Elisabeth Kostova - The Historian

Здесь есть возможность читать онлайн «Elisabeth Kostova - The Historian» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Триллер, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Historian: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Historian»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

The Historian — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Historian», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“‘My God.’ I was remembering my poor cat, and Rossi’s friend Hedges. ‘Was there someone or something else in the room? What did you do, when you saw this?’

“‘There was no one in the room,’ he said in a low voice. ‘The door had been locked, and it was still locked when I returned and went in and saw this terrible scene. I called the police, and they looked everywhere and finally they-how do you say?-they analyzed a sample of the fresh blood and did some comparisons. They discovered easily whose blood type it was, at least.’

“‘Whose?’ Helen leaned forward.

“Stoichev’s voice dropped even lower, so that I too leaned forward to catch the words. Sweat stood out on his wrinkled face. ‘It was mine,’ he said.

“‘But -’

“‘No, of course not. I had not been there. But the police thought I had prepared the entire scene myself. The one thing that did not match was this fingerprint. They said they had never seen a human print like it-it had too few lines. They gave me back the book and my papers and caused me to pay some money for playing tricks with the law. And I almost lost my teaching position.’

“‘And you dropped your research?’ I guessed.

“Stoichev lifted his thin shoulders helplessly. ‘It is the only project I have not continued. I might have gone on, even then, except for this.’ He turned slowly to the second leaf of the folio. ‘This,’ he repeated, and there on the page we saw a single word written in a beautiful and archaic hand in ancient, mellowed ink. I knew just enough by now of Kiril’s famous alphabet to puzzle it out, although the first letter stumped me for a second. Helen read it aloud. ‘STOICHEV,’ she whispered. ‘Oh, you found your own name in it. How terrible.’

“‘Yes, my own name, and in a handwriting and an ink that were clearly medieval. I have always regretted that I was a coward about this project, but I was afraid. I thought that something might happen to me-like what happened to your father, madam.’

“‘You feared with good reason,’ I told the old scholar. ‘But we hope it’s not too late for Professor Rossi.’

“He straightened in his chair. ‘Yes. If we can somehow find Sveti Georgi. First, we must go to Rila and look at the other letters by Brother Kiril. As I said, I never before connected them with the ”Chronicle“ of Zacharias. I do not have copies of them here, and the authorities at Rila have not allowed them to be published, although several historians-including myself-have requested permission. And there is someone at Rila with whom I would like you to talk. He may not be of any assistance, however.’

“Stoichev looked as if he had something else to say, but at that moment we heard vigorous footsteps on the stairs. He tried to rise, then shot me a pleading look. I snatched up the dragon folio and plunged into the next room with it, where I hid it as well as I could behind a box. I rejoined Stoichev and Helen in time to see Ranov open the door to the library.

“‘Ah,’ he said. ‘A conference of historians. You are missing your own party, Professor.’ He browsed unabashedly through the books and papers on the table and at last picked up the old journal from which Stoichev had read us parts of the ‘Chronicle’ of Zacharias. ‘This is the object of your attention?’ He almost smiled at us. ‘Perhaps I should read it, too, to educate myself. There is much I still do not know about the medieval Bulgaria. And your so-distracting niece is not as interested in me as I thought. I have given her a serious invitation at the most beautiful end of your garden, and she is rather resistant.’

“Stoichev flushed angrily and seemed on the verge of speaking, but to my surprise Helen saved him. ‘Keep your dirty bureaucratic hands off that girl,’ she said, looking Ranov in the eye. ‘You are here to bother us, not her.’ I touched her arm, hoping she would not enrage the man somehow; the last thing we needed was a political disaster. But she and Ranov simply gave each other a long, measured glare, and then each turned away.

“In the meantime, Stoichev had recovered himself. ‘It would be most helpful for the research of these visitors if you would arrange for them to travel to Rila,’ he told Ranov calmly. ‘I would like to travel with them also, and it will be an honor for me to show them the library of Rila myself.’

“‘Rila?’ Ranov weighed the journal in his hand. ‘Very well. We will make that our next excursion. It may be possible the day after tomorrow. I will send a message to you, Professor, to let you know when you can meet us there.’

“‘Couldn’t we go tomorrow?’ I tried to sound casual.

“‘So you are in a hurry?’ Ranov raised his eyebrows. ‘It takes time to arrange such a large request.’

“Stoichev nodded. ‘We will wait patiently, and the professors can enjoy the sights of Sofia until then. Now, my friends, this has been a pleasant exchange of ideas, but Kiril and Methodii will not mind if we also eat, drink, and be merry, as they say. Come, Miss Rossi -’ He extended his fragile hand to Helen, who helped him up. ‘Give me your arm and we will go to celebrate a day of teaching and learning.’

“The other guests had begun to gather under the trellis, and we soon saw why: three of the younger men were taking musical instruments out of their bags and setting up near the tables. A lanky fellow with a shock of dark hair was testing the keys of a black-and-silver accordion. Another man had a clarinet. He played a few notes while the third musician got out a large skin drum and a long stick with a padded tip. They sat down in three chairs close together and grinned at one another, played a warble or two, adjusted their seats. The clarinet player removed his jacket.

“Then they exchanged glances and were off, spinning out of nowhere the liveliest music I had ever heard. Stoichev beamed from his throne behind the roast lamb, and Helen, sitting next to me, squeezed my arm. It was a tune that whirled up into the air like a cyclone, then jolted along in a rhythm unfamiliar to me but irresistible once my toe had caught it. The accordion panted in and out and notes soared from the accordionist’s fingers. I was astounded by the speed and energy with which they all played. The sound brought whoops of joy and encouragement from the crowd.

“After only a few minutes, some of the men listening jumped up, grabbing one another’s belts behind the waist, and began a dance as lively as the tune. Their highly polished shoes lifted and stamped on the grass. They were soon joined by several women in sober dresses, who danced with their upper bodies erect and still, their feet a blur. The dancers’ faces were radiant; they all smiled as if they couldn’t help it, and the teeth of the accordionist flashed in response. The man at the front of the line had produced a white pocket handkerchief and he held it high to lead them, whirling it around and around. Helen’s eyes were very bright, and she tapped her hand on the table as if she couldn’t stay still. The musicians played on and on, while the rest of us cheered and toasted them and drank, and the dancers showed no sign of stopping. At last the tune ended and the line fell apart, each dancer wiping off copious sweat and laughing aloud. The men came to refill their glasses, and the women searched for handkerchiefs and touched up their hair, chuckling together.

“Then the accordionist began to play again, but this time it was a slow series of trills, long drawn-out notes in a wailing key. He threw back his shaggy head, showing his teeth in a song. It was half song, actually, and half howl, a baritone melody so wrenching that I found my heart constricting with loss, with all the losses of my life. ‘What is he singing?’ I asked Stoichev, to cover my emotion.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Historian»

Представляем Вашему вниманию похожие книги на «The Historian» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Historian»

Обсуждение, отзывы о книге «The Historian» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x