Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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It was signed with affectionate warmth, but I could see that he had written it hastily. My heart was pounding. I quickly fastened the chain around my neck and divided the garlic to put in the pockets of my dress. It was like my father, I thought, looking around the empty room, to make the bed so neatly in the middle of a silent hurry to leave the college. But why this haste? Whatever his errand was, it could not be a simple diplomatic mission, or he would have told me as much. He’d often had to respond to professional emergencies; I had known him to leave with little warning to attend a crisis on the other side of Europe, but he always told me where he was going. This time, my racing heart told me, he hadn’t departed on business. Besides, he was supposed to be here in Oxford this week, giving lectures and attending meetings. He was not one to break an obligation lightly.

No. His disappearance must have some connection with the strain he’d been showing lately-I realized now that I’d feared something like this all along. Then there was that scene yesterday in the Radcliffe Camera, my father deep in-what had he been reading, exactly? And where, oh where, had he gone? Where, without me? For the first time in all the years I remembered, all the years in which my father had sheltered me from the loneliness of life with no mother, no siblings, no home country, all the years of his being both father and mother-for the first time, I felt like an orphan.

The master was very kind when I appeared with my suitcase packed and my raincoat over my arm. I explained to him that I was fully ready to travel by myself. I assured him I was grateful for his offer of a student to see me home-across the whole Channel-and that I would never forget his kindness. I felt a twinge at that, a small but distinct twang of disappointment-how pleasant it could have been to travel for a day with Stephen Barley smiling at me from the opposite train seat! But it had to be said. I would be safely home within hours, I repeated, pressing down my sudden mental picture of a red marble basin filled with melodic water, afraid this kindly smiling man might divine it in me, might see it on my face, even. I would be safely home soon and could call him if he needed extra reassurance. And then, of course, I added with still greater duplicity, my father would be home in a few days himself.

Master James was certain I was capable of traveling alone; I looked like an independent lass, to be sure. It was just that he couldn’t-he turned an even gentler smile on me-he simply couldn’t go back on his word to my father, an old friend. I was my father’s most priceless treasure, and he couldn’t ship me off without proper protection. It wouldn’t be for my sake, exactly, I must realize that, but for my father’s-we had to indulge him a bit. Stephen Barley materialized before I could argue more, or even fully register the idea that the master was my father’s old friend when I’d believed they’d met just two days ago. But I had no time for this irregularity; Stephen was standing there looking like my old friend, in his turn, his own jacket and bag in hand, and I couldn’t be completely sorry to see him. I regretted the detour it would cost me, but not as thoroughly as I should have. It was impossible for me not to welcome his practical grin, or his “Got me out of a little work, you did!”

Master James was more sober. “You’re on the job yet, my lad,” he told him. “I want a call from Amsterdam as soon as you’re there, and I want to talk with the housekeeper. Here’s money for your tickets and some meals, and you’ll bring me back your receipts.” His hazel eyes twinkled then. “That’s not to say you can’t get a little Dutch chocolate for yourself at the station. Fetch me a bar, too. It’s not as good as Belgian, but it’ll do. Off with you now, and use your head.” Next he gave me a grave handshake and his card. “Good-bye, my dear. Come again and see us when you’re thinking of university for yourself.”

Outside the office, Stephen grabbed my bag for me. “Let’s go, then. We’ve tickets for the ten-thirty, but we might as well get a head start.”

The master and my father had taken care of every detail, I noted, and I wondered what extra chains I’d have to slip at home. I had other business for now, however. “Stephen?” I began.

“Oh, call me Barley.” He laughed. “Everyone else calls me that, and I’m so used to it now that it gives me the creeps to hear my real name.”

“All right.” His smile was just as contagious today-easily as contagious. “Barley, I-could I ask you a favor before we leave?” He nodded. “I’d just like to go into the Camera one more time. It was so beautiful, I-and I’d like to see the vampire collection. I didn’t really get to look at it.”

He groaned. “I could tell you like grisly stuff. Seems to run in your family.”

“I know.” I felt myself flushing.

“All right. Let’s take a quick look again, but then we’ve got to run. Master James will put a stake throughmy heart if we miss the train.”

The Camera was quiet this morning, nearly empty, and we hurried up a polished staircase to the macabre niche where we’d surprised my father the day before. I swallowed a threat of tears as we entered the tiny room; hours ago, my father had been sitting here, that strangely distant look veiling his eyes, and now I didn’t even know where he was.

I remembered where he’d shelved the book, though, replaced it so casually as we talked. It would be below the case with the skull, to the left. I ran a finger along the edge of the shelf. Barley stood near me (it was impossible for us not to stand close together in that tiny space, and I wished he would wander out to the balcony instead), watching with frank curiosity. Where the book should have been was a gap like a missing tooth. I froze: surely my father would never, ever steal a book, so who could have taken it? But a second later I recognized the volume a hand’s length away. Someone had certainly moved it since I’d been there last. Had my father returned for a second look? Or had someone else taken it off the shelf? I glanced suspiciously at the skull in the glass case, but it gave back a bland, anatomical gaze. Then I lifted the book down, very carefully-there was the tall, bone-colored binding with a black silk ribbon protruding from the top. I laid it on the table and found the title page:Vampires du Moyen Age, Baron de Hejduke, Bucarest, 1886.

“What do you want with this morbid rubbish?” Barley was gazing over my shoulder.

“School paper,” I mumbled. The book was divided into chapters, as I remembered:“Vampires de la Toscane,” “Vampires de la Normandie,” and so on. I found the right one at last:“Vampires de Provence et des Pyrénées.” Oh, Lord, was my French up to this? Barley was starting to look at his watch. I ran a quick finger above the page, careful not to touch the magnificent type or ivory paper.“Vampires dans les villages de Provence -” What had my father been looking for here? He’d been poring over this first page of the chapter.“‘Il y a aussi une legende…’” I leaned closer.

Since that moment, I have known many times what I first experienced then. Until then, my forays into written French had been purely utilitarian, the completion of almost mathematical exercises. When I comprehended a new phrase it was merely a bridge to the next exercise. Never before had I known the sudden quiver of understanding that travels from word to brain to heart, the way a new language can move, coil, swim into life under the eyes, the almost savage leap of comprehension, the instantaneous, joyful release of meaning, the way the words shed their printed bodies in a flash of heat and light. Since then I have known this moment of truth with other companions: German, Russian, Latin, Greek, and-for a brief hour-Sanskrit.

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