Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“Our companion seemed to be musing over a similar picture. As soon as we were certain Brother Rumen had left, Stoichev said in a low voice, ‘Yes, it is quite possible. But how could the monks of Panachrantos have gotten Dracula’s head from the sultan’s palace? It was indeed a treasure, as Stefan named it in his tale.’

“‘How did we get visas to enter Bulgaria?’ Helen asked, raising her eyebrows. ‘Bakshish-a lot of it. The monasteries were quite poor after the conquest, but some of them might have had hidden stores-gold coin, jewels-something to tempt even the guards of the sultan.’

“I pondered this. ‘Our guidebook for Istanbul said that the heads of the sultan’s enemies were thrown into the Bosphorus after they had been displayed for a while. Maybe someone from Panachrantos intercepted that process-that might have been less dangerous than trying to get it from the palace gates.’

“‘We simply cannot know the truth about this,’ Stoichev said, ‘but I think Miss Rossi’s guess is a very good one. His head was the most likely object they could have sought inTsarigrad. There is a good theological reason, too, for their having done so. Our Orthodox beliefs state that as far as possible the body must be whole in death-we do not practice cremation, for example-because on the Day of Judgment we will be resurrected in our bodies.’

“‘What about the saints and all their relics, scattered everywhere?’ I asked doubtfully. ‘How are they going to be resurrected whole? Not to mention that I saw five of Saint Francis’s hands in Italy a few years ago.’

“Stoichev laughed. ‘The saints have special privileges,’ he said. ‘But Vlad Dracula, although he was an excellent Turk-killer, was certainly not a saint. In fact, Eupraxius was quite worried about his immortal soul, at least according to Stefan’s tale.’

“‘Or about his immortal body,’ Helen pointed out.

“‘So,’ I said, ‘maybe the monks of Panachrantos took his head to give it proper burial, at the risk of their lives, and the Janissaries noticed the theft and began searching, so the abbot sent it out of Istanbul rather than bury it there. Maybe there were pilgrims going to Bulgaria from time to time’-I glanced at Stoichev for confirmation-‘and they sent it for burial at-well, at Sveti Georgi, or some other Bulgarian monastery where they had connections. And then the monks from Snagov arrived, but too late to reunite the body with the head. The abbot of Panachrantos heard about it and spoke with them, and the Snagov monks decided to complete their mission by following with the body. Besides, they had to get the hell out of there before the Janissaries got interested in them, too.’

“‘Very good, for a speculation.’ Stoichev gave me his wonderful smile. ‘As I said, we cannot know for certain, because these are events at which our documents only hint. But you have made a convincing picture of them. We will get you away from the Dutch merchants, eventually.’ I felt myself flush, partly from pleasure and partly from chagrin, but his smile was genial.

“‘And then the Ottoman network was put on guard by the presence and departure of the Snagov monks’-Helen picked up the possible story-‘and maybe they searched the monasteries and discovered that the monks had stayed at Saint Irine, and they sent news of the monks’ journey to the officials along their route, perhaps to Edirne and then to Haskovo. Haskovo was the first large Bulgarian town the monks entered, and that is where they were-what is the term?-detained.’

“‘Yes,’ Stoichev finished. ‘The Ottoman officials tortured two of them for information, but those two brave monks said nothing. And the officials searched the wagon and found only food. But this leaves a question-why did the Ottoman soldiers not find the body?’

“I hesitated. ‘Maybe they weren’t looking for a body. Maybe they were still looking for the head. If the Janissaries had learned very little in Istanbul about the whole thing, they might have thought that the Snagov monks were the transporters of the head. The ”Chronicle“ of Zacharias said that the Ottomans were angry when they opened some bundles and found only food. The body could have been hidden in the woods nearby, if the monks had some warning of the search.’

“‘Or perhaps they constructed the wagon so that there was a special place to hide it,’ pondered Helen.

“‘But a corpse would have stunk,’ I reminded her bluntly.

“‘That depends on what you believe.’ She gave me her quizzical, charming smile.

“‘What I believe?’

“‘Yes. You see, a body that is at risk for becoming undead, or is already undead, does not decay, or it decomposes more slowly. Traditionally, if villagers in Eastern Europe suspected vampirism, they would dig up corpses to check for decomposition, and ritually destroy those that were not decaying properly. It is still done sometimes, even now.’

“Stoichev shuddered. ‘A peculiar activity. I have heard of it even in Bulgaria, although of course it is illegal now. The Church has always discouraged the desecration of graves, and now our government discourages all superstitions-as well as it can.’

“Helen almost shrugged. ‘Is it any stranger than hoping for bodily resurrection?’ she asked, but she smiled at Stoichev, and he too was charmed.

“‘Madam,’ he said, ‘we have very different interpretations of our heritage, but I salute your quickness of mind. And now, my friends, I would like some time to study your maps-it has occurred to me that there are materials in this library that may be of assistance in reading them. Give me an hour-what I do now will be dull for you, and slow for me to explain.’

“Ranov had just come in again, restlessly, and stood looking around the library. I hoped he hadn’t caught the mention of our maps.

“Stoichev cleared his throat. ‘Perhaps you will like to go into the church and see its beauty.’ He glanced very slightly toward Ranov. Helen immediately got up and went to Ranov to engage him in some slight complication, while I fished discreetly in my briefcase and pulled out my file of copies of the maps. When I saw the eagerness with which Stoichev took them, my heart leaped with hope.

“Unfortunately, Ranov seemed more interested in hovering over Stoichev’s work and conferring with the librarian than in following us, although I devoutly wished we could draw him off. ‘Would you help us find some dinner?’ I asked him. The librarian stood silent, studying me closely.

“Ranov smiled. ‘Are you hungry? It is not yet time for the meal here, which is supper at six o’clock. We will wait for that. We will have to eat with the monks, unfortunately.’ He turned his back on us and began to study a shelf of leather-bound volumes, and that was that.

“Helen followed me to the door and squeezed my hand. ‘Shall we go for a walk?’ she said, once we were outside.

“‘I don’t know whether I know how to do anything without Ranov, at this point,’ I said grimly. ‘What will we talk about without him?’

“She laughed, but I could see she was worried, too. ‘Should I go back and try again to distract him?’

“‘No,’ I said. ‘Better not. The more we do that the more he’ll wonder what Stoichev is looking at. We can’t get rid of him any more than we could a fly.’

“‘He would make a good fly.’ Helen took my arm. The sun was still brilliant in the courtyard, and hot when we left the shadow of the immense monastery walls and galleries. Looking up, I could see the forested slopes around the monastery, and the vertical rock peaks above them. Far overhead, an eagle banked and wheeled. Monks in their heavy, belted black gowns, tall black hats, and long black beards came and went between the church and the first floor of the monastery, or swept the wooden gallery floors, or sat in a triangle of shade near the porch of the church. I wondered how they endured the summer heat in those garments. The interior of the church gave me some insight; it was as cool as a springhouse, lit only by twinkling candles and the glimmer of gold, brass, jewels. The inner walls were ornately gilded and painted with images of saints and prophets-‘Nineteenth-century work,’ Helen said confidently-and I paused before an especially sober image, a saint with a long white beard and neatly parted white hair gazing straight out at us. Helen sounded out the letters near his halo. ‘Ivan Rilski.’

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