Alan Moore - Jerusalem

It looked like there was more activity up on the elevated boardwalks than there had been on the smouldering ground floor of the Works. Angles conferred with devils as they overlooked the Mayorhold. Demon work-gangs rasped commands to one another in toe-curling voices that were those of carrion birds or insects, greatly amplified. There were no ghostly throngs of spectators filling the balconies as there had been on Michael’s previous visit here, however, and the few lone, wandering phantoms he could make out all looked frightful or a bit mad.

He could see a chubby man who wore old fashioned clothes and had a round, pink baby face, standing upon the walkway opposite and singing an old hymn in a sweet tenor voice above the chittering and buzzing racket of the labouring devils. In the endlessly unravelling acoustics of Mansoul the singer’s every word was audible despite the distance: “Yea, though I walk through death’s dark vale, yet shall I fear no-oh ill …” The man’s expression, staring petrified into the hell-glow, contradicted the song’s lyrics pointedly. He looked as if he feared ill very much. Elsewhere upon the landings, Michael saw a small gaggle of elderly men and women who clung desperately to one another as they screamed and wept and pleaded for deliverance. Judging from the fact that all of them were naked or clad only in stained underwear, Michael concluded that they must be people having a particularly nasty dream.

The most upsetting stroller on the balconies, however, was a solitary figure on the same stretch of the walkway as the children, someone Michael recognised. Coming towards them from the scorched and partly-ruined landing’s far end was the rumbling ball of frozen fire that walked upon two legs, the blowing-up man that the children had glimpsed in this very spot the last time they’d been up here, nearly fifty years before. He looked the same as he had then, amid the same wasp-swarm of light and shrapnel, walking with the same stiff-legged and deliberate gait, as if he’d done his business in his trousers. The slowed and protracted sound of the explosion that had killed him, stretching and reverberating as it rolled eternally around his blissfully disintegrating form, was audible even across the distance separating Michael and the walking bomb-burst, a low modulated drone that growled aggressively down at the lower threshold of the small boy’s hearing. Tall John, standing next to Michael, had apparently seen the continuously detonating ghost as well.

“Oh. It’s that silly sod blowing himself to bits up here as well, then. If he’s walking back along the linger of Mansoul, then I expect it must be sometime around now that he set out from. I can’t say as I’m surprised, not from the look of things round these parts. If Mansoul itself wiz on fire up in this new century, then wiz it any wonder you’ve got living people doing stupid bloody things like that?” John nodded to the man in question, who was still some distance off and only very slowly getting closer.

“From what Bill said, they’re prepared to get blown up because they think that they’ll end up in Heaven. I suppose that’s what I thought as well, and that’s what all the Jerries thought, and all the Japs. We’re all half-sharp, the lot of us. As if there could be any more to us than what we make of ourselves and our lives while we’re still living them. The people that we are when we’re alive, that’s who we are forever, nipper. Like that dibby Herbert all in pieces down the walkway there.”

John placed one hand upon the toddler’s shoulder, drawing back his fingers when he realised they were touching the discoloured patches where slobbering Sam O’Day had dribbled. Quietly, the taller boy steered Michael over to the fragment of surviving railing where the scorched and sorry-looking builder stood with their four friends.

“Come on. From what Phyll told me while we waited for you and Bill there outside the Jolly Smokers, you’ve been brought up here so we can show you the Destructor. We might just as well get it all over with, then we can take you home.”

Michael felt suddenly afraid and shied back from the landing’s edge, protesting fretfully to the determined-looking older boy.

“But obscenic be four, in Birth Street. It wiz like a sinning-wheel, all smokery and dredgeful and choo-chooing heavenlything to grits!”

John’s resolved expression softened. He could tell how frightened Michael was by the degree to which the infant’s language skills had been derailed by just a solitary mention of the word “Destructor”. Firmly and yet sympathetically, he shook his head.

“No, nipper. You’ve not seen it from up here before, and that makes all the difference, you can trust me. You see, down in Bath Street in the living world, all people see wiz the effects of the Destructor, all the, well, the prostitutes. The drink and drugs and all the fighting, long as anybody can remember but much worse, the way it’s got in these times. Then, if you’re with the rough sleepers in the ghost-seam, you can see the thing itself, or at least you can see a bit of it: the hub, the big dark whirlpool thing that you saw down in Bath Street. From up here in Mansoul, though, you see a bigger picture. You can see the whole of it.”

By now the pair were closer to their friends and Mr. Aziel. Phyllis Painter reached out and took Michael by the hand.

“Look, it’s important that yer know abayt this. This’ll show yer why things are the way they are. See, yer remember ’ow we told yer all abayt the monk ’oo brought the cross ’ere from Jerusalem, to mark the centre o’ the land? Well, this place wiz the centre in all sorts o’ ways. It’s in the middle o’ the country, true enough, and it’s the middle of the country’s spirit, too. It’s where all o’ the big religious changes and upheavals are kicked off, and where the wars are finished. But the most important way that we’re bang in the middle wiz that we’re the centre of the … what’s it called, John? The way things are all fitted together in one piece?”

“The structure.”

“Structure, that’s the word. The Boroughs is the middle bit of England’s structure. It’s the knot what ’olds the cloth together, if yer like. And back when everybody sort of understood that, understood it in their ’earts, then even when the times wiz bad they’d still got that big structure, that cloth, like a safety-net they could fall back on. But there come a time — I reckon it was back araynd the First World War meself — when all that started changin’. People started to forget abayt the things that ’ad been so important to ’em fifty years before. They weren’t so certain abayt God, or King, or country, and they started pullin’ dayn the Boroughs, lettin’ it fall into disrepair. Can yer see what I’m gettin’ at? It wiz the centre of the land, of England’s structure, and they let it come to bits. They put up the Destructor, and for years all of Northampton’s shit went up that chimney — ’scuse my French — and there wiz stinking smoke from Grafton Street to Marefair. It become a symbol of the way that people saw the Boroughs, even us what lived there, as a place where all the rubbish went. It wiz that disrespect what done it, if you ask me. It wiz that what give one filthy chimney so much power in people’s minds.”

Here, Mr. Aziel interjected.

“Bixt vorm fwandyg sulpheck.”

It is a torus, is the secret shape of space and time. Tori enclose the necessary holes within the fabric of existence, but their spread endangers all. The man who stole my chisel, Snowy Vernall, had learned from his father that a chimney is a torus. That is why he spent much of his life on roofs, keeping an eye on the infernal things, when all the time it was the chimneystack in Bath Street here that posed the only serious threat.