Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“You are absolutely not going to do that,” I murmured. “Getting information about Rossi is my problem.”

“Getting information about Rossi is precisely my problem,” she muttered back. “Please do not think that I am doing you a favor, Mr. Dutch Merchants.”

I glanced sidelong at her. I was getting used to her harsh humor, I realized, and something about the curve of her cheek next to that long straight nose looked almost playful, amused. “All right. But I’ll be right behind him, and if you get into trouble I’ll be up there in a split second to help you.”

At the library doors we parted with a show of cordiality. “Good luck with your research, Mr. Dutch,” Helen said, shaking my hand in her gloved one.

“And you with yours, Miss -”

“Shh,” she said and walked off. I retreated into the card-catalog stands and pulled out a drawer at random to make myself look busy: “Ben-Hurto Benedictine.” With my head bent over it, I could still see the circulation desk; Helen was getting a permission slip to enter the stacks, her form tall and slim in the black coat, her back turned decisively on the long nave of the library. Then I saw the librarian creeping along the other side of the nave, keeping close to the other half of the card catalog. He had reached “H” by the time Helen moved toward the door of the stacks. I knew that door intimately, went through it almost daily, and never before had it yawned with meaning for me as it did now. It stayed propped open during the day, but a guard nearby checked entrance slips. In a moment, Helen’s dark figure had vanished up the iron stairs. The librarian lingered for a minute at “G,” then groped for something in his jacket pocket-he must have special library identification, I realized-flashed a card, and disappeared.

I hurried to the circulation desk. “I’d like to use the stacks, please,” I said to the woman on duty. I’d never seen her before-she was very slow-and it seemed to me her round little hands fumbled for an eternity with the yellow slips before she could give me one. At last I made it through the doorway and put a cautious foot on the stairway, looking up. On each floor you could see up one level through the metal steps, but no farther. No sign of the librarian above me, no sound.

I crept to the second floor, past economics and sociology. The third was deserted, too, except for a couple of students at their carrels. On the fourth floor I began to feel really worried. It was too quiet. I should never have let Helen use herself as bait on this mission. I suddenly remembered Rossi’s story about his friend Hedges, and it made me quicken my pace. The fifth floor-archaeology and anthropology-was full of students, undergraduates attending some kind of study group, comparing notes sotto voce. Their presence relieved me somewhat; nothing heinous could be going on just two floors above that. On the sixth floor I could hear footsteps above me, and on the seventh-history-I paused, unsure how to enter the stacks without giving my presence away.

At least I knew this floor well; it was my kingdom, and I could have told you the placement of every carrel and chair, every row of oversize books. At first, history seemed as still as the other floors, but after a moment I picked up muffled conversation from a corner of the stacks. I crept toward it, past Babylon and Assyria, treading as quietly as I could. Then I caught Helen’s voice. I was sure it was Helen’s, and then an unpleasant scraping voice that must be the librarian’s. My heart turned over. They were in the medieval section-I knew it well, now-and I got close enough to hear their words, although I couldn’t risk looking around the end of the next stack. They seemed to be on the other side of the shelves to my right. “Is that correct?” Helen was asking in a hostile tone.

The scraping little voice came again. “You have no right poking around in those books, young lady.”

“Those books? University property? Who are you to confiscate university library books?”

The librarian’s voice was angry and wheedling at the same time. “You don’t need to fool around with such books. They aren’t nice books for a young lady to be reading. Just turn them in today and nothing more will be said.”

“Why do you want them so badly?” Helen’s voice was firm and clear. “Does it have something to do with Professor Rossi, perhaps?”

Cowering behind English feudalism, I wasn’t sure whether to cringe or to cheer aloud. Whatever Helen thought of all this, she was at least intrigued. Apparently she did not consider me crazy. And she was willing to help me, if only to gather information about Rossi for her own ends.

“Professor-who? I don’t know what you mean,” the librarian snapped.

“Do you know where he is?” Helen asked sharply.

“Young lady, I have no idea what you’re talking about. But I need you to return those books, for which the library has other plans, or there will certainly be consequences for your academic career.”

“My career?” Helen scoffed. “I cannot possibly return those books just now. I have important work to do with them.”

“Then I will have to force you to return them. Where are they?” I heard a step, as if Helen had moved away. I was on the verge of swinging around the end of the stack and bringing a folio of Cistercian abbeys down on the nasty little weasel when Helen suddenly played a new card.

“I’ll tell you what,” she said. “If you can tell me something about Professor Rossi, maybe I could share with you a little -” She paused. “A little map I saw recently.”

My stomach dropped all seven stories at once. The map? What was Helen thinking? Why was she giving away such a vital piece of information? That map might be our most dangerous possession, if Rossi’s analysis of its meaning were true, and our most important one. My most dangerous possession, I corrected myself. Was Helen double-crossing me? I saw it in a flash: she wanted to use the map to get to Rossi first, complete his research, use me to learn all he had learned and passed on to me, publish, expose him-I didn’t have time for more than a fleeting revelation because the next moment the librarian let out a roar. “The map! You have Rossi’s map! I’ll kill you for that map!” A gasp from Helen, then a cry and a thump. “Put that down!” screamed the librarian.

My feet didn’t touch the ground until I was on top of him. His little head hit the floor with a thump that rattled my brains, too. Helen crouched next to me. She was very white but looked calm. She was holding up her twenty-five-cent silver crucifix from the church, keeping it trained on him as he fought and spat under me. The librarian was frail, and for a few minutes I could more or less pin him down-lucky for me, since I’d spent the last three years turning through brittle Dutch documents, not lifting weights. He flailed in my grasp, and I brought my knee down on his legs. “Rossi!” he shrieked. “It’s not fair! I should have gone instead-it was my turn! Give me the map! I waited so long-I did twenty years of research for this!” He began to sob, a pitiful, ugly sound. As his head jerked back and forth, I saw the double wound near the edge of his collar, two scabby thorn holes. I kept my hands as far away from it as I could.

“Where’s Rossi?” I growled. “Tell us this instant where he is-did you hurt him?” Helen held the little cross closer and he turned his face away, writhing under my knees. It was astounding to me, even at that moment, to see the effect of that symbol on the creature. Was this Hollywood, superstition, or history? I wondered how he’d been able to walk into the church-but there he had stayed far from the altar and chapels, I remembered, and had shrunk away even from the altar-guild lady.

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