Joe Hill - Horns

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Horns: краткое содержание, описание и аннотация

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"A new master in the field of suspense." – James Rollins
Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with a thunderous hangover, a raging headache… and a pair of horns growing from his temples.
At first Ig thought the horns were a hallucination, the product of a mind damaged by rage and grief. He had spent the last year in a lonely, private purgatory, following the death of his beloved, Merrin Williams, who was raped and murdered under inexplicable circumstances. A mental breakdown would have been the most natural thing in the world. But there was nothing natural about the horns, which were all too real.
Once the righteous Ig had enjoyed the life of the blessed: born into privilege, the second son of a renowned musician and younger brother of a rising late-night TV star, he had security, wealth, and a place in his community. Ig had it all, and more – he had Merrin and a love founded on shared daydreams, mutual daring, and unlikely midsummer magic.
But Merrin's death damned all that. The only suspect in the crime, Ig was never charged or tried. And he was never cleared. In the court of public opinion in Gideon, New Hampshire, Ig is and always will be guilty because his rich and connected parents pulled strings to make the investigation go away. Nothing Ig can do, nothing he can say, matters. Everyone, it seems, including God, has abandoned him. Everyone, that is, but the devil inside…
Now Ig is possessed of a terrible new power to go with his terrible new look – a macabre talent he intends to use to find the monster who killed Merrin and destroyed his life. Being good and praying for the best got him nowhere. It's time for a little revenge… It's time the devil had his due…

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IT WAS EARLY WHEN IG collected his pitchfork from the foundry and returned, still naked, to the river. He waded into the water up to his knees and did not move while the sun climbed higher in the cloudless sky, the light warm on his shoulders.

He didn’t know how much time had passed before he observed a brown trout, perhaps a yard from his left leg. It hovered over the sandy bottom, waving its tail back and forth and gazing stupidly at Ig’s feet. Ig cocked the pitchfork, Poseidon with his trident, twirled the shaft in his hand, and threw. It struck the fish on the first try, as if he had spent years spearfishing, as if he had thrown the fork a thousand times. It wasn’t so different from the javelin, what he’d taught at Camp Galilee.

Ig cooked the trout with his breath, on the riverbank, driving a smothering blast of heat up from his lungs, strong enough to distort the air and blacken the flopping fish, strong enough to bake its eyes the color of cooked egg yolk. He was not yet able to breathe fire, like a dragon, but he assumed that would come.

It was easy enough to bring forth the heat. All he had to do was concentrate on a pleasurable hate. Mostly he focused on what he’d seen in Lee’s head, Lee slow-roasting his mother in the oven of her deathbed, Lee pulling the tie around Merrin’s throat to stop her from shouting. Lee’s memories crowded Ig’s head now, and it was like a mouthful of battery acid, a toxic, burning, bitterness that had to be spit out.

After he ate, he returned to the river to wash the trout grease off him, while water snakes slid around his ankles. He dunked himself and came up, cold water drizzling down his face. He wiped the back of one gaunt red hand across his eyes to clear them, blinked, and stared into the river at his own reflection. Maybe it was a trick of the moving water, but his horns seemed larger, thicker at the base, the points beginning to hook inward, as if they were going to meet over his skull. His skin had been cooked a deep, full shade of red. His body was as unmarked and supple as sealskin, his skull as smooth as a doorknob. Only his silky goatee had, inexplicably, not been burned away.

He turned his head this way and that, considering his profile. He thought he was the very image of the romantic, raffish young Asmodeus.

His reflection turned its head and eyed him slyly.

Why are you fishing here? said the devil in the water. For are you not a fisher of men?

“Catch and release?” Ig asked.

His reflection contorted with laughter, a dirty, convulsive shout of crowlike amusement, as startling as a string of firecrackers going off. Ig jerked his head up and saw that it was indeed only the sound of a crow, lifting off from Coffin Rock and skimming away over the river. Ig toyed with his chinlock, his little schemer’s beard, listening to the woods, to the echoing silence, and at last became aware of another sound, voices drifting upriver. After a while there sounded the brief, distant squawk of a police siren, a long way off.

Ig climbed back up the hill to dress. Everything he had brought with him to the foundry had burned in the Gremlin. But he recalled the mildewed old clothes strung in the branches of the oak that overhung the top of the Evel Knievel trail: a stained black overcoat with a torn liner, a single black sock, and a blue lace skirt that looked like something from an early-eighties Madonna video. Ig tugged the filthy garments from the branches. He pulled the skirt up over his hips, remembering the rule of Deuteronomy 22:5, that a man shall not put on a woman’s garment, for all that do so are an abomination unto the Lord thy God. Ig took his responsibilities as a budding young lord of Hell seriously. In for a penny, in for a pound of flesh (his own, most likely). He put the sock on under the skirt, though, because it was a short skirt, and he was self-conscious. Last he added the stiff black overcoat, with its tattered oilskin lining.

Ig set out, his blue lace skirt flouncing about his thighs, fanning his bare red ass, while he dragged the pitchfork in the dirt. He had not reached the tree line, though, when he saw a flash of golden light to his right, down in the grass. He turned, searching for the source, and it blinked and blinked again, a hot spark in the weeds, sending him an urgent and uncomplicated message: Over here, chump, look over here. He bent and scooped Merrin’s cross from the grass. It was warm from an entire morning of heating in the light, a thousand fine scratches in its surface. He held it to his mouth and nose, imagining he might smell her on it, but there was no smell at all. The clasp was broken again. He breathed on it gently, heating it to soften the metal, and used his pointed fingernails to straighten the delicate gold hoop. He studied it for a moment longer and then lifted it and put it around his own neck, fastening the clasp at his spine. He half expected it to sizzle and burn, to sear into the red flesh of his chest, leaving a black, cross-shaped blister, but it rested lightly against him. Of course nothing that had been hers could really ever do him harm. Ig drew a sweet breath of morning air and went on his way.

They had found the car. It had followed the current all the way to the sandbar below the Old Fair Road Bridge, where the local kids had their yearly bonfire to mark the end of summer. The Gremlin looked as if it had tried to drive right up out of the river, the front tires embedded in the soft sand, the rear end underwater. A few cop cars and a tow truck had driven partly out onto the sandbar toward it. Other cars-police cruisers, but also local yokels who had pulled over to stare-were scattered on the gravel landing below the bridge. Still more cars were parked up on the bridge itself, people lined along the rail to look down. Police scanners crackled and babbled.

The Gremlin didn’t look like itself, the paint cooked right off it and the iron body beneath baked black. A cop in waders opened the passenger-side door, and water flooded forth. A sunfish spilled out in the torrent, its scales iridescent in the late-morning sunshine, and landed in the wet sand with a splat. The cop in rubber boots kicked it into the shallows, and it recovered itself and shot away.

A few uniformed cops stood in a knot on the sandbar, drinking coffee and laughing, not even looking at the car. Snippets of their conversation came to Ig, carried on the clear morning air.

“-fuck is it? A Civic, you think?”

“-dunno. Something old and shitty.”

“-someone decided to get the bonfire goin’ a couple days early-”

They gave off an air of summery good humor and ease and masculine indifference. As the tow truck slammed into gear and began to roll forward, hauling the Gremlin out, water gushed from the rear windows, which had shattered. Ig saw that the license plate had been removed from the back end. Probably gone from the front, too. Lee had thought to remove them before he hauled Ig out of his chimney and put him into it. The police didn’t know what they had, not yet.

Ig made his way down through the trees and settled at last on some rocks above a steep drop to watch the sandbar through the pines, from a distance of maybe twenty yards. He didn’t look down until he heard the sound of soft laughter directly below. He took a casual glance over the edge and saw Sturtz and Posada, in full uniform, standing side by side, holding each other’s prick while they urinated into the brush. When they locked mouths, Ig had to grab a low nearby tree to keep from toppling off the rocks and falling onto them. He scrambled back to where he wouldn’t be seen.

Someone shouted, “Sturtz! Posada! Where the fuck are you guys? We need someone on the bridge!” Ig took another peek over the side to watch them go. He had meant to turn them against each other, not turn them on to each other, and yet was not altogether surprised by this outcome. It was, perhaps, the devil’s oldest precept, that sin could always be trusted to reveal what was most human in a person, as often for good as for ill. There was a whisper and the rustle of the two men adjusting their clothing and Posada laughing, and then they started back.

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