Elizabeth George - I, Richard

“Hi, babe,” he said. “My hands are full. Can you let me in?”

“Be a sec,” she told him.

He took the satin belt from his pocket as he waited. He pictured her route from the back of the house. He twisted the satin around his hands and snapped it tight. Once she opened the door, he'd have to move like lightning. He'd have only one chance to fling the cord around her neck. The advantage he already possessed was surprise.

He heard her footsteps on the limestone. He gripped the satin and prepared. He thought of Michael. He thought of her together with Michael. He thought of his Asian erotica. He thought of betrayal, failure, and trust. She deserved this. They both deserved it. He was only sorry he couldn't kill Michael right now, too.

When the door swung open, he heard her say, “Doug! I thought you said your hands-”

And then he was on her. He leapt. He yanked the belt around her neck. He dragged her swiftly out of the house. He tightened it and tightened it and tightened it and tightened it. She was too startled even to fight back. In the three seconds it took her to get her hands to the belt in a reflex attempt to pull it away from her throat, he had it digging into her skin so deeply that her scrabbling fingers could find no slip of material to grab on to.

He felt her go limp. He said, “Jesus. Yes. Yes.”

And then it happened.

The lights went on in the house. A mariachi band started playing. People started shouting, “Surprise! Surprise! Sur-”

Douglas looked up, panting, from the body of his wife, into popping flashes and a video camcorder. The joyous shouting from within his house was cut off by a female shriek. He dropped Donna to the ground and stared without comprehension into the entry and beyond that the living room. There, at least two dozen people were gathered beneath a banner that said SURPRISE, DOUGIE! HAPPY FIFTY-FIVE!

He saw the horrified faces of his brothers and their wives and children, of his own children, of his parents. Of one of his former wives. Among them, his colleagues and his secretary. The chief of police. The mayor.

He thought, What is this, Donna? Some kind of a joke?

And then he saw Michael coming from the direction of the kitchen, Michael with a birthday cake in his hands, Michael saying, “Did we surprise him, Donna? Poor Doug. I hope his heart-” And then saying nothing at all when he saw his brother and his brother's wife.

Shit, Douglas thought. What have I done?

That, indeed, was the question he'd be asking-and answering-for the rest of his life.

So often I'm asked where my ideas for stories come from. I always answer in the same way: Story ideas come from everywhere and anywhere. I might see a wire service article in the LA Times and realize that it contains the kernel for a novel, as I did when I wrote Well-Schooled in Murder. I might see an exposé in a British newspaper and decide that it can serve as the foundation for a novel, as I did when I wrote Missing Joseph. I might want to use a specific location in one of my books, so I'll design a story that fits into that location, as I did when I wrote For the Sake of Elena. I might see someone on the street or in the underground, overhear a conversation between two individuals, listen to someone's experience, study a photograph, or determine that a particular type of character would be interesting to write about. Or sometimes what stimulates the story idea is a combination of any of these things.

Often, when I've completed a project, I can't remember what got me started on it in the first place. But that's not the case with the following short story.

In October of 2000, I went on a walking and hiking tour of Vermont after I'd completed the second draft of my novel A Traitor to Memory. I'd long wanted to see the New England fall colors, and this trip was to be my reward for a long and enervating time spent at the computer over the fifteen months of writing two drafts of a complicated book. My intention was to see and to photograph the landscape.

As I was traveling on my own, I decided to sign up for a tour of other like-minded individuals interested in the exercise and the atmosphere. We stayed in country inns at night, and during the day we hiked through some of the most spectacular foliage I've ever seen. We had two guides, Brett and Nona. What one of them didn't know about the flora, the fauna, the topography, and the geography of the region, the other one did.

It was while we were on one of these hikes that Nona told me the story of an eccentric woman who once lived near her own home. As soon as I heard the tale, I knew I was listening to the kernel of a short story that I would write.

And when I got home from hiking in Vermont, that's what I did. It seemed fitting to use a variation of a line from Robert Frost-that famous literary New Englander-as the title for my piece.

Twice each year a neighborhood in the attractive old town of East Wingate managed to achieve perfection. Whenever this happened-or perhaps as an indication that it had happened-the Wingate Courier celebrated the fact with a significant spread of appropriately laudatory column inches dead in the center of its small-town pages, photos included. Citizens of East Wingate who wanted to better their social standing, their quality of life, or their circle of friends then tended to flock to that neighborhood eagerly, with the hope of picking up a piece of real estate there.

Napier Lane was just the sort of place that could at any moment and in the right circumstances be named A Perfect Place to Live. It was very high on potential if not quite there in every respect. It had atmosphere provided by enormous lots, houses over a century old, oaks, maples and sycamores even older, sidewalks cracked with time and character, picket fences, and brick paths that wound through front yards lapping against the sort of friendly porches where neighbors gather on summer nights. If every house had not yet been restored by some young couple with a lot of energy and inclined to nostalgia, there was in Napier Lane's curves and dips an open promise that renovation would come to them all, given enough time.

On the rare occasion that a house on Napier Lane came up for sale, the entire neighborhood held its breath to see who the buyer would be. If it was someone with money, the purchased house might join the ranks of those painted, glistening sisters who were raising the standard of living one domicile at a time. And if it was someone with easy access to that money and a profligate nature to boot, chances were that the renovation of the property in question might even occur quickly. For it had been the case that a family now and then had bought a house on Napier Lane with restoration and renovation in mind, only to discover upon embarking on the job how tedious and costly it actually was. So more than once, someone began the Augean project that's known as Restoring a Historic Property, but within six months admitted defeat and raised the for sale sign of surrender without getting even within shouting distance of completion.

Such was the situation at 1420. Its prior inhabitants had managed to get its exterior painted and its front and back yards cleared of the weeds and debris that tend to collect upon a property when its owners aren't hypervigilant, but that was the extent of it. The old house sat like Miss Havisham fifty years after the wedding that didn't happen: dressed to the nines externally but a ruin inside and languishing in a barren landscape of disappointed dreams. Literally everyone within sight of 1420 was anxious to have someone take on the house and set it to rights.