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Joe Hill: Horns

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Joe Hill Horns

Horns: краткое содержание, описание и аннотация

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"A new master in the field of suspense." – James Rollins Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with a thunderous hangover, a raging headache… and a pair of horns growing from his temples. At first Ig thought the horns were a hallucination, the product of a mind damaged by rage and grief. He had spent the last year in a lonely, private purgatory, following the death of his beloved, Merrin Williams, who was raped and murdered under inexplicable circumstances. A mental breakdown would have been the most natural thing in the world. But there was nothing natural about the horns, which were all too real. Once the righteous Ig had enjoyed the life of the blessed: born into privilege, the second son of a renowned musician and younger brother of a rising late-night TV star, he had security, wealth, and a place in his community. Ig had it all, and more – he had Merrin and a love founded on shared daydreams, mutual daring, and unlikely midsummer magic. But Merrin's death damned all that. The only suspect in the crime, Ig was never charged or tried. And he was never cleared. In the court of public opinion in Gideon, New Hampshire, Ig is and always will be guilty because his rich and connected parents pulled strings to make the investigation go away. Nothing Ig can do, nothing he can say, matters. Everyone, it seems, including God, has abandoned him. Everyone, that is, but the devil inside… Now Ig is possessed of a terrible new power to go with his terrible new look – a macabre talent he intends to use to find the monster who killed Merrin and destroyed his life. Being good and praying for the best got him nowhere. It's time for a little revenge… It's time the devil had his due…

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Joe Hill Horns 2010 To Leanoralove always Satan is one of us so much - фото 1

Joe Hill

Horns

© 2010

To Leanora-love, always

Satan is one of us; so much more so than Adam or Eve.

– MICHAEL CHABON, “ON DAEMONS & DUST”

HELL

CHAPTER ONE

IGNATIUS MARTIN PERRISH SPENT the night drunk and doing terrible things. He woke the next morning with a headache, put his hands to his temples, and felt something unfamiliar, a pair of knobby pointed protuberances. He was so ill-wet-eyed and weak-he didn’t think anything of it at first, was too hungover for thinking or worry.

But when he was swaying above the toilet, he glanced at himself in the mirror over the sink and saw he had grown horns while he slept. He lurched in surprise, and for the second time in twelve hours he pissed on his feet.

CHAPTER TWO

HE SHOVED HIMSELF BACK into his khaki shorts-he was still wearing yesterday’s clothes-and leaned over the sink for a better look.

They weren’t much as horns went, each of them about as long as his ring finger, thick at the base but soon narrowing to a point as they hooked upward. The horns were covered in his own too-pale skin, except at the very tips, which were an ugly, inflamed red, as if the needle points at the ends of them were about to poke through the flesh. He touched one and found the point sensitive, a little sore. He ran his fingers along the sides of each and felt the density of bone beneath the stretched-tight smoothness of skin.

His first thought was that somehow he had brought this affliction upon himself. Late the night before, he had gone into the woods beyond the old foundry, to the place where Merrin Williams had been killed. People had left remembrances at a diseased black cherry tree, its bark peeling away to show the flesh beneath. Merrin had been found like that, clothes peeled away to show the flesh beneath. There were photographs of her placed delicately in the branches, a vase of pussy willows, Hallmark cards warped and stained from exposure to the elements. Someone-Merrin’s mother, probably-had left a decorative cross with yellow nylon roses stapled to it and a plastic Virgin who smiled with the beatific idiocy of the functionally retarded.

He couldn’t stand that simpering smile. He couldn’t stand the cross either, planted in the place where Merrin had bled to death from her smashed-in head. A cross with yellow roses. What a fucking thing. It was like an electric chair with floral-print cushions, a bad joke. It bothered him that someone wanted to bring Christ out here. Christ was a year too late to do any good. He hadn’t been anywhere around when Merrin needed Him.

Ig had ripped the decorative cross down and stamped it into the dirt. He’d had to take a leak, and he did it on the Virgin, drunkenly urinating on his own feet in the process. Perhaps that was blasphemy enough to bring on this transformation. But no-he sensed that there had been more. What else, he couldn’t recall. He’d had a lot to drink.

He turned his head this way and that, studying himself in the mirror, lifting his fingers to touch the horns, once and again. How deep did the bone go? Did the horns have roots, pushing back into his brain? At this thought the bathroom darkened, as if the lightbulb overhead had briefly gone dim. The welling darkness, though, was behind his eyes, in his head, not in the light fixtures. He held the sink and waited for the feeling of weakness to pass.

He saw it then. He was going to die. Of course he was going to die. Something was pushing into his brain, all right: a tumor. The horns weren’t really there. They were metaphorical, imaginary. He had a tumor eating his brain, and it was causing him to see things. And if he was to the point of seeing things, then it was probably too late to save him.

The idea that he might be going to die brought with it a surge of relief, a physical sensation, like coming up for air after being underwater too long. Ig had come close to drowning once and had suffered from asthma as a child, and to him, contentment was as simple as being able to breathe.

“I’m sick,” he breathed. “I’m dying.”

It improved his mood to say it aloud.

He studied himself in the mirror, expecting the horns to vanish now that he knew they were hallucinatory, but it didn’t work that way. The horns remained. He fretfully tugged at his hair, trying to see if he could hide them, at least until he got to the doctor’s, then quit when he realized how silly it was to try to conceal something no one would be able to see but him.

He wandered into the bedroom on shaky legs. The bedclothes were shoved back on either side, and the bottom sheet still bore the rumpled impression of Glenna Nicholson’s curves. He had no memory of falling into bed beside her, didn’t even remember getting home-another missing part of the evening. It had been in his head until this very moment that he’d slept alone and that Glenna had spent the night somewhere else. With someone else.

They had gone out together the night before, but after he’d been drinking awhile, Ig had just naturally started to think about Merrin, the anniversary of her death coming up in a few days. The more he drank, the more he missed her-and the more conscious he was of how little like her Glenna was. With her tattoos and her paste-on nails, her bookshelf full of Dean Koontz novels, her cigarettes and her rap sheet, Glenna was the un-Merrin. It irritated Ig to see her sitting there on the other side of the table, seemed a kind of betrayal to be with her, although whether he was betraying Merrin or himself, he didn’t know. Finally he had to get away-Glenna kept reaching over to stroke his knuckles with one finger, a gesture she meant to be tender but for some reason pissed him off. He went to the men’s room and hid there for twenty minutes. When he returned, he found the booth empty. He sat drinking for an hour before he understood that she was not coming back and that he was not sorry. But at some point in the evening, they had both wound up here in the same bed, the bed they’d shared for the last three months.

He heard the distant babble of the TV in the next room. Glenna was still in the apartment, then, hadn’t left for the salon yet. He would ask her to drive him to the doctor. The brief feeling of relief at the thought of dying had passed, and he was already dreading the days and weeks to come: his father struggling not to cry, his mother putting on false cheer, IV drips, treatments, radiation, helpless vomiting, hospital food.

Ig crept into the next room, where Glenna sat on the living-room couch, in a Guns N’ Roses tank top and faded pajama bottoms. She was hunched forward, elbows on the coffee table, tucking the last of a doughnut into her mouth with her fingers. In front of her was the box, containing three-day-old supermarket doughnuts, and a two-liter bottle of Diet Coke. She was watching daytime talk.

She heard him and glanced his way, eyelids low, gaze disapproving, then returned her stare to the tube. “My Best Friend Is a Sociopath!” was the subject of today’s program. Flabby rednecks were getting ready to throw chairs at one another.

She hadn’t noticed the horns.

“I think I’m sick,” he said.

“Don’t bitch at me,” she said. “I’m hungover, too.”

“No. I mean…look at me. Do I look all right?” Asking because he had to be sure.

She slowly turned her head toward him again and peered at him from under her eyelashes. She had on last night’s mascara, a little smudged. Glenna had a smooth, pleasantly round face and a smooth, pleasantly curvy body. She could’ve almost been a model, if the job was modeling plus sizes. She outweighed Ig by fifty pounds. It wasn’t that she was grotesquely fat but that he was absurdly skinny. She liked to fuck him from on top, and when she put her elbows on his chest, she could push all the air out of him, a thoughtless act of erotic asphyxiation. Ig, who so often struggled for breath, knew every famous person who had ever died of erotic asphyxiation. It was a surprisingly common end for musicians. Kevin Gilbert. Hideto Matsumoto, probably. Michael Hutchence, of course, not someone he wanted to be thinking about in this particular moment. The devil inside. Every one of us.

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