Black Rose - NRoberts - G2 Black Rose

This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s Imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events or locales is entirely coincidental.

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Dear Reader:

When spring slides toward summer, and the flood of color from my azaleas has faded, the heavy heads of my peonies have given way to a dance of daylilies, my flower beds are approaching peak. I like mixed gardens, cottage gardens, shade gardens, herb gardens, sunny cutting gardens. I have nothing formal—formality wouldn’t work for me, or my land. I live on a rocky hillside, with rough, uneven ground, but love finds a way. And I love flowers.

I have a long, long stream of raised beds behind my house, and more lining the land down my long front slope. They’re a lot of work to maintain, and a great joy for me. In summer, I have purple floods of centaurea, feathery red heads of monarda, cheery yellow petals of coreopsis, pools of sage, and oceans of black-eyed Susans. The columbine and coralbells are done for the season, but there’s always something new budding up or bursting out. Veronica, coneflowers, verbena, garden phlox, nasturtium. At a recent trip to a garden center, my son commented that I probably had everything in the place already. Because I rarely see a plant I can resist, there’s always something spilling or spearing or spreading.

So are the weeds I hunt out and destroy like a soldier on an endless mission.

In the shade, my astilbes are fanning their soft plumes, and my hostas are islands of soothing green. The deer love the hostas, and I love the deer. But that doesn’t stop me from warding them off. I pour bags of dried blood and spray gallons of vile-smelling deer repellent annually. And have been known to run out of the house waving my arms like a madwoman if I spot a deer snacking on my dianthus or morning glories. I have dogs, but they don’t seem to be interested in guarding my flowers against Bambi.

Take a walk in the garden. Pull a weed, smell a flower. See if it doesn’t make you smile.

NORAROBERTS

Nora Roberts

HOT ICE

SACRED SINS

BRAZEN VIRTUE

SWEET REVENGE

PUBLIC SECRETS

GENUINE LIES

CARNAL INNOCENCE

DIVINE EVIL

HONEST ILLUSIONS

PRIVATE SCANDALS

HIDDEN RICHES

NORTHERN LIGHTS

TRUE BETRAYALS

MONTANA SKY

SANCTUARY

HOMEPORT

THE REEF

RIVER ’S END

CAROLINA MOON

THE VILLA

MIDNIGHT BAYOU

THREE FATES

BIRTHRIGHT

Anthologies

FROM THE HEART

A LITTLE MAGIC

A LITTLE FATE

MOON SHADOWS

(with Jill Gregory, Ruth Ryan Langan, and Marianne Willman)

The Once Upon Series

(with Jill Gregory, Ruth Ryan Langan, and Marianne Willman)

ONCE UPON A CASTLE

ONCE UPON A STAR

ONCE UPON A DREAM

ONCE UPON A ROSE

ONCE UPON A KISS

ONCE UPON A MIDNIGHT

Series

The In the Garden Trilogy

BLUE DAHLIA

BLACK ROSE

The Key Trilogy

KEY OF LIGHT

KEY OF KNOWLEDGE

KEY OF VALOR

Three Sisters Island Trilogy

DANCE UPON THE AIR

HEAVEN AND EARTH

FACE THE FIRE

Gallaghers of Ardmore Trilogy

JEWELS OF THE SUN

TEARS OF THE MOON

HEART OF THE SEA

The Chesapeake Bay Saga

SEA SWEPT

RISING TIDES

INNER HARBOR

CHESAPEAKE BLUE

Born In Trilogy

BORN IN FIRE

BORN IN ICE

BORN IN SHAME

Dream Trilogy

DARING TO DREAM

HOLDING THE DREAM

FINDING THE DREAM

Nora Roberts & J. D. Robb

REMEMBER WHEN

J. D. Robb

(in order of publication)

NAKED IN DEATH

GLORY IN DEATH

IMMORTAL IN DEATH

RAPTURE IN DEATH

CEREMONY IN DEATH

VENGEANCE IN DEATH

HOLIDAY IN DEATH

CONSPIRACY IN DEATH

LOYALTY IN DEATH

WITNESS IN DEATH

JUDGMENT IN DEATH

BETRAYAL IN DEATH

SEDUCTION IN DEATH

REUNION IN DEATH

PURITY IN DEATH

PORTRAIT IN DEATH

IMITATION IN DEATH

DIVIDED IN DEATH

VISIONS IN DEATH

Anthologies

SILENT NIGHT

(with Susan Plunkett, Dee Holmes, and Claire Cross)

OUT OF THIS WORLD

(with Laurell K. Hamilton, Susan Krinard, and Maggie Shayne)

Also available . . .

THE OFFICIAL NORA ROBERTS COMPANION

(edited by Denise Little and Laura Hayden)

For Stacie

It’s wise for a mother to love the woman her son loves.

But it’s a lovely gift to like the woman who becomes your daughter.

Thanks for the gift.

A stock plant is grown purely to provide cutting material. It can be encouraged to produce the best type of growth for cuttings while plants that are grown for garden display can be left untouched.

AMERICANHORTICULTURESOCIETYPLANTPROPAGATION

If you would know secrets, look for them in grief or pleasure.

GEORGEHERBERT

PROLOGUE

Memphis, Tennessee

December 1892

SHE DRESSED CAREFULLY, attending to the details of her appearance as she hadn’t done for months. Her personal maid had run off weeks before, and she had neither the wit nor the will to hire another. So she spent an hour with the curling rods herself—as she had in the years before she’d been kept so lavishly—meticulously coiling and arranging her freshly rinsed hair.

It had lost its bright gold luster over the long, bleary autumn, but she knew what lotions and potions would bring back its shine, what pots of paint to select to put false color in her cheeks, on her lips.

She knew all the tricks of the trade. How else could she have caught the eye of a man like Reginald Harper? How else had she seduced him into making her his mistress?

She would use them again, all of them, Amelia thought, to seduce him once more, and to urge him to do everything that must be done.

He hadn’t come, in all this time, in all these months, he hadn’t come to her. So she’d been forced to send notes to his businesses, begging him to come, only to be ignored.

Ignored after all she had done, all she had been, all she had lost.

What choice had she had but to send more notes, and to his home? To the grand Harper House where his pale wife reigned. Where a mistress could never walk.

Hadn’t she given him all he could ask, all he could want? She’d traded her body for the comfort of this house, the convenience of servants, for the baubles, like the pearl drops she fixed on her ears now.

Small prices to pay for a man of his stature and wealth, and such had been the limits of her ambitions once. A man only, and what he could give her. But he’d given her more than either of them had bargained for. The loss of it was more than she could bear.

Why had he not come to comfort her? To grieve with her?

Had she complained, ever? Had she ever turned him from her bed? Or mentioned even once the other women he kept?

She had given him her youth, and her beauty. And, it seemed, her health.

And he would desert her now? Turn away from her now ?

They said the baby had been dead at birth. Stillborn, they said. A stillborn girl child that had perished inside her.