Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“I cleared my throat. There was no help for it; we were going to have to ask our questions in front of Ranov. I would have to try to make them sound purely scholarly. ‘Would you ask Brother Ivan for us if he knows anything about pilgrims coming here from Wallachia?’

“Ranov put this question to the monk, and at the wordWallachia, Brother Ivan’s face brightened. ‘He says the monastery had an important connection with Wallachia beginning at the end of the fifteenth century.’

“My heart began to pound, although I tried to sit quietly. ‘Yes? What was that?’

“They conversed a little further, Brother Ivan waving a long hand toward the door. Ranov nodded. ‘He says that around that time the princes of Wallachia and Moldova began to give much support to this monastery. There are manuscripts in the library here that describe their support.’

“‘Does he know why they did this?’ Helen asked quietly.

“Ranov questioned the monk. ‘No,’ he said. ‘He only knows these manuscripts show their support.’

“‘Ask him,’ I said, ‘if he knows of any groups of pilgrims coming here from Wallachia around that time.’

“Brother Ivan actually smiled. ‘Yes,’ Ranov reported. ‘There were many. This was an important stop on the pilgrimage routes from Wallachia. Many pilgrims went on from here to Athos or to Constantinople.’

“I could have ground my teeth. ‘But a particular group of pilgrims from Wallachia, carrying a-some kind of relic, or searching for some relic-does he know any such story?’

“Ranov seemed to be holding back a triumphant smile. ‘No,’ he said. ‘He has not seen any account of such pilgrims. There were many pilgrims during that century.Bachkovski manastir was very important then. The patriarch of Bulgaria was exiled here from his office in Veliko Trnovo, the old capital, when the Ottomans captured the country. He died here in 1404 and was buried here. The oldest part of the monastery, and the only part that is original, is the ossuary.’

“Helen spoke up again. ‘Could you ask him, please, if he has a monk among the brothers here who used to be named Pondev?’

“Ranov relayed the question, and Brother Ivan looked puzzled, then wary. ‘He says that must be old Brother Angel. He used to be named Vasil Pondev, and he was an historian. But he is not-right in the head-anymore. You will not learn anything from speaking with him. The abbot is our great scholar now, and it is a shame that he is away while you are here.’

“‘We’d still like to talk with Brother Angel,’ I told Ranov. And so it was arranged, although with much frowning on the part of the librarian, who led us back out into the glowing sunlight of the courtyard and through a second arched entryway. This brought us into another courtyard, which had a very old building in the center. This second courtyard was not as well-tended as the first, and the buildings and paving stones had a crumbling, derelict look. There were weeds underfoot, and I noted a tree growing from the corner of the roof; in time, it would be large enough to destroy that end of the structure, if they let it stay. I could easily imagine that repairing this house of God was not the Bulgarian government’s highest priority. They had Rila as their showcase, with its ‘pure’ Bulgarian history and its connections to rebellion against the Ottomans. This ancient place, beautiful as it was, had taken root under the Byzantines, invaders and occupiers like the later Ottomans, and it had been Armenian, Georgian, Greek-hadn’t we just heard that it had also been independent under the Ottomans, unlike the other Bulgarian monasteries? No wonder the government let trees grow out of its roofs.

“The librarian took us into a corner room. ‘The infirmary,’ Ranov explained. This cooperative version of Ranov was making me more nervous by the hour. The librarian opened a rickety wooden door, and inside we saw a scene of such pathos that I don’t really like to remember it. Two old monks were housed there. The room was furnished only with their cots, a single wooden chair, and an iron stove; even with that stove the place must have been bitterly cold during the mountain winters. The floor was stone, the walls bare whitewash except for a shrine in one corner: hanging lamp, elaborately carved shelf, tarnished icon of the Virgin.

“One of the old men was lying on his cot and did not look at us as we entered. I saw after a moment that his eyes were permanently closed, swollen and red, and that he turned his chin from time to time as if trying to see with it. He was mostly covered with a white sheet, and one of his hands fumbled with the edge of the cot, as if to find the limit of space, the point where he might roll off if he wasn’t careful, while his other hand fumbled with the loose flesh of his own neck.

“The more functional resident of the room was upright in the only chair, a staff leaning against the wall near him as if his journey from the cot to the seat had been a long one. He was dressed in black robes, which hung unbelted over a protruding belly. His eyes were open, and hugely blue, and they turned on us with uncanny seeing as we entered. His whiskers and hair stuck out like white weeds all around him, and his head was bare. Somehow this made him look more ill and anomalous than anything else did, this uncovered head in a world in which all monks wore their tall black hats constantly. This bareheaded monk could have been an illustration for a prophet in some nineteenth-century Bible, except that his expression was anything but visionary. He wrinkled his big nose upward as if we smelled bad, and chewed the corners of his mouth, and narrowed and widened his eyes every few minutes. I couldn’t have said whether he looked fearful, or sneering, or diabolically amused, because his expression shifted constantly. His body and hands reposed in the shabby chair, as if all the motions they might have made had been sucked upward into his twitching face. I looked away.

“Ranov was talking with the librarian, who gestured around the room. ‘This man in the chair is Pondev,’ Ranov said flatly. ‘The librarian warns us that we will receive very little normal speech from him.’ Ranov approached the man cautiously, as if he thought Brother Angel might bite, and looked into his face. Brother Angel-Pondev-swung his head around to look at him, the imitative gesture of an animal in a zoo cage. Ranov seemed to be making a stab at introductions, and after a second Brother Angel’s surreally blue eyes wandered to our faces. His own face wrinkled and twitched. Then he spoke, and the words came in a rush, followed by a grinding tangle, a growl. One of his hands went up into the air and made a sign that could have been half a cross or an attempt to keep us away.

“‘What’s he saying?’ I asked Ranov in a low voice.

“‘Only nonsense,’ said Ranov with interest. ‘I have never heard anything like it. It seems to be partly prayers-something superstitious from their liturgy-and partly about the Sofia trolley system.’

“‘Can you try asking him a question? Tell him we are historians like him and we want to know if a group of pilgrims came here from Wallachia by way of Constantinople in the late fifteenth century, carrying a holy relic.’

“Ranov shrugged but made the attempt, and Brother Angel responded with a snarl of syllables, shaking his head. Did that mean yes or no? I wondered. ‘More nonsense,’ Ranov noted. ‘This time it sounds like something about the invasion of Constantinople by the Turks, so at least he understood that much.’

“Suddenly the old man’s eyes seemed to clear, as if their crystalline focus had really taken us in for the first time. In the midst of his strange flow of sounds-language, was it?-I distinctly heard the nameAtanas Angelov.

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