György Spiró - Captivity

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Captivity: краткое содержание, описание и аннотация

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The epic bestseller and winner of the prestigious Aegon Literary Award in Hungary, Captivity is an enthralling and illuminating historical saga set in the time of Jesus about a Roman Jew on a quest to the Holy Land.
A literary sensation in Hungary, György Spiró’s Captivity is both a highly sophisticated historical novel and a gripping page-turner. Set in the tumultuous first century A.D., between the year of Christ’s death and the outbreak of the Jewish War, Captivity recounts the adventures of the feeble-bodied, bookish Uri, a young Roman Jew.
Frustrated with his hapless son, Uri’s father sends the young man to the Holy Land to regain the family’s prestige. In Jerusalem, Uri is imprisoned by Herod and meets two thieves and (perhaps) Jesus before their crucifixion. Later, in cosmopolitan Alexandria, he undergoes a scholarly and sexual awakening — but must also escape a pogrom. Returning to Rome at last, he finds an entirely unexpected inheritance.
Equal parts Homeric epic, brilliantly researched Jewish history, and picaresque adventure, Captivity is a dramatic tale of family, fate, and fortitude. In its weak-yet-valiant hero, fans will be reminded of Robert Graves’ classics of Ancient Rome, I, Claudius and Claudius the God.
"With the novel Captivity, Spiró proved that he is well-versed in both historical and human knowledge. It appears that in our times, it is playfulness that is expected of literary works, rather than the portrayal of realistic questions and conflicts. As if the two, playfulness and seriousness were inconsistent with each other! On the contrary (at least for me) playfulness begins with seriousness. Literature is a serious game. So is Spiró’s novel.?"
— Imre Kertész, Nobel Prize — winning author of Fatelessness
"Like the authors of so many great novels, György Spiró sends his hero, Uri, out into the wide world. Uri is a Roman Jew born into a poor family, and the wide world is an overripe civilization — the Roman Empire. Captivity can be read as an adventure novel, a Bildungsroman, a richly detailed portrait of an era, and a historico-philosophical parable. The long series of adventures — in which it is only a tiny episode that Uri is imprisoned together with Jesus and the two thieves — at once suggest the vanity of human endeavors and a passion for life. A masterpiece."
— László Márton
“[Captivity is] an important work by yet another representative of Hungarian letters who has all the chances to become a household name among the readers of literature in translation, just like Nadas, Esterhazy and Krasznahorkai.… Meticulously researched.… The novel has been a tremendous success in Hungary, having gone through more than a dozen editions. The critics lauded its page-turning quality along with the wealth of ideas and the ambitious recreation of historical detail.”
— The Untranslated
“A novel of education and a novel of adventure that brings to life ancient Rome, Alexandria and Jerusalem with a vividness of detail that is stunning. Spiró’s prose is crisp and colloquial, the kind of prose that aims for precision rather than literary thrills. A serious and sophisticated novel that is also engrossing and highly readable is a rare thing. Captivity is such a novel.”
— Ivan Sanders, Columbia University
“György Spiró aspired at nothing less than (…) present a theory in novelistic form about the interweavedness of religion and politics, lay bare the inner workings of power and give an insight into the art of survival….This book is an incredible page turner, it reads easily and avidly like the greatest bestsellers while also going as deep as the greatest thinkers of European philosophy.”
— Aegon Literary Award 2006 jury recommendation
“What this sensational novel outlines is the demonic nature of History. Ethically as well as historically, this an especially grand-scale parable. Captivity gets its feet under any literary table you care to mention."
— István Margócsy, Élet és Irodalom
“This book is a major landmark for the year.”
— Pál Závada, Népszabadság
“It would not be surprising if literary historians were soon calling him the re-assessor and regenerator of the post-modern novel.”
— Gergely Mézes, Magyar Hírlap
“Impossibly engrossing from the very first page….Building on a huge volume of reference material, the novel rings true from both a historical and a literary point of view.”
— Magda Ferch, Magyar Nemzet

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“I don’t need them,” said Tija dryly. “Every single Roman poet and historian is ideologically subservient. They’re all second-hand annotators, only clever in hindsight, having nothing to do with practical politics. Not one is truly creative, nor is my uncle, in spite of all the brilliant books he writes. I want to be creative.”

“An emperor perchance?”

Tija leapt angrily to his feet.

“I can’t be emperor!” he yelled. “I can’t be emperor because I’m Jewish! That’s how the one and only Eternal One castigates all those who were born into His chosen people! A monotheist can never become emperor in Rome!”

Marcus appeared in the atrium, freshly bathed, beaten with birch twigs and massaged with oil.

“Am I intruding?” he asked politely.

“No,” growled Tija.

A chill set in.

“You were shouting just before now,” said Marcus. “What about?”

Uri gave him a brief outline.

Marcus was hesitant.

Uri chewed it over.

“I don’t quite see why a monotheist could not be emperor,” he said. “Our God is emperor in Heaven, and everyone serves Him, angels and devils alike, in much the same way as the Senate and Praetorian Guard serve the emperor in Rome. Our other world is just the same as if our ancestors had placed present-day living Rome in Heaven. Polytheism was in keeping with Greek democracy and the Roman republic: peoples and factions competed with each other, the gods did likewise. But for the empire? Might the Romans not be mistaken with their plurality of gods? Might they have a false image of themselves?”

Tija frowned and kept quiet; Uri sensed the coldness he was emanating. He was not pleased that an idea one might call a thought should occur to anyone but himself.

“A monotheistic Roman emperor?” asked Marcus in astonishment.

“Fair enough,” said Uri. “Right now that’s an impossibility… Rome is very proud of the fact that it welcomes with open arms all the gods of all the peoples it conquers, and it sets up altars to them in Rome… But if the population were to be believers in the emperor… if it were genuinely to become that… why is the Roman population not monotheistic, I wonder? What do they need those countless gods for? That’s not truly a religion they have there… All those thousands of gods! Then none of them is a god! But the emperor’s power is very real, and all he has is power…”

“So they need a Moses, as my uncle suggests?” Marcus asked. “A divine pharaoh?”

Uri pondered, and a heretical thought crossed his mind. Should he come out with it? But then, logic is logic.

“A Moses who is not Jewish,” he said. “A Latin Moses. Greek for that matter. A pagan Moses. That’s what is appropriate. The emperor dies, his head is knocked off the statues and replaced by the head of the new emperor… Nothing sacred about that — for all that they are deified after they have died, even somewhat ahead of that. They too need a unique and immortal god.”

Tija chuckled:

“So, Jupiter is appointed the one and only god, so the others are sent packing? Pensioned off? Settled in the provinces like veterans? Is that supposed to be a help?”

Uri shrugged his shoulders.

“I don’t know,” he said, “but something isn’t functioning in the world.”

“And it’s right that the Romans appoint one new high priest after another in Jerusalem?” Tija queried, “Does that sort of high priest have some sort of sanctity?”

“No, he doesn’t,” Uri admitted. “Of course, I say that with the proviso that I have never seen a high priest in action, and maybe when they officiate at a service the divine spark manifests in them. I only ever met a former high priest in Jerusalem, one by the name of Ananias… He was wearing a white and blue linen robe, but even so there was no sanctity emanating from him — just a politician, a human being.”

“All being well, Agrippa with our assistance will be a king,” said Tija, “but not much sanctity will emanate from him either — burps and farts are all that emanate from him.”

Uri cautiously, almost unnoticeably nodded: it would not do to admit that he had never seen him.

“Do you think that people have any real need at all for religion?” Tija mused, and a note of excitement entered his voice. “Or have they maybe just become used to this tradition of theirs, and they slosh around in it like in a caldarium?”

What came to Uri’s mind were some Greek philosophers who attributed so-and-so-many elements to an unmoved mover — four, one, whatever — and cogitated about numbers and ratios but never said anything about gods.

“Is there a need for a religion in Judaea?” Tija asked pressingly.

Uri pondered.

“Is there a need for a religion in Judaea?” Tija asked.

Uri mused.

Alexandria, by giving a person time to think, must be a place that was agreeable to God.

Before his eyes ran images of sects, devotees, idlers, sacrificers, mourners, grieving relatives, mutilated corpses, activists, hustlers, robbers, the ambitious… All were images from his journey as a money carrier, as he had not lived prior to that. He had not lived, just read.

Before his eyes appeared the throng of people he had witnessed on the road from Caesarea to Jerusalem. The people who stood in line at harvest-tide, happily chanting psalms. It was a good feeling to be together. Mourners in the cemetery. Everyone feared dying: better to live in the hope of eternal life than to believe that death was a total extinction — that was unimaginable. There had to be a higher power, but that aside, what was it that drove people to religion? The Sabbath, the feasts, and the rules about cleanliness were subordinate; pagans obeyed rules which had similar functions — Egyptians refused to eat pork, and their priests were circumcised in similar fashion — so those were parts of communal life and had nothing to do with religious piety.

In Rome there were so many shrines and religions that the Roman Jews could make do without raptures.

He glanced up: Tija was sipping wine as he reclined on the couch, Marcus stood with his back against the wall.

“There is a need for an emperor who is present in the soul of all his subjects,” said Uri. “Uniformly and exclusively. What a tremendous military power that would make!”

“A pharaoh,” said Marcus. “But the pharaohs were thrown out — there has to be a reason for that!”

“You’re talking about a Messiah,” said Tija.

Uri was surprised.

“Yes,” he deliberated. “I may well be talking about a Messiah.”

“A pagan Messiah?” said Marcus in astonishment. “Tucked away at the bottom of Uncle Philo’s writings there is always a Messiah, but to be honest I can’t understand why. He’s a clever man, cultivated and does nothing but try to reconcile Hellenism and Judaism yet neither the Greeks nor the Jews read what he writes… I never really understood what in fact he does believe in.”

“For one thing,” said Tija, “someone who converts to Judaism might be a Messiah. We should explain the Scriptures to make that possible. Along comes a Roman emperor and gets himself circumcised…” he giggled. “That would be some joke!”

“The idea of a pagan Messiah attracts me,” said Uri. “A Messiah is the salvation for all peoples, not just for the Jews. At most the Jewish dead will be resurrected half a day earlier…”

“Come off it!” said Marcus. “That’s a Pharisaic way of looking at it. In Alexandria everyone is a Sadducee; we don’t believe in an other world.”

“It doesn’t matter what we think,” Tija ventured, “it’s what the people think. A pagan Messiah… A monotheistic Roman emperor… Good ideas! The only hitch is: why should the Messiah come along while we are alive? Even as an emperor?”

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