Elisabeth Kostova - The Historian

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The Historian: краткое содержание, описание и аннотация

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"To you, perceptive reader, I bequeath my history…"
Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of-a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known-and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself-to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive.
What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed-and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign-and about a time-defying pact that may have kept his awful work alive down through the ages.
Parsing obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions-and evading the unknown adversaries who will go to any lengths to conceal and protect Vlad's ancient powers-one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil. Elizabeth Kostova's debut novel is an adventure of monumental proportions, a relentless tale that blends fact and fantasy, history and the present, with an assurance that is almost unbearably suspenseful-and utterly unforgettable.
Amazon.com Review
If your pulse flutters at the thought of castle ruins and descents into crypts by moonlight, you will savor every creepy page of Elizabeth Kostova's long but beautifully structured thriller The Historian. The story opens in Amsterdam in 1972, when a teenage girl discovers a medieval book and a cache of yellowed letters in her diplomat father's library. The pages of the book are empty except for a woodcut of a dragon. The letters are addressed to: "My dear and unfortunate successor." When the girl confronts her father, he reluctantly confesses an unsettling story: his involvement, twenty years earlier, in a search for his graduate school mentor, who disappeared from his office only moments after confiding to Paul his certainty that Dracula-Vlad the Impaler, an inventively cruel ruler of Wallachia in the mid-15th century-was still alive. The story turns out to concern our narrator directly because Paul's collaborator in the search was a fellow student named Helen Rossi (the unacknowledged daughter of his mentor) and our narrator's long-dead mother, about whom she knows almost nothing. And then her father, leaving just a note, disappears also.
As well as numerous settings, both in and out of the East Bloc, Kostova has three basic story lines to keep straight-one from 1930, when Professor Bartolomew Rossi begins his dangerous research into Dracula, one from 1950, when Professor Rossi's student Paul takes up the scent, and the main narrative from 1972. The criss-crossing story lines mirror the political advances, retreats, triumphs, and losses that shaped Dracula's beleaguered homeland-sometimes with the Byzantines on top, sometimes the Ottomans, sometimes the rag-tag local tribes, or the Orthodox church, and sometimes a fresh conqueror like the Soviet Union.
Although the book is appropriately suspenseful and a delight to read-even the minor characters are distinctive and vividly seen-its most powerful moments are those that describe real horrors. Our narrator recalls that after reading descriptions of Vlad burning young boys or impaling "a large family," she tried to forget the words: "For all his attention to my historical education, my father had neglected to tell me this: history's terrible moments were real. I understand now, decades later, that he could never have told me. Only history itself can convince you of such a truth." The reader, although given a satisfying ending, gets a strong enough dose of European history to temper the usual comforts of the closing words.
From Publishers Weekly
Starred Review. Considering the recent rush of door-stopping historical novels, first-timer Kostova is getting a big launch-fortunately, a lot here lives up to the hype. In 1972, a 16-year-old American living in Amsterdam finds a mysterious book in her diplomat father's library. The book is ancient, blank except for a sinister woodcut of a dragon and the word "Drakulya," but it's the letters tucked inside, dated 1930 and addressed to "My dear and unfortunate successor," that really pique her curiosity. Her widowed father, Paul, reluctantly provides pieces of a chilling story; it seems this ominous little book has a way of forcing itself on its owners, with terrifying results. Paul's former adviser at Oxford, Professor Rossi, became obsessed with researching Dracula and was convinced that he remained alive. When Rossi disappeared, Paul continued his quest with the help of another scholar, Helen, who had her own reasons for seeking the truth. As Paul relates these stories to his daughter, she secretly begins her own research. Kostova builds suspense by revealing the threads of her story as the narrator discovers them: what she's told, what she reads in old letters and, of course, what she discovers directly when the legendary threat of Dracula looms. Along with all the fascinating historical information, there's also a mounting casualty count, and the big showdown amps up the drama by pulling at the heartstrings at the same time it revels in the gruesome. Exotic locales, tantalizing history, a family legacy and a love of the bloodthirsty: it's hard to imagine that readers won't be bitten, too.

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“‘This could have been much worse,’ she said.

“I put my arms around her and felt the trembling of her usually firm shoulders. I was shaking, myself. ‘Yes,’ I whispered. ‘But we must guard you from anything else.’

“She shook her head, suddenly, as if in wonder. ‘And this is a monastery! I can’t understand it. The undead abhor such a place.’ She pointed to the cross over the door, the icon and holy lamp hanging in the corner. ‘Here in the sight of the Virgin?’

“‘I don’t understand it, either,’ I said slowly, turning her hand over in mine. ‘But we know that monks traveled with Dracula’s remains, and that he was probably buried in a monastery. There is something strange in that already. Helen’-I squeezed her hand-‘I’ve been thinking about something else. The librarian from home-he found us in Istanbul and then in Budapest. Couldn’t he have followed us here, too? Could he have attacked you last night?’

“She winced. ‘I know. He bit me once in the library, so he might want me again, might he not? But I felt strongly in my dream it was something else-someone much more powerful. But how could one of them get in, even if he was not afraid of a monastery?’

“‘That part is simple.’ I pointed to the nearest window, which stood slightly ajar five feet from Helen’s cot. ‘Oh, God, why did I let you stay here alone?’

“‘I was not alone,’ she reminded me. ‘There were five other people sleeping in the room with me. But you are right-he can change shape, as my mother said-a bat, a mist -’

“‘Or a great black bird.’ Her dream had sprung up in my mind again.

“‘Now I have been bitten twice, more or less,’ she said, almost dreamily.

“Helen!‘ I shook her. ’I will never let you be alone again, not for an hour.‘

“‘Never an hour to myself?’ Her old smile, sarcastic and loving, returned for a moment.

“‘And I want you to promise me-if you feel something I can’t feel, if you feel something looking for you -’

“‘I will tell you, Paul, if I feel anything like that at all.’ She spoke fiercely now, and her promise seemed to rouse her to action. ‘Come, please. I need food and I need some red wine or brandy, if we can find it. Bring me a towel, there, and the basin-I will wash my neck and bind it.’ Her passionate practicality was contagious and I obeyed at once. ‘Later we will go in the church and clean this wound with the holy water, when no one is looking. If I can tolerate that, we can hope a great deal. How strange’-I was glad to see her cynical smile again-‘I have always felt all this church ritual is nonsense, and I still do.’

“‘But apparently he does not think it is nonsense,’ I said soberly.

“I helped her sponge off her throat, taking care not to touch the open lesions, and watched the door while she dressed. The sight of the wound up close was so terrible to me that I thought for a minute I would have to leave the room and give way to my tears outside. But although Helen moved weakly, I could see the set determination in her face. She tied on her customary scarf and found a piece of string in her baggage with which to make a new chain for the crucifix-this one stronger, I hoped. Her sheets were hopelessly stained, but only in small spots. ‘We will let the monks think-well, that there have been women in their dormitory,’ Helen said in her forthright way. ‘It is surely not the first time they will have washed out some blood.’”

“By the time we emerged from the church, Ranov was lounging in the courtyard. He narrowed his eyes at Helen. ‘You have slept very late,’ he said accusingly. I looked carefully at his eyeteeth when he spoke, but they didn’t appear any sharper than usual; if anything, they were ground down and gray in his unpleasant smile.”

Chapter 67

“Ihad found it exasperating that Ranov had been so reluctant to take us to Rila, but it was far more disturbing to see his enthusiasm about taking us to Bachkovo. During the car ride, he pointed out all kinds of sights, many of which were interesting in spite of his running commentary on them. Helen and I tried not to look at each other, but I was sure she felt the same miserable apprehension. Now we had József to worry about, too. The road from Plovdiv was narrow, and it curved along a rocky stream on one side and steep cliffs on the other. We were making our way gradually into mountains again-in Bulgaria, you could never be far from mountains. I remarked on this to Helen, who was gazing out the opposite window in the backseat of Ranov’s car, and she nodded. ‘Balkanis a Turkish word formountain. ’”

“The monastery had no grand entrance-we simply pulled off the road into a dirt lot, and from there it was a short walk to the monastery gate.Bachkovski manastir sat among high barren hills, partly forested and partly bare rock, close to the narrow river; even in early summer, the landscape was already dry, and I could easily imagine how the monks must have valued that nearby source of water. The outer walls were the same dun-colored stone as the hills around them. The monastery roofs were fluted red ceramic tile, like that I’d seen on Stoichev’s old house and on hundreds of houses and churches along the roadsides. The entrance to the monastery was a yawning archway, as perfectly dark as a hole in the ground. ‘Can we simply walk in?’ I asked Ranov.

“He shook his head, meaning yes, and we stepped into the cool darkness of the arch. It took us a few seconds of slow progress to make our way into the sunny courtyard, and during those moments inside the monastery’s deep wall, I could hear nothing but our footsteps.

“Maybe I’d expected another grand public space, like that at Rila; the intimacy and beauty of the main courtyard at Bachkovo brought a sigh to my lips, and Helen murmured something aloud, too. The monastery church filled much of the courtyard, and its towers were red, angular, Byzantine. There were no gold domes here, only an ancient elegance-the simplest materials arranged in harmonious forms. Vines grew on the church towers; trees nestled against them; one magnificent cypress rose like a steeple. Three monks in black robes and hats stood talking outside the church. The trees threw patches of shade on the brilliant sun of the yard, and a soft breeze had come up, moving the leaves. To my surprise, chickens ran here and there, scratching the antique paving stones, and a striped kitten was chasing something into a crevice in the wall.

“As at Rila, the inside walls of the monastery were long balconied galleries, stone and wood. The stone lower wall of some of the galleries, like the portico of the church, was covered in faded frescoes. Apart from the three monks, the chickens, and the kitten, there was no one in sight. We were alone there, alone in Byzantium.

“Ranov went up to the monks and engaged them in conversation while Helen and I hung back a little. After a second he returned. ‘The abbot is away, but the librarian is here and can help us.’ I didn’t like thatus, but I said nothing. ‘You can look in the church while I go find him.’

“‘We will come with you,’ Helen said firmly, and we all followed one of the monks into the galleries. The librarian was working in a room on the first floor; he rose from his desk to greet us as we entered. The space was bare, except for an iron stove and a bright rug on the floor. I wondered where the books were, the manuscripts. Apart from a couple of volumes on the wooden desk, I saw no sign of a library here.

“‘This is Brother Ivan,’ Ranov explained. The monk bowed to us without offering his hand; in fact, his hands were tucked out of sight in his long sleeves, crossed over his body. It occurred to me that he didn’t want to touch Helen. The same thing must have occurred to Helen, because she backed away and stood almost behind me. Ranov exchanged a few words with him. ‘Brother Ivan asks you to please sit down.’ We sat obediently. Brother Ivan had a long, serious face above his beard, and he studied us for a few minutes. ‘You may ask him some questions,’ Ranov said encouragingly.

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