Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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Other than to her face, Mick would admit that Alma was what you’d call striking more than ugly, even at this late stage in the game. What was she, fifty-one now? Fifty? Striking, definitely, if by that you meant actually frightening. She was five-eleven, one inch shorter than her brother, but in heels was six feet two, her long uncut brown hair that greyed to dusty copper here and there hanging like safety curtains to each side of her high cheek-boned face in a style Mick had heard her once describe as ‘bombsite creeper’. Then of course there were her eyes, spooky and massive when they weren’t myopically screwed shut, with warm slate irises against which an extraterrestrial citrus yellow flared around the pupil like a full eclipse, thick lashes creaking from the weight of her mascara.

She’d had, across the years, at least her fair share of admirers but the truth was that the great majority of men found Alma to be “generally alarming” in the words of one acquaintance, or “a fucking menopausal nightmare” in the blunter phrasing of another, although even this was said in what seemed almost an admiring tone. Mick sometimes thought his sister was just the wrong side of beautiful, but it was funnier if he insisted that she looked like Lou Reed on the cover of Transformer , or “a solarized glam Frankenstein” as Alma had with glee reworked it, saying that she’d use it in the catalogue biography next time she had an exhibition of her paintings. Revelling in the receipt or dishing out of insults with an equal verve, Alma could more than hold her own, maintaining with deadpan sincerity that her angelically good-looking young brother had been simpering and effeminate since birth, had actually been born a girl, was even chosen as Miss Pears at one point, but then underwent a sex-change operation since their mum and dad had wanted one of each. She’d first tried this painfully earnest routine out on Mick himself when he was six and she was nine, reducing him to mortified, bewildered tears. Once when he’d told her, not entirely without accuracy, that she came across to people as a homosexual man trapped in a rough approximation of a woman’s body, she’d said “Yeah, but so do you”, then laughed until she coughed and ultimately retched, inordinately pleased as usual by her own bon mot .

Stopping off at the bar to wrap a fist around the pleasing icicle of his first pint he made his way over a threadbare floral-patterned carpet like a diagram of suicide towards his sister’s chosen table, unsurprisingly located in the empty lounge’s furthest angle from its door, the misanthrope’s retreat of choice. Alma looked up as he scraped back a chair to sit opposite her across the wet veneer with its sparse archipelago of beer mats. She rolled out her usual smile of greeting which he thought was probably intended to give the impression that her face lit up to see him, but since Alma’s tendency to overdo things was extended to her Grand Guignol theatre of expressions the effect was more one of religiously-themed murderess or pyromaniac, that burst of yellow arson in the centre of each eye.

“Well, if it isn’t Warry Warren. How in God’s name are you, Warry?”

Alma’s voice was smoke-cured to an ominous bass organ chord reverberating in a Gothic church, at times even a little deeper than Mick’s own. He grinned despite his current mental health concerns and felt sincerely glad to see his sister, re-establishing all their arcane connections, being with somebody comfortingly further gone than he was. Mick took out his cigarettes and lighter, placing them beside his beaded glass in preparation for the evening as he answered her.

“Just about had it, Warry, if you want the truth.”

Each of the pair had called the other ‘Warry’ since a moment during 1966 of which neither had any clear, reliable memory. Alma, thirteen, may have begun it all by using Warry as a ridiculing term when speaking to her younger brother, and he may have hurled it back at her because, as she had always privately suspected, he was far too frivolous in his essential attitude towards existence to make up an insult of his own, even a stupid one like ‘Warry’. Once the pair had taken up referring to each other in this way it would have all become an idiotic war of wills that neither could remember why they were involved in, but where neither felt that they could be the first to call the other by their given name without conceding an unthinkable defeat. This nominative tennis match had carried on, pathetically, for the remainder of their lives, long after they’d begun to find the cognomen affectionate and had forgotten utterly its half-baked origins. If asked why they both called each other Warry, Mick would usually reply that coming as they did from an insolvent background in the Boroughs, Mum and Dad had been unable to afford a nickname for each child, so that they’d had to make do with just one between them. “Not like posh kids”, as he’d sometimes add with an authentic tone of bitterness. If Alma were around she’d look up at their audience with an accusing veal-calf stare and solemnly instruct them not to laugh. “That name was all we got for Christmas one year.”

Now his sister planted the grazed leather of her elbows in the film of liquid covering their table, cupped her chin between long fingers and leaned forward through the weak-tea atmosphere inquiringly, head to one side so that the longer locks of hair dragged through the table’s wet meniscus, tips becoming sharp as sable brushes.

“Truth? Why would I want the truth? I was just making conversation, Warry. I weren’t asking for the Iliad .”

They both admired her callousness, and then Mick told her how he’d had the accident at work, had been knocked out and had his face burned, had been blinded for an hour or two and had been worried ever since that he was going mad. Alma looked at him pityingly then shook her disproportionately massive head and sighed.

“Oh, Warry. Everything’s about you, isn’t it? I’ve been dog rough, half blind and barking mad for years but you don’t catch me going on about it. Whereas you, you catch one face-full of corrosive chemicals for cleaning battleships, you fall to bits.”

Mick put his fag out in the ashtray’s sea-blue porthole and then lit another.

“It’s not funny, Warry. I’ve been having weird thoughts since I woke up in the yard with everybody trying to hose me down. It’s not so much the stuff that I’d got in me eyes or having banged me head, it’s when I come round. For a minute it was like I’d got no memory of being forty-nine or working down the reconditioning yard. I’d got no memory of Cathy or the lads or anything.”

He paused and sipped his lager. Alma sat across the sopping table, gazing flatly at him, paying genuine attention now she knew that he was serious. Mick carried on.

“The thing is, when I first come round I’d got it in me head that I was three and waking up in hospital, that time I had the cough-sweet when me throat swelled up.”

Alma’s defiantly unplucked brows tightened to a puzzled frown.

“That time you choked, and Doug next door drove you up Grafton Street, over the Mounts to hospital, sat in his vegetable lorry? We all thought that’s probably where you contracted brain damage, or at least I did.”

“I didn’t get brain damage.”

“Oh, come on. You must have done. Three minutes without oxygen and that’s your lot. They all said you weren’t breathing, right from Andrew’s Road to Cheyne Walk, and that has to be ten minutes in a rusty truck like Doug’s. Ten minutes without breathing and you’re talking brain death, mate.”

Mick laughed into his pint and flecked his nose with foam.

“And you’re supposed to be an intellectual, Warry? Try ten minutes without breathing sometime and I think you’ll find that it’s all-over death.”

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