Sophie Kinsella - The Undomestic Goddess

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The Undomestic Goddess: краткое содержание, описание и аннотация

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Samantha Sweeting, the 29-year-old heroine of Kinsella's latest confection (after Shopaholic Sister), is on the verge of partnership at the prestigious London law firm Carter Spink—the Holy Grail of her entire workaholic life. But when she finds she has made a terrible, costly mistake just before the partnership decision, she's terrified of being fired. In a fog, she stumbles out of the building and onto the nearest train, which drops her in the countryside, where she wanders to a stately home. The nouveau riche lady of the house mistakes her for the new housekeeper—and Samantha is too astonished to correct her. Numb and unable to face returning to London, Samantha tries to master the finer points of laundry, cooking and cleaning. She discovers that the slow life, her pompous but good-hearted employers and the attentions of the handsome gardener, Nathaniel, suit her just fine. But her past is hard to escape, and when she discovers a terrible secret about her firm—and when the media learns that the former legal star is scrubbing toilets for a living—her life becomes more complicated than ever. If readers can swallow the implausible scenario, then Kinsella's genuine charm and sweet wit may continue to win her fans. (July) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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The thought of getting on a coach makes me want to heave. I don’t want the bus to anywhere. I just want an aspirin. My head feels like it’s about to split open.

“Er… no, thanks. I’m fine here.” Before she can say anything else, I start walking down the road.

I have no idea where I am. None.

Inside my pocket, my phone suddenly vibrates. It’s Guy. Again. This must be the thirtieth time he’s rung. And every time he’s left a message telling me to call him back, asking if I’ve got his e-mails.

I haven’t got any of his e-mails. I was so freaked out, I left my BlackBerry on my desk. My phone is all I have. It vibrates again and I stare at it for a few moments. I can’t ignore him forever. My stomach clenched with nerves, I lift it to my ear and press TALK.

“Hi.” My voice is scratchy. “It’s… it’s me.”

“Samantha?” His incredulous voice blasts down the line. “Is that you? Where are you?”

“I don’t know. I had to get away. I… I went into shock…”

“Samantha, I don’t know if you got my messages. But…” He hesitates. “Everyone knows.”

“I know.” I lean against an old crumbling wall and squeeze my eyes shut.

“How did it happen?‘ He sounds as shocked as I feel. ”How the hell did you make a simple error like that? I mean, Christ, Samantha―“

“I don’t know,” I say numbly.

“You never make mistakes!”

“Well, I do now!” I feel tears rising and fiercely blink them down. “What’s… what’s happened?”

“It’s not good.” He exhales. “Ketterman’s been having damage limitation talks with Glazerbrooks’ lawyers and talking to the bank―and the insurers, of course.”

The insurers. The firm’s professional indemnity insurance. I’m suddenly gripped by an almost exhilarating hope. If the insurers pay up without making a fuss, maybe things won’t be as bad as I thought…

But even as I feel my spirits lift I know I’m like some traveler seeing the mirage through the haze. Insurers never cough up the whole amount. Sometimes they don’t cough up anything. Sometimes they pay up but raise their premiums to unfeasible levels.

“What did the insurers say? Will they―”

“They haven’t said anything yet.”

“Right.” I wipe my sweaty face, screwing up my courage to ask the next question.

“And what about… me?”

Guy is silent.

There’s my answer. I open my eyes to see two small boys on bikes staring at me.

“It’s over, isn’t it? My career’s over.”

“I… I don’t know that. Listen, Samantha, you’re freaked out. It’s natural. But you can’t hide. You have to come back―”

“I can’t.” Ketterman’s face looms in my mind. And what will Arnold think of me now? “I can’t face everyone.”

“Samantha, be rational!”

“I need some time!”

“Saman―” I flip my phone shut.

I feel a bit faint. I must get some water. But I can’t face going into a noisy pub, and I can’t see any shops.

I totter along the road until I reach a pair of tall carved pillars decorated with lions.

Here’s a house. I’ll ring the bell and ask for some aspirin and a glass of water. And ask if there’s a hotel nearby.

I push open the elaborate wrought-iron gate and crunch over the gravel toward the heavy oak front door. It’s a rather grand old house made out of honey-colored stone, set well back from the road, with steep gables and tall chimneys and two Porsches on the drive. I raise a hand and tug the bellpull.

There’s silence. The whole house seems dead. I’m about to give up and trudge back down the drive―when all of a sudden the door swings open.

Before me stands a woman with blond lacquered hair to her shoulders and long, dangly earrings. She has lots of makeup, long silk trousers in a weird shade of peach, a cigarette in one hand and a cocktail in the other.

“Hello.” She drags on her cigarette and looks at me a bit suspiciously. “Are you from the agency?”

Chapter Six

I have no idea what this woman’s talking about. My head’s hurting so much, I can barely look at her, let alone take in what she’s saying.

“Are you all right?” She peers at me. “You look terrible!”

“I’ve got a rather bad headache,” I manage. “Could I possibly have a glass of water?”

“Of course! Come in!” She waves her cigarette in my face and beckons me into a huge, impressive hall with a vaulted ceiling. There’s a circular oak table in the middle, bearing a vase of huge lilies, and a medieval-style bench at the side. “You’ll want to see the house, anyway. Eddie?” Her voice rises to a shriek. “Eddie, another one’s here! I’m Trish Geiger,” she adds to me. “You may call me Mrs. Geiger. This way…”

She leads me down a short passage into a luxurious maple kitchen and tries a few drawers, apparently at random, before crying “Aha!” and pulling out a plastic box.

She opens it to reveal about fifty assorted bottles of pain-relief tablets, vitamins, and bottles of something called Hollywood Skin Glow Supplement, and starts rootling about with her lacquered fingernails.

“I’ve got aspirin… paracetamol… ibuprofen… very mild Valium…” She holds up a livid red pill. “This one’s from America,” she says brightly. “Illegal in this country.”

“Urn… lovely.”

She hands me three green tablets and after a few attempts locates a cupboard full of glasses. “Here we are. Migraine relief. They’ll zap any headache. Eddie!” She runs me some iced water from the fridge. “Drink that up.”

“Thanks,” I say, swallowing the tablets down with a wince. “I’m so grateful. My head’s just so painful. I can barely think straight.”

“Your English is very good.” She gives me a close, appraising look. “Very good indeed!”

“Oh,” I say, thrown. “Right. Well, I’m English. That’s… you know, probably why.”

“You’re English?” Trish Geiger seems galvanized by this news. “Well! Come and sit down. Those’ll kick in, in a minute. If they don’t we’ll get you some more.”

She sweeps me out of the kitchen and back through the hall. “This is the drawing room,” she says, pausing by a door. She gestures around the large, grand room, dropping ash on the carpet. It’s decorated with what look like antiques, several big velvet sofas, and lots of lamps and ornaments everywhere. “As you’ll see, there’s quite a lot of hoovering… dusting… silver to be kept clean…” She looks at me expectantly.

“Right.” I nod. I have no idea why this woman is telling me about her housework, but she seems to be waiting for a reply.

“That’s a beautiful table,” I offer at last, gesturing at a shiny mahogany side table.

“It needs polishing.” Her eyes narrow. “Regularly. I do notice these things.”

“Of course.” I nod, bemused.

“We’ll go in here…” She’s leading me through another huge, grand room into an airy glassed conservatory furnished with opulent teak sun-loungers, frondy plants, and a well-stocked drinks tray.

“Eddie! Come in here!” She bangs on the glass and I look up to see a dark-haired man in golfing slacks walking over the large, well-manicured lawn. He’s tanned and affluent-looking, probably in his late forties.

Trish is probably in her late forties too, I think, glimpsing her crow’s feet as she turns away from the window.

“Lovely garden,” I say.

“Oh.” Her eyes sweep over it without much interest. “Yes, our gardener is very good.

Has all sorts of ideas. Now, sit down!” She makes a flapping motion with her hands and, feeling a little awkward, I sit down on a lounger. Trish sinks into a basket chair opposite and drains her cocktail.

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