Elisabeth Kostova - The Historian

Здесь есть возможность читать онлайн «Elisabeth Kostova - The Historian» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Historian: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Historian»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

The Historian — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Historian», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

But that first time held the revelation of all the others.“‘Il y a aussi une legende,’” I breathed, and Barley suddenly bent to follow the words. What he translated aloud, however, I had already taken in with a mental gasp: “‘There is also a legend that Dracula, noblest and most dangerous of all vampires, attained his power not in the region of Wallachia but through a heresy in the monastery of Saint-Matthieu-des-Pyrénées-Orientales, a Benedictine house founded in the year 1000 of Our Lord.’ What is this, anyway?” Barley said.

“School paper,” I repeated, but our eyes met strangely over the book, and he looked as if he were seeing me for the first time. “Is your French very good?” I asked humbly.

“Of course.” He smiled and bent over the page again. “‘Dracula is said to visit the monastery every sixteen years to pay tribute to his origins and to renew the influences that have allowed him to live in death.’”

“Go on, please.” I gripped the edge of the table.

“Certainly,” he said. “‘The calculations done by Brother Pierre de Provence in the early seventeenth century indicate that Dracula visits Saint-Matthieu in the half-moon of the month of May.’”

“What is the moon now?” I gasped, but Barley didn’t know either. There was no further mention of Saint-Matthieu; the remaining pages paraphrased a document from a church in Perpignan about disturbances among sheep and goats in the region in 1428; it wasn’t clear whether the cleric-author blamed vampires or sheep rustlers for these problems. “Odd stuff,” Barley commented. “Is this what your family reads for fun? Do you want to hear about vampires in Cyprus?”

Nothing else in the book looked relevant to my purposes, and when Barley glanced at his watch again, I turned sadly away from the enticing walls of volumes.

“Well, that was cheerful,” Barley said on the way down the staircase. “You’re an unusual girl, aren’t you?” I couldn’t tell how he meant this, but I hoped it was a compliment.

On the train, Barley entertained me with chat about his fellow students, a pageant of madcaps and scapegoats, then carried my bag onto shipboard for me above the oily gray water of the Channel. It was a bright, chill day and we settled into the vinyl seats inside, sheltered from the wind. “I don’t sleep much during term,” Barley informed me, and promptly dozed off with his coat rolled into a ball under one shoulder.

It was just as well for me that he slept for a couple of hours, because I had a lot to ponder, matters of a practical nature as well as a scholarly one. My immediate problem was not a question of links among historical events but of Mrs. Clay. She would be waiting all too solidly in the front hall of our house in Amsterdam, full of smothering concern for my father and me. Her presence would keep me housebound at least overnight, and if I didn’t appear after school the next day, she would be on my trail like a pack of wolves, probably with half the police force of Amsterdam to keep her company. Also, there was Barley. I glanced at his sleeping face across from me; he was snoring discreetly against his jacket. Barley would be headed off to the ferry again as I left for school tomorrow, and I would have to be careful not to intercept him on the way.

Mrs. Clay was indeed home when we arrived. Barley stood with me on the doorstep while I searched for my keys; he was craning admiringly at the old mercantile houses and gleaming canals-“Excellent! And all those Rembrandt faces in the streets!” When Mrs. Clay suddenly opened the door and drew me inside, he almost didn’t make it in after me. I was relieved to see his good manners take over. While the two of them disappeared into the kitchen to call Master James, I hurried upstairs, calling back that I wanted to wash my face. In fact-the thought made my heart beat with guilty rapidity-I intended to sack my father’s citadel at once. I would figure out later how to deal with Mrs. Clay and Barley. Now I had to find what I felt sure must be hidden there.

Our town house, built in 1620, had three bedrooms on the second floor, narrow dark-beamed rooms that my father adored because, he said, they seemed to him still full of the hardworking and simple people who had first lived in them. His room was the largest of these, an admirable period display of Dutch furniture. He had mixed the spartan furnishings with an Ottoman carpet and bed hangings, a minor sketch by van Gogh, and twelve copper pans from a French farmhouse-these made a gallery on one wall and picked up glints of light from the canal below. I realize now what a remarkable room this was, not only for its display of eclectic tastes but also for its monastic simplicity. It did not contain a single book; those had all been relegated to the library downstairs. No clothing ever hung over the back of the seventeenth-century chair; no newspaper ever profaned the looming desk. There was no telephone and not even a clock-my father woke naturally in the early hours every morning. It was pure living space, a chamber in which to sleep, wake, and perhaps pray-although whether any prayer still occurred there I couldn’t guess-as it had been when it was new. I loved the room but seldom entered it.

Now I went in as quietly as a burglar, shut the door, and opened his desk. It was a terrible feeling, like breaking the seal of a coffin, but I pressed forward, pulling everything out of the pigeonholes, rooting through the drawers but replacing each item with care as I went along-the letters from his friends, his fine pens, his monogrammed notepaper. At last my hand closed on a sealed package. I undid it shamelessly and saw a few lines inside, addressed to me and admonishing me to read the enclosed letters only in the case of my father’s unexpected demise or long-term disappearance. Hadn’t I seen him writing, night after night, something that he covered with one arm when I drew near? I seized the package greedily, closed the desk, and took my find to my own room, listening hard for Mrs. Clay’s foot on the stairs.

The packet was full of letters, each neatly folded into an envelope and addressed to me at our home, as if he had thought he might have to mail them to me one at a time from some other location. I kept them in order-oh, I had learned things without knowing it-and carefully opened the first. It was dated six months earlier and it seemed to begin not with mere words but with a cry from the heart. “My dear daughter”-his handwriting trembled under my eyes-“If you are reading this, forgive me. I have gone to look for your mother.”

Part Two

What sort of place had I come to, and among what kind of people? What sort of grim adventure was it on which I had embarked?… I began to rub my eyes and pinch myself to see if I were awake. It all seemed like a horrible nightmare to me, and I expected that I should suddenly awake, and find myself at home, with the dawn struggling in through the windows, as I had now and again felt in the morning after a day of overwork. But my flesh answered the pinching test, and my eyes were not to be deceived. I was indeed awake and among the Carpathians. All I could do now was to be patient, and to wait the coming of the morning.

– Bram Stoker,Dracula, 1897

Chapter 25

The train station in Amsterdam was a familiar sight to me-I’d passed through it dozens of times. But I had never been there alone before. I had never traveled anywhere alone, and as I sat on a bench waiting for the morning express to Paris, I felt a quickening of my pulses that was not entirely trepidation for my father-a rising of sap that was simply the first moment of complete freedom I had ever known. Mrs. Clay, doing the breakfast dishes at home, thought I was on my way to school. Barley, safely packed off to the ferry wharf, also thought I was on my way to school. I regretted deceiving kind, boring Mrs. Clay and I regretted even more parting from Barley, who had kissed my hand with sudden gallantry on the front step and given me one of his chocolate bars, although I’d reminded him that I could buy Dutch treats anytime I wanted. I thought I might write him a letter when all this trouble had ended-but that far ahead, I could not see.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Historian»

Представляем Вашему вниманию похожие книги на «The Historian» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Historian»

Обсуждение, отзывы о книге «The Historian» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x