history, still others with Latin and Greek textbooks from every era of the college’s existence. In the center of the room stood a giant encyclopedia on a carved baroque stand, and near the entrance to the next room rested a glass case in which I could see a stark-looking old book that Stephen told me was a Gutenberg Bible. Above us, a round skylight like the oculus of a Byzantine church admitted long tapers of sunlight. Flights of pigeons wheeled overhead. The dusty sunshine touched the faces of students reading and turning pages at the tables, brushed their heavy jumpers and serious faces. It was a paradise of learning, and I prayed for eventual admission.

The next room was a vast hall hung with balconies, winding staircases, a high clerestory of old glass. Every available wall was lined with books, top to bottom, stone floor to vaulted ceiling. I saw acres of finely tooled leather bindings, swaths of portfolios, masses of little dark red nineteenth-century volumes. What, I wondered, could be in all those books? Would I understand anything in them? My fingers itched to take a few off the shelves, but I didn’t dare touch even a binding. I wasn’t sure if this was a library or a museum. I must have been gazing around with naked emotion on my face, because I suddenly caught my guide smiling at me, amused. “Not bad, eh? You must be a bookworm yourself. Come on, then-you’ve seen the best of it, and we’ll go up to the Camera.”

The bright day and the noisy, speeding cars were more jarring than ever after the hush of the library. I had them to thank, however, for a sudden gift: as we hurried across the traffic, Stephen took my hand, pulling me along to safety. He might have been someone’s peremptory big brother, I thought, but the touch of that dry, warm palm sent a tingling signal into mine, which glowed there after he’d dropped my hand. I felt sure, stealing glances at his cheerful, unchanged profile, that the message had registered in only one direction. But it was enough, for me, to have received it.

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