Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘The one whose bones were brought here eight years before our Wallachian friend entered Bulgaria? The ”Chronicle“ mentioned him.’

“‘Yes.’ Helen brooded over the image, as if she thought it might speak to us if she stood there long enough.

“The endless waiting was starting to tell on my nerves. ‘Helen,’ I said, ‘let’s go for a walk. We can climb up the mountain there and get a view.’ If I didn’t exert myself a little, the thought of Rossi was going to drive me crazy.

“‘All right,’ Helen agreed, and she gave me a hard look, as if reading my impatience. ‘If it is not too far. Ranov will never let us go far.’

“The path up the mountain wound through dense forest that shielded us from the afternoon heat almost as well as the church had. It was so good to be free of Ranov that for a few minutes I simply swung Helen’s hand back and forth as we walked. ‘Do you think it was hard for him to choose between us and Stoichev?’

“‘Oh, no,’ Helen said flatly. ‘He certainly has someone else following us. We will encounter whoever it is after a while, especially if we are gone more than half an hour. He can’t possibly keep up with us alone, and he has to tend to Stoichev carefully, to find out what our research will lead to.’

“‘You sound so matter-of-fact,’ I told her, glancing at her profile as she strode along the dirt track. She had pushed her hat back on her head, and her face was a little flushed. ‘I can’t imagine having grown up knowing all these cynical things, being under surveillance.’

“Helen shrugged. ‘It did not seem so terrible because I did not know anything different.’

“‘And yet you wanted to leave your country and go to the West.’

“‘Yes,’ she said, looking sideways at me. ‘I wanted to leave my country.’

“We stopped to rest for a few minutes on a fallen tree near the road. ‘I’ve been thinking about why they let us come into Bulgaria,’ I told Helen. Even here, out in the woods, I was lowering my voice.

“‘And why they are letting us wander around by ourselves at all.’ She nodded. ‘Have you thought about that?’

“‘It seems to me,’ I told her slowly, ‘that if they aren’t stopping us from finding whatever we’re looking for-which they could do so easily-it’s because theywant us to find it.’

“‘Good, Sherlock.’ Helen fanned my face with her hand. ‘You are learning a great deal.’

“‘So, let’s say they actually know or suspect what we’re looking for. Why would they think it was valuable or even possible that Vlad Dracula is undead?’ It cost me an effort to say this aloud, although I’d dropped my voice to a whisper. ‘You’ve told me many times yourself that communist governments hold peasant superstition in contempt. Why would they encourage us like this, by not preventing us? Do they think they’re going to get some kind of supernatural power over the Bulgarian people if we find his tomb here?’

“Helen shook her head. ‘That would not be it. Their interest is certainly based in power, but it is always scientific in approach. Besides, if there is to be a discovery of anything interesting, they do not want an American to have the credit for it.’ She mused a little. ‘Think-what would be more powerful to science than the discovery that the dead can be brought to life, or to undeath, in any case? Especially for the East Bloc, with its great leaders embalmed in their own tombs?”

“A vision of Georgi Dimitrov’s yellow face, in the mausoleum in Sofia, flashed on me. ‘Then we have all the more reason to destroy Dracula,’ I said, but I could feel the perspiration break out on my forehead.

“‘And I wonder,’ Helen added somberly, ‘if destroying him would make that much difference in the future. Think of what Stalin did to his people, and Hitler. They did not need to live five hundred years to accomplish these horrors.’

“‘I know,’ I said. ‘I’ve thought about that, too.’

“Helen nodded. ‘The strange thing, you know, is that Stalin openly admired Ivan the Terrible. Two leaders who were willing to crush and kill their own people-to do anything necessary-in order to consolidate their power. And whom do you think Ivan the Terrible admired?’

“I felt the blood draining from my heart. ‘You told me there were many Russian tales about Dracula.’

“‘Yes. Exactly.’

“I stared at her.

“‘Can you imagine a world in which Stalin could live for five hundred years?’ She was scraping a soft place on the log with her fingernail. ‘Or perhaps forever?’

“I found myself clenching my fists. ‘Do you think we can find a medieval grave without leading anyone else to it?’

“‘It will be very difficult, perhaps impossible. I am certain they have people watching us everywhere.’

“At this moment a man came around the bend in the path. I was so startled by his sudden appearance that I almost swore aloud. But he was a simple-looking person, roughly dressed and with a bundle of branches on his shoulder, and he waved a hand to us in greeting and passed on. I looked at Helen.

“‘You see?’ she said quietly.”

“Partway up the mountain we found a steep outcropping of rock. ‘Look,’ Helen said. ‘Let’s sit here for a few minutes.’

“The steep, wooded valley lay directly below us, almost filled by the walls and red roofs of the monastery. I could see clearly now the enormous size of the complex. It formed an angular shell around the church, whose domes glowed in the afternoon light, and Hrelyo’s Tower rose in its midst. ‘You can tell from up here how well-fortified the place was. Imagine how often enemies must have looked down on it like this.’

“‘Or pilgrims,’ Helen reminded me. ‘For them it would have been a spiritual destination, not a military challenge.’ She leaned back against a tree trunk, smoothing her skirt. She had dropped her handbag, taken off her hat, and rolled up the sleeves of her pale blouse for relief from the heat. Fine perspiration stood out on her forehead and cheeks. Her face wore the expression I loved best-she was lost in thought, gazing inward and outward at the same time, her eyes wide and intent, her jaw firm; for some reason I valued this look even more than the ones she turned directly on me. She wore her scarf around her neck, although the librarian’s mark had faded to a bruise, and the little crucifix glinted below it. Her harsh beauty sent a pang through me, not of mere physical longing but of something akin to awe at her completeness. She was untouchable, mine but lost to me.

“‘Helen,’ I said, without taking her hand. I hadn’t meant to speak, but I couldn’t stop myself. ‘I’d like to ask you something.’

“She nodded, her eyes and thoughts still on the tremendous sanctuary below us.

“‘Helen, will you marry me?’

“She turned slowly in my direction, and I wondered if I was seeing astonishment, amusement, or pleasure on her face. ‘Paul,’ she said sternly. ‘How long have we known each other?’

“‘Twenty-three days,’ I admitted. I realized now that I hadn’t thought carefully about what I would do if she said no, but it was too late to retract the question, to save it for another moment. And if she said no I couldn’t throw myself off a mountain in the middle of my search for Rossi, although I might be tempted to.

“‘Do you think you know me?’

“‘Not at all,’ I countered staunchly.

“‘Do you think I know you?’

“‘I’m not sure.’

“‘We have so little experience of each other. We come from completely different worlds.’ She smiled this time, as if to take some of the sting out of her words. ‘Besides, I have always thought I would not get married. I am not the sort who marries. And what about this?’ She touched the scarf on her neck. ‘Would you marry a woman who has been marked by hell?’

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