Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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In the shifting lava patterns of the hell-well he could see that all of it, the wasting of his neighbourhood, had been, was, or would be for nothing. The decline and poverty that marked the Boroughs was a sickness in the human heart that would not be improved by pulling down its oldest and, inevitably, best-constructed buildings. Scattering the displaced occupants would only spread the heartbreak and malaise to other areas, like trying to put out a burning pile of leaves with an electric fan. It was that spread of the Boroughs’ condition, Michael knew, that was the worst part of this whole disaster. Michael knew how it had happened and how it would all work out. He saw both past and future in combusted rubbish circling the nightmare plughole of the astral town square.

There were sepia councillors and planners in Edwardian offices changing the way they thought about the poor, from seeing them as people who had problems to problems themselves, problems of cost and mathematics that could be resolved by tower-block proposals or by columns in a balance-book. He saw blue posters with a woman’s face on. She had pained eyes like somebody who’s embarrassed by you but is too polite to say, and a nose built only for looking down. Out of the hoardings she gazed condescendingly across a landscape where the clearance areas multiplied, England unravelling from its centre outwards until almost everywhere was drunk and out of work and in a fight, just like the Boroughs. Every region started to descend the same slope that led here, that led to soot, sparks and annihilation. On the posters, background colours altered and the woman’s picture was torn down to be replaced by those of men whose smiles looked forced or insincere, if they could even smile at all. Spy cameras flowered from lampposts and the pub names melted into gibberish. People waved their fists, then knives, then guns. He could see money, rustling flows of blue and pink and violet paper bleeding from stabbed schools and gashed amenities. He could see an entire world spiralling down into the incendiary maw of the Destructor.

Over on the square’s far side, standing upon one tier of what seemed to be an unfolded wedding-cake of ugly concrete, the pink-faced man started up his hymn again from the beginning. Elsewhere, one by one, the underdressed and weeping pensioners winked from existence as they woke from their appalling dreams to wet sheets, wards or care-home dormitories. Further down the damaged landing that the builder and the phantom kids were perched upon, the walking ball of light and noise and shrapnel broke off from his contemplation of the fall of Mansoul and commenced again his patient, soiled-trouser shuffle down the balcony towards them, weeping steam, with flying nails and rivets as his halo. It was time to go. Michael had seen enough.

They re-entered the Works by the swing door and went back down the carven blocks of firmament that were the stairs, pulling their dressing gowns or jumpers up over their noses long before they reached the level where the smoke began. Above the choppy vapour ocean, Michael could see the upper reaches of the larger devils as they waded through the fuming fathoms to attack the blaze at the north end. Something that had the head and shoulders of an immense camel — if camels were made from dirty bubble-gum — stood squirting spinning globes of hyper-water at the burning northern wall. Forming a line again and hanging on the clothing of the ghost in front of them, the Dead Dead Gang let Mr. Aziel lead them down into the suffocating shroud.

“There it is! There’s the ’orspital! Goo faster, Doug. Goo faster.”

It took a while for them to make their way back over the smashed, fiend-vacated flagstones to the crook-door in the corner, where the mournful builder shook their hands and said farewell to them, with the farewell alone taking a good five minutes. The gang navigated the disintegrating top floor of the ghost-building below the Works, then carefully descended through the soaked and gaping storeys lower down, hand over hand, the same way they’d gone up. Nobody said much. There was nothing much to say after they’d witnessed the Destructor. Before Michael knew it, he was dropping through the ghost-gang’s secret trapdoor in the phantom ruin’s waterlogged floor, down onto the lamp-lit pavement outside the Salvation Army place in Tower Street. The six kids assembled with their trailing look-alikes upon the sunken walkway, odourless and colourless again now they were back down in the half-world, and awaited Phyllis’s command.

“Right, then. Let’s dig back into 1959, so we can goo up to Mansoul when it’s not burnin’ dayn. If Michael ’ere’s to get back to ’is body, it’ll ’ave to be done from the Attics o’ the Breath, the same way ’e come up ’ere. Everybody pitch in so we get the ’ole dug quicker, and be careful to stop diggin’ ’fore we reach that bloody ghost-storm. If we go back to just after them two Master Builders ’ad their fight, I reckon that should do us.”

And that was precisely what they did, scraping away some fifty years of Mayorhold until they were all able to climb through the resultant hole into the bulb-lit cellar of the newsagent’s, owned by poorly-looking Harry Trasler there in Michael’s native time-zone. They picked their way through all the American adventure magazines, swaggering and salacious mountains that most probably intimidated the neat, nervous stacks of Woman’s Realm which they were standing next to. Floating up the stairs and through the cluttered shop, where the proprietor and his elderly mother were conducting an entirely silent argument, the gang and their pursuing after-pictures poured themselves onto the grass-pierced pavement bordering the Mayorhold.

It was evidently some time following the previous occasion that they’d been down there, but not by very long. The mortal former town square still enjoyed its sunny afternoon, and the boys with the acid-drops whom they’d seen fighting earlier appeared to have made up. As for the ghost-seam, it too seemed to have returned to something like normality. The super-rain was over, leaving phantom puddles fizzing in the cobbled gutters, unseen by the living, and though Michael’s dressing gown was ruffled by mild gusts of an abiding spectral wind he thought the ghost-storm must be finished with by now. The lens-like areas of visual distortion that had rolled around the place and signified the presence of the brawling Master Builders in the world above were gone, and so were the two murderous ghost-women who’d been trying to tear each other into cobwebs outside the Green Dragon. The only remaining indications of the bad mood that had gripped the Mayorhold earlier were the two Jewish-looking ghosts, chuckling and dusting off their hands as they stepped from the public toilets on the square’s far side, into which Michael, earlier, had seen them drag one of those men in the black shirts who turned up around here from time to time. Apart from that it was a perfectly agreeable day, there in 1959 at the convergence of the eight streets that had once comprised the ancient township. Phyllis, with one arm draped around Michael’s shoulder, took charge of the situation.

“Well, then it looks like it’s time to take ayr regimental mascot ’ome. We’ll go up through the old Tayn ’All into the Works and then take ’im across the Attics to the ’orspital.”

Drowned Marjorie piped up at this point, sounding a bit irritated.

“Phyll, that’ll take ages. You know ’ow much bigger everything wiz Upstairs. Why can’t we just take him through the ghost-seam and then go Upstairs when we get to the … oh. Oh, right. I see. Forget that I said anything.”

Phyllis nodded, satisfied by Marjorie’s sort-of apology.

“See what I mean? Dayn at the ’orspital there isn’t any Jacob Flight so we can get Upstairs. I know it’s a long slog across Mansoul, but there’s no other way to do it.”

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