Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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Her mum had only been round once since Marla had got fixed up with the flat. She’d sat on the settee there with a skinny little spliff, Marla could see her now, and told her daughter what, in Rose’s own opinion, she was doing wrong, how she was messing up her life. “It’s all these drugs. It’s not just like a lickle bit of ’erb. You’ll end up like a slave to it.” Yeah, like you’re not a slave to cider and black cock, you fucking hypocrite. But Rose would have just said something like “At least I’m not out and selling it down Grafton Street.” You couldn’t, mum. You couldn’t fucking sell it and you couldn’t fucking give it away free, you just, you fucking couldn’t. “There’s no love in what you do.” Oh, fucking hell. You stupid fucking … what, you think there’s any in what you do? In what anybody does? It’s all just FUCKING SONGS and FUCKING BIRTHDAY CARDS, you cunt, you old cunt. DON’T YOU FUCKING TELL ME, RIGHT, don’t you fucking tell me because YOU, you’ve got NO fucking right, no fucking right. You sit there with your fucking SPLIFF, your fucking GAN-JAH, fucking smiling ’cause you’re monged and saying to chill out. YOU WHAT? You fucking WHAT? I’ll fucking chill YOU out, you old cunt. Fucking leave YOU with your face in stitches and your ribs all kicked in, see how YOU like it, you fucking, FUCKING …

There was no one there. She was all on her own. I tell you, man, you’ve seriously got to watch that. Seriously. She’d been shouting, not just in her head but out loud. It was getting a bit regular with Marla, that was, shouting. Shouting at Miss Pierce, her form teacher from Lings. Shouting at Sharon Mawsley when they were in first year, shouting at her mum, shouting at Keith. Yeah, right. As if. At least it was all people what were real and what she knew, or at least mostly. At least so far. There’d been only once, no, twice, when Marla had been shouting at the Devil, and a lot of people got that all the time. Samantha used to get that. She’d said that for her he was a red cartoon one with a pitchfork, but that’s not the way that Marla saw him.

It had been the middle of the night about three months back, after what had happened to Samantha. She’d not had a proper smoke, ’cause there’d been none about but somebody — who was it? — somebody had given her some pills, fuck knows what, just to get her through. She’d been here in the flat, the same place where she always was, sat up in bed there in the dark having a fag just so that she’d be smoking something. She was staring at her fag end, like you do, and in the dark there it looked like a little face, a little old man’s face with pink cheeks and pink mouth and two black flecks for eyes. The bits of grey and white ash were his hair and eyebrows and his beard. There were two glowing sparks up at the top, bright red so that they looked like horns, a little devil man there on her fag end and it looked like he was grinning. Where the hot coal at the end was burning through the paper from the other side to make his mouth it sort of went up at one side, and Marla had been all, like, Yeah? What are you laughing at, you ugly cunt? And he was like, Who do you think I’m laughing at? I’m laughing at you, ain’t I? Because when you die you’re going to go to hell if you’re not careful.

That had been when Marla laughed at him instead, or snorted at him anyway. Well, what the fuck is hell supposed to be, you ash-faced twat? I’ll tell you, hell for me would just be being stuck in Bath Street here forever, and he’d said, Precisely, and that really fucking freaked her out. Where had she got a word like that? When she was talking to her people in her head they talked like she did, and she’d never said “Precisely” in her life. She’d stubbed him out, she’d squashed his little burning brains out in the ashtray by the bed and then she lay there until morning with it running round her head, the thing he’d said. She didn’t understand it and she didn’t understand why she was letting it get to her like it had. For fuck’s sake, what did he know? He was just a fucking fag end.

When Marla saw him the other time, that had been just a week or two ago, when Keith had told her he was having nothing more to do with her. She’d been here afterwards, been in the bathroom sorting out her mouth, which had looked much worse than it really was. She’d felt that low, though, that she’d thought about the fag-faced little devil and the things he’d said, fucking “Precisely”, all that, and she’d thought about it so much he was in her head like a real person, like Miss Pierce or Sharon Mawsley, and like all her people in her head he had a go at her. It was like he was sitting on the edge there of her little bathtub while she stood above the basin to one side of him and swabbed her chin with Dettol. He weren’t like the little red end off a fag though, this time, even if he sort of had the same face. He was a whole person like her mum or like the shagging tramp she’d thought about. He was all sort of dressed in what was like a monk’s robes or it might have been old rags, and it was either red, or green, or both. He had the curly hair and horns and beard and eyebrows like he’d had when he was made of ashes and, as Marla saw him in her head, he was still grinning at her, laughing when the Dettol stung and made her cry again when she’d only just stopped, only just got herself together.

He was pissing himself, this old Devil, and she’d lost it. She’d completely fucking lost it and she shouted Why don’t you leave me alone? He’d just looked back at her and done a face, taking the piss like, and he’d said it back to her, the same words, in a nasty whiny voice she knew was meant to sound like hers. He’d just said Why don’t you leave me alone, and then she’d just been crying after that and when she’d stopped he’d gone. She hadn’t seen him since, and didn’t want to see him but the other people who’d had demons said they got more regular, not less. He was her nasty fag-end devil prophet and she’d even got a name for him. Ash Moses, that was what she called him. Sometimes when she got that burning smell she often had when she was in the flat, the smell she thought was just her nerves all frying up, she’d laugh and say Ash Moses was about. But that was when she’d got some and was in a good mood and it all seemed funnier.

Marla was searching down beside the couch again when she looked at the carriage-clock there on the mantel and saw that she’d been here for more than an hour and half when she’d just meant to pop in on the off chance of some little lick she might have lost. Fuck. If she didn’t get a move on she’d have no chance of the knocking-off time trade, the blokes home for the weekend from the places that they worked in Milton Keynes or London or wherever. It had better be a bigger turn out than she’d seen at dinner time up Regent Square and Sheep Street and round there, ’cause if she didn’t get some money soon she’d, well, she’d stay in. Stay in, read her Di book and her Ripper books and just put up with it, that’s what she’d do. She definitely, definitely wasn’t going out tonight, no way. No way.

She sorted out her make-up best she could but there weren’t much that she could do about her hair. She put the scrapbook and the murder paperbacks inside the bedroom chest of drawers in the clean clothes space, so that she’d remember where they were, then went out through her little kitchen and her back door, into the big concrete gardens of the flats. It wasn’t a bad day, but just the sight of all the gravel paths and shrubs and steps stretching away towards the backs of all the flats there on the far side, or towards the big brick arches near the middle avenue, it always got her down and almost always kicked off the Ash Moses smell, though not today. This was a fucking awful place. She bet there hadn’t ever been a time when everything what happened here weren’t horrible.

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