Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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Saint Mary’s was indeed open, fortunately, and its dark paneled interior smelled of wax and dusty upholstery. Two old ladies in hats sprigged with fake flowers were arranging real ones on the carved altar up front. I stepped in rather awkwardly and settled myself in a back pew, where I could see the doors without being seen at once by anyone who entered. It was a long wait, but the quiet interior and the ladies’ hushed conversation soothed me a little. I began to feel tired for the first time, after my late night. At last the front door swung open again on its ninety-year-old hinges, and Helen Rossi stood hesitating for a moment, looked behind her, and then stepped in.

Sunlight from the side windows threw turquoise and mauve on her clothes as she stood there. I saw her glance around the carpeted entrance. Seeing no one, she moved forward. I watched for any kind of cringing, for an evil shriveling of skin or color in her firm face-anything, I didn’t know what, that might show an allergy to Dracula’s ancient enemy, the church. Perhaps a boxy Victorian relic wouldn’t ward off the forces of darkness anyway, I thought doubtfully. But this building apparently had some power of its own for Helen Rossi, because after a moment she moved through the radiant colors of the window toward the wall font. With a sense of shame for my voyeurism, I saw her remove her gloves and dip one hand into the basin, then touch her forehead. The gesture was tender; her face from where I sat had a grave look. Well, I was doing it for Rossi. And now I knew absolutely that Helen Rossi was not avrykolakas, however hard and sometimes sinister her appearance.

She came into the nave and then drew back a little, seeing me get to my feet. “Did you bring the letters?” she whispered, her eyes fixing me accusingly. “I have to return to my department by one o’clock.” She glanced around again.

“What’s wrong?” I asked quickly, my arms prickling with instinctive nervousness. I seemed to have developed some sort of morbid sixth sense over the last two days. “Are you afraid of something?”

“No,” she said, still whispering. She clenched her gloves together in one hand so that they looked like a flower against her dark suit. “I simply wondered-did someone else come in just now?”

“No.” I glanced around, too. The church was pleasantly empty except for the altar-guild ladies.

“Someone was following me,” she said in the same low voice. Her face, framed by the roll of heavy dark hair, wore an odd expression, mixed suspicion and bravado. For the first time, I wondered what it had cost her to learn her own species of courage. “I think he was following me. A small, thin man in shabby clothes-tweed jacket, green tie.”

“Are you sure? Where did you see him?”

“In the card catalog,” she said softly. “I went to check your story about the missing cards. I simply was not sure I believed it.” She spoke matter-of-factly, without apology. “I saw him there, and the next thing I knew he was following me, but at a distance, on Elm Street. Do you know him?”

“Yes,” I said dismally. “He’s a librarian.”

“A librarian?” She seemed to wait for more, but I couldn’t bring myself to tell her about the wound I’d seen on the man’s neck. It was too incredible, too strange; hearing that, she would certainly give me up as a mental case.

“He seems suspicious of my movements. You absolutely must stay out of his way,” I said. “I’ll tell you more about him later. Come, sit down and be comfortable. Here are the letters.”

I made room for her in one of the velvet-cushioned pews and opened my briefcase. Immediately her face was intent; she lifted out the package with careful hands and removed the letters almost as reverently as I had the day before. I could only wonder what kind of sensation this must be for her, to see on some of them the handwriting of the alleged father she had known only as a source of anger. I looked at it over her shoulder. Yes, it was a firm, kind, upright hand. Perhaps it had already made him seem faintly human to his daughter. Then I thought I should stop watching, and I got to my feet. “I’ll just wander around here and give you whatever time you need. If there’s anything I can explain or help you with -”

She nodded absently, eyes fixed on the first letter, and I walked away. I could see she would handle my precious papers with care, and that she was already reading Rossi’s lines with great swiftness. For the next half hour I examined the carved altar, the paintings in the chapel, the tasseled hangings at the pulpit, the marble figure of the exhausted mother and her squirming baby. One of the paintings in particular caught my attention: a ghoulish Pre-Raphaelite Lazarus, tottering out of the tomb into the arms of his sisters, his ankles gray-green and his grave clothes dingy. The face, faded after a century of smoke and incense, looked bitter and weary, as if gratitude were the last thing he felt on being called back from his rest. The Christ who stood impatiently at the tomb’s entrance, holding up his hand, had a countenance of pure evil, greedy and burning. I blinked, turned away. My lack of sleep was clearly poisoning my thoughts.

“I’m done,” Helen Rossi said behind me. Her voice was low, and she looked pale and tired. “You were right,” she said. “There is no mention of his affair with my mother, or even of his traveling to Romania. You were telling the truth about that. I cannot understand it. This must have been during the same period, surely the same trip to the Continent, because I was born nine months after that.”

“I’m sorry.” Her dark face hadn’t asked for pity, but I felt it. “I wish I had some clues for you here, but you see how it is. I can’t explain it, either.”

“At least we believe each other, don’t we?” She looked directly at me.

I was surprised to discover I could feel pleasure in the midst of all this grief and apprehension. “We do?”

“Yes. I don’t know if something called Dracula exists, or what it is, but I believe you when you say Rossi-my father-felt himself in danger. He clearly felt it many years ago, so why not a return of his fears when he saw your little book, an uncomfortable coincidence and reminder of the past?”

“And what do you make of his disappearance?”

She shook her head. “It could have been a mental breakdown, of course. But I understand what you mean, now. His letters have the mark of”-she hesitated-“a logical and fearless mind, just like his other works. Besides, you can tell a great deal from a historian’s books. I know his very well. They are the efforts of stable, clear thought.”

I led her back to the letters and my briefcase; it made me nervous to leave them alone for even a few minutes. She had put everything neatly back in the envelope-in its original order, I had no doubt. We sat down on the pew together, almost companionably.

“Let’s just say there might be some supernatural force involved in his disappearance,” I ventured. “I can’t believe I’m saying this, but for the sake of argument. What would you advise doing next?”

“Well,” she said slowly. Her profile was sharp and thoughtful, close to me in the dim light. “I cannot see that this will help you very much in a modern investigation, but if you were to obey the dictates of Dracula lore, you would have to assume that Rossi has been assaulted and removed by a vampire, who would either kill him or-more likely-pollute him with the curse of the undead. Three attacks that mingle your blood with that of Dracula or one of his disciples make you a vampire eternally, you know. If he has been bitten once already, you will have to find him as soon as possible.”

“But why would Dracula appear here, of all places? And why abduct Rossi? Why not just strike him and corrupt him, without making the change noticeable to anyone?”

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