Erin Bow - Plain Kate

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### From School Library Journal Gr 4-8–When Kate's wood-carver father dies, she is left to support herself with her woodworking talent while living in her father's former market stall with a cat named Taggle. When Linay, a mysterious and magical stranger, comes to town and buys Kate's shadow, he gives her the money she needs to escape her village home, where people are blaming her for the hard times that have fallen on them. It is rumored that her talent comes from magic, but Kate's journey leads to unexpected consequences and danger for her and the Roamer family whom she joins. It's up to Kate; her new friend, Drina; and Taggle to defeat Linay with their own magic, as they come to discover the truth about his past and his desire for revenge. Kate's journey involves physical, mental, and magical growth, presenting a character who truly matures and changes over the course of her story, and the bittersweet conclusion reflects honest choices and Kate's newfound strength. Supporting characters, from villagers to the tormented Linay, are presented realistically and move the story forward smoothly. Bow's first novel shows a solid control of story and characters, and the careful and evocative writing reflects her work as a published poet. *Beth L. Meister, Milwaukee Jewish Day School, WI* © Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. ### From Booklist Young Kate is plain as a stick but a gifted wood carver. Her father had warned her that foolish people might think that she guides her knife with magic, and after he dies of fever, Kate becomes the target of suspicion and fear. As a plague worsens, Kate realizes that she must flee her village, and she reluctantly makes an odd bargain with a stranger: in exchange for her shadow, the stranger will provide essential supplies and grant a single wish. Soon Plain Kate is entangled in an elaborate noose of magic and revenge. In her debut novel, poet Bow writes with an absorbing cadence, creating evocative images that trigger the senses and pierce the heart. With familiar folktale elements, she examines the dark corners of human fear and creates intriguing, well-drawn characters, including Taggle, Kate’s talking cat, who adds a welcome lightness. The taut, bleak tale builds to a climax that unfortunately falters, solving a central dilemma with magical convenience. Still, with this debut, Bow establishes herself as a novelist to watch. Grades 7-12. --Lynn Rutan

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Behjet blew through his lips, whuffling like one of his horses. “Taking in a gadje —it’s not for me to decide. But let me take you to meet my mother.” He started off across the close-cropped, drizzle-gray grass.

Plain Kate pulled on her pack-basket and hurried after him, with Niki trailing. “What does ‘gage-eh’ mean?”

“Gadje-eh,” Behjet corrected, pulling her g toward z . “It means ‘not one of the Roamers.’ It’s not the kindest word, and I’m sorry for it. But you must not think that because we have no walls, we have no ways. We are not wild men, for all that we are not welcome most places. Now then.” They had come to the wagons. They were small, with high wheels, their beds wooden and heavily carved, bright with paint. Their decks were covered by canvas pulled across bows of wood. On the back steps of a red-painted wagon, an apple-faced old woman was plucking a rooster. She was bundled in green and yellow skirts and many scarves. Gray hair frizzed from under her turban and dripped into her dark face.

Niki did not bow, but he twisted his hands in front of him as if he thought maybe he should. “Mother Daj,” he said.

“Daj,” said Behjet, who did bow a little, and then added something in another language. It seemed to Plain Kate like a long speech, and she was frustrated. If her fate was being decided, she wanted to understand.

Behjet fell silent. Plain Kate found the woman looking at her, her eyes small and bright as a hawk’s among her wrinkles. Copying Behjet, she bowed, but said nothing.

“A carver, eh?” the woman drawled. She used the rooster’s beak to point at Kate’s objarka. “Just fancy work?”

Plain Kate planted her feet as if about to fight. “Plain and fancy. Boxwork, wheelwork, turned wood. But mostly carving.” She took off the objarka, which her father had called a masterpiece, and passed it to the woman.

She turned the dark wooden cat round and round in her dark hands, put its little nose to her big one. “She’s a good blade, Mother,” said Niki. But the old woman ignored the baker, intent on Kate’s objarka and some internal question. At last she said, “Well, we could use a carver, and that’s sure, child.” Her head was still down, as if she were speaking to the carved cat. Then she looked up, her face soft with wrinkles. “And though you keep it from your face, I think you could use us. You have your own gear? Your own tools?”

Plain Kate nodded.

“I can’t promise you a place. But come with us to Toila. A month on the road. We’ll sniff each other out.”

A test. Plain Kate understood tests. She nodded again. A lump was tightening in her throat, but she wasn’t sure if it was hope or fear.

“Well, then,” said the woman. “I’m Daj. Or Mother Daj if that sets better on a town tongue. And you’re Kate.”

“Plain Kate,” she corrected.

Daj raised her eyebrows, but before she could say anything, Taggle sauntered up. There was a fresh scratch across one ear and a dead rat in his mouth. He dropped the pink-footed body at Daj’s feet and stood there grinning. Plain Kate winced. “I also,” she said, “have a cat.”

“A fine beast, Mother Daj,” put in Niki. “A famous mouser.”

“Well,” said Daj. “A useful pair, then. Welcome, cat.”

And Taggle nodded.

Plain Kate, at Daj’s gruff coaxing, swung her basket into the wagon bed, and Taggle, with no coaxing at all, sprang up beside it. “Did you see?” he said, arching his back into her hand, preening. “My gift has proven that we’re useful.”

“Taggle,” Kate hissed. She looked round. No one had heard.

The cat sulked. “One would think praise was in order.”

Please be quiet,” she said. “Look, here.” She pulled her new coat out of the basket and spread it, woolly side up, for him to nestle in.

“Ah,” he said, stepping onto the wool like a king deigning to enter a hovel. “Better.” He high-stepped daintily in three circles, then curled up, tucking his tail over his nose.

“Sleep quietly,” she urged him, rubbing a thumb between his ears. He gave her a bleary glare and closed his eyes.

Plain Kate rushed after Behjet and Niki the Baker. Their feet had knocked down the dew and left dark prints in the silver grass, which was short where the sheep had grazed. The trail of darkness made her think of her shadow. The loss of a shadow is a slow thing, Linay had said. Find someplace to belong. If the Roamers took her in, if she proved herself useful, then there would come a moment where she could explain, before someone saw.

Niki left her with Behjet, though not without fluttering about like a bird trying to get its nestling to fly. Behjet sighed after him, then went back to tending the horses.

Plain Kate watched him work. She was desperate to be of use, but didn’t know what to do. Behjet was tending a dun mare, holding one of her hooves up clamped between his legs, and working a stone from the hoof’s spongy bottom with a little hook. The other horses milled around. Plain Kate had never been so close to horses. They were big. She smelled horse sweat, leather, and dung each time one shifted. Behjet’s dark head was bent; he murmured to the restless beast. The work looked dangerous. She didn’t even dare ask how she could help.

Behjet finished with the mare and moved on to another horse. He spoke smoothly to the animals in his own language. Plain Kate liked his voice: calm but rich. It made her a little more comfortable, and she almost missed it when he began speaking to her. “It was the witchcraft that swayed her,” he said.

“What?” said Kate.

“Daj. I told her your people took you for a witch. It is why she decided to take you in. You should know.”

“Oh,” said Kate.

“My brother’s wife—she was burned for a witch. It happens to Roamers. More than our share.” He stood up, wiping his hands on his leather apron and mopping the drizzle from his face with his green kerchief. “Stick to Daj, Plain Kate. Don’t take her for softhearted—she’s badger fierce. But if she decides to take your part, your place here will be sure.”

Plain Kate didn’t know what to say to that. A sure place—it was too big a thing even to think about. Behjet had read her heart’s wishes as well as any witch. Not alone.

“Off you go then,” said Behjet. “It’s busy work to break camp; I’m sure your hands will find something.”

Plain Kate found Mother Daj still sitting on the wagon steps. The rooster was mostly plucked, and Daj wore a spray of glossy tail feathers tucked into her turban. She was presiding over two younger women shaking out great rugs and another bent over a jumbled box of gear. At Daj’s feet, a girl a little younger than Kate was scouring a pot. The girl looked up with eyes as bright and frank as a sparrow’s.

“Mother Daj,” Kate asked, feeling shy. “Can I help?”

“There’s naught that needs carving this minute,” Daj answered. Kate swallowed—it was such a quick dismissal. Daj seemed to see the twitch and guess the reason. Her face softened, and she said, “Drina, lass. Finished that, nearly?”

The girl with the pot replied, “I have to go for more sand.” Her voice was a sparrow’s too: clear and piping, hiding nothing. She had a narrow nose and a wide mouth, and big eyes that were uptilted, like a cat’s. Though younger than Kate, she was taller, and softer: a girl who had never been hungry. Her long black hair was bound back with a scarf of green and yellow; her dark skirts were embroidered with poppies.

“Take this one,” said Daj, pointing an elbow at Kate while she turned the chicken over. “This is Kate Carver, who will go our way a while.”

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