Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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“We’d better wind old Ginger down, and all. I’ve seen ’im lose his rag and you can trust me that it’s not a pretty sight.”

Big Albert Pickles, lumbering across the polished checkers with his filmy, incomplete reflection swimming in the sheen beneath his boots, looked up at Bill and grinned as he took his position by one of the cage’s corner winches.

“Aye. ’E’s ginger and ’e’s barmy and ’is dad’s still in the army.”

Several of the other fellows smirked at this old ragamuffin taunt as they prepared to man the scaffolding’s remaining ropes, but Bill was having none of it. A tubby bloke who had a piping voice he may have been, but Bill had won a medal fighting the Burmese and all the men, including Albert Pickles, knew they’d best not go upsetting him.

“ ’Is dad’s passed on, Bert, so we’ll ’ave no more of that, eh? ’E’s a decent chap who’s ’ad ’ard luck and just got a new baby. Now, let’s ’aul ’im down, then all of you can ’ave your break.”

The men accepted the reproof good-naturedly, then took the strain upon their cables as Bill ventured a shout up into the glorious well above them, telling Ginger to be ready so he shouldn’t spill his pots or knock them over when the platform started to descend. There was no answer, but with the suspended planking up at such an altitude Mabbutt had not really expected his announcement to be heard. He bobbed his ruddy chin in the direction of the labourers, whence they began to let sink the broad arc of wood down from the murmuring, gilded firmament of the cathedral to the brawny back-or-forth and subdued hubbub of its thronging floor.

The pulleys overhead struck up their measured, intermittent squealing like a horde of women lowering themselves by inches into the cold waters of a public bath. Pulling a hanky from his trouser pocket, Billy Mabbutt mopped the liquid glaze of perspiration from his rosy crown and thought of Ginger Vernall as he’d been out in Crimea, battering one of his fellow squadders bloody in their barracks when this other chap made some remark about the sort of background Ginger came from. Bill felt sorry for the man, that was the truth of it, to see how proud he’d been back in the war and see him now brought low by everything. No sooner was he back from fighting Russians when old John, his dad, went potty and then died not many years thereafter. Still shook up from all of that, Bill shouldn’t wonder, Ginger had took up with his young girl then married her, and right away she’d had first one kid then another. Billy never had a lot of truck with women, being more at ease with other men, but he’d seen such a lot of fellows get through muck and musket balls only to have their legs cut out from under them by wife and family. Ginger was stuck with hungry mouths to feed and no place of his own where they could live, still at his mam’s out Lambeth and a miserable old biddy she was too, from Mabbutt’s one encounter with her.

Ninety or a hundred feet above, the underside of Ginger’s podium came closer to a rhythmical accompaniment of groaning hawsers, grunting workers and shrill pulley-wheels. Stuffing the handkerchief back where it came from Bill turned round to face the trestle table where he’d put his mortarboard so he could give it a wipe down before he had a cup of tea. The clergy of St. Paul’s had been persuaded after an unseemly bout of haggling to boil up a big tub of water over the cathedral’s stove so that the two capacious teapots made of earthenware and brought along by the contracted labour could be filled. These steamed there at the table’s far end now, alongside a collection of the dirtiest tin mugs that Bill had ever seen, another loan from the begrudging clerics. Dented and dilapidated, these had blotchier complexions than poor Strawberry Sam, Bill’s young apprentice at St. Paul’s. Shit-coloured rust was crusted at their rims, and one was gnawed through by a bum-wipe of corrosion so you could see daylight. Rubbing the last scabs of grout from off his board, Bill made a mental note to see as neither him nor Ginger got the cup that had a hole, unless they wanted hot tea pissing in their laps.

He was made gradually aware of a commencing ruction somewhere to his rear and so looked back towards the scaffold just in time to see the platform winched down below head-height, now a yard or two at most above the ground. Old Danny Riley with his beard like Mr. Darwin’s and that same gent’s monkey mouth was saying “Who’s that? Blessed Mary, now, who’s that?” over and over like the village fool, so that Bill glanced about to see if some Archbishop or important man like that had stepped out from behind a post and come amongst them. Finding no one he looked back towards the wedge of boards that skimmed now only inches from the tiling and which with another scream from its four pulleys would be landed.

Coming from the figure squatting there at the construction’s centre was a stammering “hoo-hoo-hoo” noise, only audible once all the winches were at rest, and even then you couldn’t tell if it were laughter or the sound of weeping you were hearing. Tears rolled, certainly, across the figure’s grubby cheeks, but ran into the crevices of what might have appeared a blissful smile were not the eyes filled with confusion and with pain. Upon the boards in front of it, writ by a fingertip dipped in Venetian Yellow and with wobbling characters such as a young child might attempt was the word TORUS, that Bill knew to be a term come from astrology by virtue of the fact that he himself was born in May. What Mabbutt couldn’t fathom, though, was how the word came to be written on the planks at all, when he knew full well as the man that he’d sent up there to retouch the frescoes couldn’t write his name, perhaps might copy out a letter’s shape if he were so instructed, although obviously that had not been the case alone there in the upper dome.

Billy walked leadenly as in those nightmares of pursuit towards the heaping cage of scaffolding, pushing aside the navvies stood stock still and gawping in his way. Amidst the susurrus of gasps surrounding him he heard Bert Pickles saying, “Fuck me! Fuck my arse!” and heard the clattering footfalls of the priests come running to see what the noise was all about. Someone beside the figure shipwrecked there upon his raft had started crying. From the sound, Bill thought it was young Sam.

Looking up from the scattered pots and brushes that he sat amongst and from the inexplicable bright scrawl, the person who’d come down from the high gantry’s pinnacle stared back at Mabbutt and his other workmates, and then giggled in a sobbing sort of fashion. It was not as though there was no recognition there in his expression, but more as if he had been away so long that he had come to think his former occupation and companions all a dream, and was surprised to find they were still there. Billy could feel hot tears well in his own eyes now, returning that destroyed, uncomprehending gaze. His voice twisted an octave higher than it’s normal pitch when Billy tried to speak. He couldn’t help it.

“Oh, you poor lad. Oh, my poor old mate, whatever ’as become of you?”

One thing was sure. For the remainder of his life no one would ever, when they spoke of Ernest Vernall, call him Ginger.

Billy walked his broken friend home over Blackfriars Bridge and stayed a while with Ernie’s wailing family once they’d recognised the stranger brought home early from his work. Even Ern’s mam was weeping, which Bill was surprised by, having never thought she had an ounce of pity in her, though her son’s condition would have made a stone cry. Not so much the way Ern looked now as the things he talked about — trees, pigeons, lightning, corners, chimneypots — a tumult of plain, ordinary things that he would mention in the same hushed tones with which one might discuss a mermaid. The one person not in tears amongst the household was the two-year-old, young John, who sat there staring at his transformed father with those big dark eyes whilst mother, grandmother and baby sister wept, and all that time he never made a sound.

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