Graham Masterton - Mirror

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Mirror: краткое содержание, описание и аннотация

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It is said that a mirror can trap a person's soul...Martin Williams is a broke, two-bit screenwriter living in Hollywood, but when he finds the very mirror that once hung in the house of a murdered 1930s child star, he happily spends all he has on it. He has long obsessed over the tragic story of Boofuls, a beautiful and successful actor who was slaughtered and dismembered by his grandmother. However, he soon discovers that this dream buy is in fact a living nightmare; the mirror was not only in Boofuls house, but witness to the death of this blond-haired and angelic child, which in turn has created a horrific and devastating portal to a hellish parallel universe. So when Martin's landlord loses his grandson it is soon apparent that the mirror is responsible. But if a little boy has gone into the mirror, what on earth is going to come out?

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Martin looked down at himself. 'I guess you're right. Damn it. Maybe we can sneak into the back.'

'Do you see those cops?' said Ramone. 'How the hell are we going to get past those cops?'

'Mandrake gestures hypnotically,' replied Martin bitterly. 'Instantly, our heroes are clad in immaculate tuxedos.'

'Hold up just one moment,' Ramone told him. He dug into his back pants pocket and produced his keys. 'I believe our problems are ov-ah.'

He grasped Martin's arm and together they struggled back out of the crowd. It took them almost five minutes to reach the opposite side of Hollywood Boulevard, but once they were clear of the police lines they were able to dodge and shuffle their way along quite quickly. They reached Ramone's store, The Reel Thing, and Ramone unlocked the front door, switched off the burglar alarm, and let them in.

'What's on your mind?' Martin wanted to know.

Ramone took him across to the side of the store, where there were rails of old movie costumes. Right in front, with a label on it, was the painter's smock that Spring Byington had worn in You Can't Take It With You. Ramone, however, was rummaging around at the far end of the rails, and after a few moments he triumphantly came out with two immaculate tuxedos.

'If you're the same size as William Powell, this'll fit,' he told Martin.

'You're as crazy as I am,' said Martin.

'I don't think so. Now, listen, I have shirts, too, and neckties, and evening pumps. Go into the back and wash up and I'll have it all laid out for you, better than a valet.'

Martin went through to the back of the store, splashed his face with cold water, and combed his hair. By the time he returned, Ramone was already half dressed. 'Believe me,' said Ramone, 'you and me are going to look like a couple of swells.'

Within ten minutes, they were leaving the store, dressed this time in tuxedos. Martin's vest was far too tight, and so he had ripped it up the back. Ramone's pants flapped around his ankles. But in the crowds and the excitement, they hoped that nobody would notice.

'God help us,' said Martin.

'He will,' Ramone reassured him. 'He will.'

Their timing was almost perfect. They managed to push their way through to the front of the crowds just as the last official limousine was pulling away, and the police were dragging a trestle to one side. Martin elbowed his way around the edge of the trestle, and slipped behind two policemen into the roped-off area reserved for celebrities and guests. Bud Zabetti from Columbia Pictures noticed him and waved, obviously unaware that he had no invitation, and that was enough of a credential for a beady-eyed security guard to turn away satisfied and let Martin and Ramone shoulder their way into the throng of people in the theater lobby.

The lobby was hot and crowded and smelled strongly of Giorgio. Martin gradually eased his way through the crowds, nodding and smiling to people he knew. At last he approached the magic circle: June Lassiter, in a striking but somewhat extraordinary directional evening dress, more like a turquoise kite than a dress; Lester Kroll, all wavy gray hair and protruding upper teeth, and heavy gold rings on his fingers that had been given to him by various boyfriends; Geraldine Grosset, always smaller than she looked on the screen, tiny in fact, in a black gown with a gold spray over one shoulder; some starlet who was showing her naked body through a gauzy white dress; Miss Redd; and in the epicenter of this small tornado of Hollywood influence, Boofuls himself, with noticeably staring eyes, gleeful, pale, sucking in every moment of adoration as if he needed it to stay alive.

Martin came right up to him and stood beside him and said nothing; but at last Boofuls turned and saw him. He registered a split second's surprise, then looked away.

'You're not actually supposed to be here,' he said. Martin was appalled at the way Boofuls looked. For the first time, he really looked dead, like a boy who had been killed and then resurrected. There was paint and powder on his face, as if he had been prepared by an unskilled mortician for viewing by his relatives.

'You could have sent me an invitation,' Martin told him. 'After all, I wrote sixty percent of the dialogue.'

Boofuls smiled to Esther Shapiro. 'It'll be out on VCR before you know it. Then you can watch it all you want.'

Miss Redd touched Martin's hand with her own hand, as cold as chilled chicken. 'I think Pip would prefer it if you left now, Mr Williams.'

Martin ignored her, and leaned toward Boofuls and said, 'It's tonight, Boofuls, isn't it? It's tonight.'

For the first time Boofuls looked up at him directly. His eyes were rimmed with red. 'I don't know what you're talking about, Martin. Go on, now. Go home. You'd be better off watching this on television.'

'Tonight's the big night, when you and Miss Redd plan to kill off one hundred and forty-four thousand innocent people, all at once, so that you-know-who can come back.'

'You're mad,' said Miss Redd in a low, harsh voice that was more like a man's than a woman's.

'We'll see,' Martin retorted. 'But let me tell you something, Boofuls. Mad or not, I'm going to do to you what your grandmother did; and that is to chop you up into more bits than anybody will ever be able to put together again. And this time there won't be any mirrors around to save your soul.'

'Martin,' said Boofuls. 'I'm trying to save you. I'm trying to do you a favor.'

'I don't want any favors from you. I just want this madness called off, that is all. One hundred forty-four thousand people, Boofuls. Think of the slaughter. Think of the grief. And what have they ever done to you?'

Boofuls took two or three deep breaths, feverish, unhealthy, like a child in a sickroom. 'I'll tell you what they did to me, Martin. They brought down my father; they brought him down; and my father has lived a life of exile and agony ever since.'

'Maybe he deserved it,' Martin replied.

'Oh no,' said Boofuls, vehemently shaking his head. 'Nobody deserves a punishment like that. Nobody deserves an exile that never ends. In the end, everybody deserves forgiveness, no matter how great their misdemeanor.'

'And this is the answer, to sacrifice all these people?'

'Martin,' June Lassiter interrupted, 'are you monopolizing our star? Come on, Pip, we have to get upstairs to our seats.'

But Boofuls beckoned Martin closer, and touched his shoulder, and whispered, 'And I looked, and behold an ashen horse; and he who sat on it had the name Death; and Hades mas following with him. And authority was given to them over the fourth of the earth. To kill with sword and famine and with pestilence and by the wild beasts of the earth.'

Martin in spite of himself, shuddered. 'Boofuls,' he said, although he was quite aware how pathetically ineffectual he sounded. 'Boofuls, for Christ's sake, don't do it.'

Boofuls laughed. 'I liked you, Martin, from the moment I first saw you. I think I always will. But go home, now. There is nothing else that you can do. And don't ever ask me anything, for Christ's sake.'

'I can bring the mirror down here and damn well force you back into it.'

'You'll never be able to lift it. You know that.'

I'll try, God help me.'

For a fleeting moment, Martin thought he saw Boofuls flinch, as if the prospect of Martin trying to move the mirror somehow disturbed him.

'Leave the mirror where it is,' Boofuls told him. 'If anything happens to it, then Emilio will die. Do you want Emilio to die?'

Miss Redd now swept herself protectively in between them. 'Enough,' she said, staring at Martin with glittering eyes.

Martin tried to step around her, but she seized hold of his left hand and dug fingernails into it. The pain was sharp and intense; just like being scratched by a cat's claws. Martin whipped his hand away and it was bleeding.

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