Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘It is an old song, very old-I think at least three or four hundred years. It tells the story of a beautiful Bulgarian maiden who is chased by the Turkish invaders. They want her for the harem of the local pasha, and she refuses. She runs up a high mountain near her village and they gallop after her on their horses. At the top of the mountain is a cliff. There she cries out that she would rather die than become the mistress of an infidel, and she throws herself off the cliff. Later a spring rises up at the foot of the mountain, and it is the purest, sweetest water in that valley.’

“Helen nodded. ‘We have songs with a similar theme in Romania.’

“‘They exist wherever the Ottoman yoke fell over the Balkan peoples, I think,’ Stoichev said gravely. ‘We have in Bulgarian folklore thousands of such songs, with various themes-all are a cry of protest against the enslavement of our people.’

“The accordionist seemed to feel he had wrung our hearts sufficiently, for at the end of the song he gave a wicked smile and burst into dance music once more. This time most of the guests rose to join the line, which snaked around the terrace. One of the men urged us to come along, and after a second Helen followed, although I stayed firm in my chair next to Stoichev. I enjoyed watching her, though. She caught the dance step after a short demonstration. Some kind of dance must have been in her blood; she held herself with natural dignity, her feet moving surely to the jagged beat. Following her lithe form in the pale blouse and black skirt, her glowing face with the dark curls escaping around it, I found myself almost praying that nothing would ever harm her, and wondering, too, if she would let me keep her safe.”

Chapter 61

“If my first glimpse of Stoichev’s house had filled me with sudden hopelessness, my first glimpse of Rila Monastery filled me with awe. The monastery sat in a dramatically deep valley-almost filling it, at that point-and above its walls and domes rose the Rila Mountains, which are very steep and forested with tall spruces. Ranov had parked his car in the shade outside the main gate, and we made our way in with several clumps of other tourists. It was a hot, dry day; the Balkan summer seemed to be closing in, and dust from the bare ground swirled around our ankles. The great wooden doors of the gate were open, and we went through them into a sight I can never forget. Around us loomed the striped walls of the monastery fortress, with their alternating patterns of black and red on white plaster, hung with long wooden galleries. Filling a third of the enormous courtyard was a church of exquisite proportions, its porch heavily frescoed, its pale green domes alight in the midday sun. Beside it stood a muscular, square tower of gray stone, visibly older than everything else in sight. Stoichev told us that this was Hrelyo’s Tower, built by a medieval nobleman as a haven from his political enemies. It was the only remaining part of the earliest monastery on the site, which had been burned by the Turks and rebuilt centuries later in this striped splendor. As we stood there, the church bells began to toll, frightening a flock of birds into the sky. They soared upward, startled, and, following them with my gaze, I saw again the unimaginably high peaks above us-a day’s climb, at least. I caught my breath; was Rossi here somewhere, in this ancient place?

“Helen, standing next to me with a thin scarf tied over her hair, put her arm through mine, and I remembered the moment in Hagia Sophia, that evening in Istanbul that seemed history already but had actually been only days before, when she had grasped my hand so hard. The Ottomans had conquered this land long before they had taken Constantinople; by rights, we should have begun our trip here, not in Hagia Sophia. On the other hand, even before that, the doctrines of the Byzantines, their elegant arts and architecture, had reached out from Constantinople to flavor Bulgarian culture. Now Saint Sophia was a museum among mosques, while this dramatically secluded valley brimmed with Byzantine culture.

“Stoichev, beside us, was clearly enjoying our astonishment. Irina, in a broad-brimmed hat, held his arm tightly. Only Ranov stood alone, scowling at the beautiful scene, turning his head suspiciously when a group of black-cowled monks passed us on their way into the church. It had been a struggle for us to persuade him to pick up Stoichev and Irina in his car and bring them along; he wanted Stoichev to have the honor of showing us Rila, he said, but there was no reason Stoichev couldn’t take the bus like the rest of the Bulgarian people. I’d restrained myself from pointing out that he, Ranov, didn’t seem to take the bus much himself. We had finally prevailed, although this didn’t prevent Ranov from grumbling about the old professor most of the way from Sofia to Stoichev’s house. Stoichev had used his fame to promote superstition and antipatriotic ideas; everyone knew that he had refused to drop his very unscientific allegiance to the Orthodox church; he had a son studying in East Germany who was almost as bad as he was. But we had won the battle, Stoichev could ride with us, and Irina whispered gratefully during our stop for lunch at a mountain tavern that she would have tried to prevent her uncle from going at all if they’d had to take the bus; he couldn’t stand such a hard trip in this heat.

“‘This is the wing where the monks still live,’ Stoichev said. ‘And over there, along that side, is the hostel where we will sleep. You will see how peaceful it is here at night, in spite of all the visitors in the day. This is one of our greatest national treasures, and many people come to see it, especially in the summer. But at night it becomes very quiet again. Come,’ he added, ‘we will go in to see the abbot. I called him yesterday and he is expecting us.’ He led the way with surprising vigor, looking eagerly around, as if the place gave him new life.

“The abbot’s audience chambers, when we reached them, were on the first floor of the monastic wing. A black-gowned monk with a long brown beard held the door for us and we went in, Stoichev removing his hat and entering first. The abbot rose from a bench near the wall and came forward to meet us. He and Stoichev greeted each other very cordially, Stoichev kissing his hand and the abbot blessing the old man. The abbot was a lean, upright man of perhaps sixty, his beard streaked with gray and his blue eyes-I was rather surprised to realize there were blue-eyed Bulgarians-tranquil. He shook hands with us in a very modern way, and with Ranov, who greeted him with obvious disdain. Then he gestured for us all to sit down, and a monk brought in a tray of glasses-not full ofrakiya, in this place, but of cool water, accompanied by small dishes of that rose-flavored paste we had encountered in Istanbul. I noticed that Ranov did not drink his, as if he suspected poison.

“The abbot was clearly delighted to see Stoichev there, and I imagined the visit must be a particular pleasure to both of them. He asked us through Stoichev where we were from in America, whether we had visited other monasteries in Bulgaria, what he could do to help us, how long we would be able to stay. Stoichev spoke with him at length, translating obligingly so that we could answer the abbot’s questions. We could use the library as much as we liked, the abbot said; we could sleep in the hostel; we should attend the services in the church; we were welcome anywhere except the monks’ quarters-this with a gentle nod at Helen and Irina-and they would not hear of Professor Stoichev’s friends paying for their lodging. We thanked him gratefully and Stoichev got to his feet. ‘Now,’ he said, ‘since we have these kind permissions, we will go to the library.’ He was already making his way cautiously to the door, kissing the abbot’s hand, bowing.

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