Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“Irina had apparently been in the church; she drifted toward us across the hot courtyard as we emerged, and at the sight of her Ranov turned aside to smoke in one of the galleries, then strolled toward the main gate and disappeared through it. I thought I saw him walk a little faster as he reached the gate; perhaps he needed a break from us, too. Stoichev sat heavily down on a wooden bench near the gate, with Irina’s protective hand on his shoulder. ‘Look here,’ he said very quietly, smiling up at us as if we were just chatting. ‘We must talk quickly while our friend cannot hear us. I did not mean to frighten you. There is no document about a pilgrimage back to Wallachia with some relics. I am sorry to say that I was lying. Vlad Dracula is certainly buried at Sveti Georgi, wherever that is, and I have found something very important. In the ”Chronicle,“ Stefan said Sveti Georgi was close to Bachkovo. I could not see any relationship between the Bachkovo area and the maps you have, but there is a letter here from the abbot of Bachkovo to the abbot of Rila, from the early sixteenth century. I did not dare to show it to you in front of our companion. This letter states that the abbot of Bachkovo no longer needs assistance from the abbot of Rila or any other clerics in suppressing the heresy at Sveti Georgi, because the monastery has been burned and its monks scattered. He warns the abbot of Rila to keep a close watch for any monks from there, or any monks who might spread the idea that the dragon has slain Sveti Georgi-Saint George-because this is the sign of their heresy.’

“‘The dragon has slain-wait,’ I said. ‘You mean that line about the monster and the saint? Kiril said they were looking for a monastery with a sign that the saint and the monster were equal.’

“‘Saint George is one of our most important figures in Bulgarian iconography,’ Stoichev said quietly. ‘It would be a strange reversal indeed for the dragon to overcome Saint George. But you remember that the Wallachian monks were looking for a monastery that already had that sign, because that would be the correct place to bring Dracula’s body to reunite it with his head. Now I am beginning to wonder if there was a larger heresy we do not know about-one that might have been known in Constantinople, or Wallachia, or even by Dracula himself. Did the Order of the Dragon have its own spiritual beliefs, outside the order of the Church? Could it have created a heresy somehow? I have never thought of such a possibility before today.’ He shook his head. ‘You must go to Bachkovo and ask the abbot there if he knows anything about this equality or reversal of monster and saint. You must ask him in secret. My letter to him-which your guide will take from you and read-will imply only that you wish to do research about pilgrimage routes, but you must find a way to talk with him in secret. Also, there is a monk there who used to be a scholar, a noted investigator of the history of Sveti Georgi. He worked with Atanas Angelov and was the second person to see the ”Chronicle“ of Zacharias. His name was Pondev when I knew him, but I do not know what it is now that he is a monk. The abbot can help you identify him. There is something else. I do not have here a map of the area near Bachkovo, but I believe that to the northeast of the monastery somewhere there is a long, winding valley that probably once contained a river. I remember seeing this once and speaking with the monks about it when I visited the region, although I do not remember now what they called it. Could this be our dragon’s tail? But what, then, would be the wings of the dragon? Perhaps the mountains? You must look for them, also.’

“I wanted to kneel before Stoichev and kiss his foot. ‘But won’t you come with us?’

“‘I would defy even my niece to do that,’ he replied, smiling up at her, ‘but I fear it would only raise more suspicion. If your guide thinks that I am still interested in this research, he will be even more attentive. Come to see me as soon as you return to Sofia, if you can. I will think of you all the time and wish for your safe journey and the discovery of what you seek. Here-you must take this.’ He put into Helen’s hand a little object, but she closed her fingers quickly over it, and I didn’t see what it was or where she’d put it.

“‘Mr. Ranov has been gone a long time, for him,’ she observed softly.

“I looked quickly at her. ‘Shall I go check on him?’ I had learned to trust Helen’s instincts, and I walked to the main gate without waiting for an answer.

“Just outside the great complex, I saw Ranov standing with another man near a long blue car. The other fellow was tall and graceful in his summer suit and hat, and something about him made me stop short in the shadow of the gate. They were in the middle of an earnest discussion, which broke off suddenly. The handsome man gave Ranov a slap on the back and swung into the seat of the car. I felt the jolt of that friendly cuff, myself-I knew that gesture-it had landed on my own shoulder once. Surely, incredible as it seemed, the man now driving swiftly out of the dusty parking area was Géza József. I shrank back into the courtyard and returned to Helen and Stoichev as quickly as I could. Helen eyed me keenly; perhaps she was learning to trust my instincts, too. I drew her aside for a moment, and Stoichev, although he looked puzzled, was too polite to question me. ‘I think József is here,’ I whispered quickly. ‘I didn’t see his face, but someone who looked like him was talking with Ranov just now.’

“‘Shit,’ Helen said softly. I think that was the first and last time I ever heard her swear.

“A moment later, Ranov came hurrying up. ‘It is time for supper,’ he said flatly, and I wondered if he was regretting having left us alone with Stoichev for a few minutes. I felt sure from his tone that he hadn’t seen me outside. ‘Come with me. We will eat.’

“The silent monastery supper was delicious, a homemade meal served by two monks. A handful of tourists was apparently staying in the hostel with us, and I noted that some of them spoke languages other than Bulgarian. The German-speakers must be on vacation from East Germany, I thought, and perhaps that other sound was Czech. We ate greedily, sitting at a long wooden table, with the monks lined up at another table nearby, and I anticipated with pleasure the narrow cots that awaited us. Helen and I had no moment alone, but I knew she must be thinking about József’s presence. What did he want with Ranov? Or, rather, what did he want from us? I remembered Helen’s warning that we were being followed. Who had told him where we were?

It had been an exhausting day, but I was so anxious to get to Bachkovo that I would gladly have set out on foot if that could have gotten me there faster. Instead we would sleep, to prepare for the next day’s travel. Mingled with the snores from East Berlin and Prague, I would hear Rossi’s voice musing over some controversial point in our work, and Helen saying, half amused at my lack of perspicacity, ‘Of course I will marry you.’“

Chapter 65

June 1962

My beloved daughter:

We are wealthy, you know, because of some terrible things that happened to me and your father. I left most of that money with your father, for your care, but I have enough to last me through a long search, a siege. I exchanged some of it in Zurich almost two years ago, and opened a bank account there under a name I will never tell anyone. My bank account is deep. I draw from that money once a month, to pay for the rented rooms, the archival fees, the meals in restaurants. I spend as little as possible so that one day I can give to you everything that remains, my little one, when you are a woman.

Your loving mother,

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