Alan Moore - Jerusalem

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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Alan Moore

Jerusalem

For my family, for the people of the Boroughs, and for Audrey Vernon, the best piano-accordionist our cracked lanes ever knew.

Based on a true story JERUSALEM PRELUDE WORK IN PROGRESS Alma - фото 1

Based on a “true story.”

JERUSALEM

PRELUDE

WORK IN PROGRESS

Alma Warren, five years old, thought that they’d probably been shopping, her, her brother Michael in his pushchair and their mum, Doreen. Perhaps they’d been to Woolworth’s. Not the one in Gold Street, bottom Woolworth’s, but top Woolworth’s, halfway along Abington Street’s shop-lit incline, with its spearmint green tiled milk-bar, with the giant dial of its weighing machine trimmed a reassuring magnet red where it stood by the wooden staircase at the building’s rear.

The stocky little girl, so solid she seemed almost die-cast, had no memory of holding back the smeary brass and glass weight of the shop’s swing doors so that Doreen could steer the pram into the velvet bustle of the main street glistening outside. She struggled to recall a landmark that she’d noticed somewhere along the much-trodden route, perhaps the lit-up sign that jutted out from Kendall’s rainwear shop on Fish Street corner, where the marching K leaned boldly forward against driving wind, cartoon umbrella open and held somehow by the letter’s handless, out-flung arm, but nothing came to mind. In fact, now that she thought about it, Alma couldn’t honestly remember anything at all about the expedition. Everything before the lamp-lit stretch of paving along which she now found herself walking, with the squeak of Michael’s pram and rhythmic clacking of their mother’s heels, everything prior to this was a mysterious fuzz.

With chin tucked in her mackintosh’s buttoned collar against dusk’s pervasive chill, Alma surveyed the twinkling slabs that steadily unwound beneath the mesmerising back and forth of her blunt, buckled shoes. It seemed to her that the most likely explanation for the blank gap in her recollection was plain absent-mindedness. Most probably she’d daydreamed through the whole dull outing, and had seen all of the usual things but paid them no attention, caught up in the lazy stream of her own thoughts, the private drift of make-believe and muddle going on between her dangling plaits, beneath her butterfly-slides, faded pink and brittle like carbolic soap. Practically every day she’d wake up from a trance, emerge from her cocoon of plans and memories to find herself a terrace or two further on than the last place she’d noticed, so the lack of any memorable details from this current shopping trip was no cause for concern.

Abington Street, she thought, was the best bet for where they’d been, and would explain why they were now making their way along the bottom edge of a deserted Market Square towards the alley next to Osborn’s, where they’d next slog up the Drapery, pushing Michael past the seaside-flavoured brick slab of the Fish Market with its high, dust-veiled windows, then down Silver Street, across the Mayorhold and into the Boroughs, home amongst the tilt and tangle of its narrow passages.

As comforting as Alma found this notion, she still had the nagging feeling there was something not quite right about her explanation. If they’d just left Woolworth’s then it couldn’t be much after five o’clock, with all of the town centre shops still open, so why weren’t there any lights on in the Market? No pale greenish glow crept from the gated mouth of the Emporium Arcade up on the slanted square’s top side, while on the western border Lipton’s window was blacked out, without its usual cheese-rind coloured warmth. Shouldn’t the market traders, for that matter, still be packing up their wares, closing their stalls down for the day, cheerfully shouting to each other as they kicked through the spoiled fruit and tissue paper, folding trestle tables up to load with hoof-beat clang and clatter into bulky, spluttering vans the shape of ambulances, tin frames echoing like gongs with each fresh armful?

But the wide expanse was vacant and its draughty incline swept away uphill to empty darkness. Rising from the gooseflesh of wet cobbles there were only listing posts dividing up the absent stalls, drenched timbers chewed like pencils at one end and jutting from square, rust-rimmed holes between the hunchback stones. One tattered awning had been left behind, too miserable for anyone to steal, the sodden flap of its sole wing slapping at intervals above the low, half-waking murmur of the wind, the sound snapped back by the high buildings framing the enclosure. Looming from its centre, black on sooty grey, the market’s iron monument poked up into the dirty wash-water of night, ornate Victorian stem rising to blossom in a scalloped capital crowned by a copper globe, much like some prehistoric monster flower, alone and petrified. Around its stepped plinth, Alma knew, were small unnoticed bursts of emerald grass, doggedly bristling from the cracks and crevices, perhaps the only living things beside her mother, brother and herself to be about the square that evening, even if she couldn’t see them.

Where were all the other mothers dragging children through the shining and inviting pools outside shop windows, home for tea? Where were the tired, unhappy-looking men slouching along their solitary paths back from the factories, with one hand in a sorry pocket of their navy trousers and the frayed strap of a shouldered kitbag in the other? Over the slate roofs that edged the square there was no pearly aura shading up into black sky, no white electric rays spilled from the Gaumont’s streamlined front, as if Northampton had been suddenly switched off, as if it were the middle of the night. But then, what were they doing in town centre when it was so late, with all the shops shut and the oblong glass eyes of their bolted doors become unfriendly, distant, staring blankly like they didn’t know you, didn’t want you there?

Trotting beside her mum, one hot hand clenched on the cool tubing of the pushchair’s handle, dragging slightly so that Doreen had to tow her, she began to worry. If things were no longer going on the way they should be, didn’t that mean anything could happen? Glancing up towards her mother’s scarf-wrapped profile, Alma could find no sign of concern in the soft, sensible blue eyes fixed on the pavement up ahead, or in the uncomplaining line that sealed the small rose mouth. If there were any reason to be frightened, if they were in danger, surely Mum would know? But what if there was something horrible, a ghost or bear or murderer, and their mother wasn’t told? What if it got them? Chewing on her lower lip, she made another effort to remember where the three of them had been before this haunted cobblestone enclosure.

In the shadows puddled at the market’s bottom flank not far in front, the heavyset child noticed with relief that there was at least one light burning in the otherwise apparently deserted murk, a rectangle of ivory brightness falling from the big front window of the paper-shop on Drum Lane’s corner, angling across the boot-worn yellowed flags outside. As if she had been listening in upon her daughter’s mounting apprehension, Alma’s mother looked down at her now and smiled, nodding towards the shop-front that was barely more than three pram-lengths before them. “The’yar. Ayr’s wun blessid place as ent shut up, ay?”

Alma nodded, pleased and reassured, while in his creaking pushchair Michael kicked against the footboard in approval, with his curly golden head that looked like Bubbles in the painting bouncing up and down.

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