Alan Moore - Jerusalem

Neutral greys and umbers from the shadows on the far right of the giant face where it was turned away were crawling on a steep diagonal towards its upper left, where they pooled to a blot of shading such as you might get to one side of a nose if whomever it might belong to looked straight at you. Radiant Chrome Yellow and Lead White bled from the halo, forming an irregular bright patch with contours roughly like the angel’s rightmost cheek if it were slightly moved so that it was illuminated. With a bleak, numb horror moving up his spine Ern realised that without its modelling disturbing the almost-flat plane on which it was described or breaking from the confines of its two-dimensional domain, the angel’s massive face was turning slowly, still within the surface of the fresco, to regard him with a gaze that was head-on. New creases of Payne’s Grey coagulated at the corners of its eyes as loaf-sized lids, formerly downcast shyly, fluttered open with small flakes of paint falling from fresh-created wrinkles into Ernest’s mouth as he stood there beneath the spectacle with jaw hung wide. His circumstances were so wholly unbelievable he didn’t even have the wits to scream but took another step back with one hand clapped tight across his gaping maw. At the far edges of the figure’s epic mouth, also migrated up and to the left now, dimpled cracks of mingled Ivory Black and crimson crinkled into being as the pale, foot-long lips parted and the painted angel spoke.

“Theis whille beye veery haerdt foure yew” it said, sounding concerned.

The ‘is’ or the essential being of this coming while as, from your viewpoint, it apparently goes by will be a sudden and extreme veer in the pathway of your heart with things that you have heard concerning a fourth angle of existence causing difficulties to arise within your mortal life, that is concluded in a graveyard where the yew trees flourish, and this will be very hard for you. Ern understood this complicated message, understood that it was somehow all squeezed down into just seven mostly unfamiliar words that had unfolded and unpacked themselves inside his thoughts, like the unwrapping of a children’s paper puzzle or a Chinese poem. Even as he struggled to absorb the content bound in this exploded sentence, the mere noise of it unravelled him. It had a fullness and dimension to its sound, compared to a whole orchestra performing in a concert hall, such as the latter might have in comparison with a tin whistle blown inside an insulated cupboard. Every note of it seemed to be spiralling away in countless fainter and more distant repetitions, the same tones at an increasingly diminished scale until these split into a myriad still smaller echoes, eddying minuscule whirlwinds made of sound that spun off into the persistent background thunderclaps and disappeared.

Now that it had completed that first startling quarter turn the table-sized face seemed almost to settle down into its new configuration. Only at its edges and around the mobile mouth and eyes were particles still creeping, dots of pigment skittering in little sand-slides round the fresco’s curvature and making small adjustments to accommodate the slight and natural movements of the figure’s head, the shift of gleam and shadow on its opening and closing lips.

In the few moments that had actually elapsed since the commencement of the episode Ernest had clutched at and as soon discarded several desperate rationalizations of his situation. It was all a dream, he thought, but then knew instantly that it was not, that he was wide awake, that those teeth on the left side of his mouth still ached, with those upon the right retaining fragments of fried bread from breakfast. He decided that it was a prank, perhaps accomplished with a Magic Lantern, but was instantly reminded that the pictures cast by such devices do not move. A Pepper’s Ghost, then, like they had at Highbury Barn so that the shade of Hamlet’s father seemed to walk upon the stage, but no, no, the effect required a sheet of angled glass and there was nothing in Ern’s working-space save Ern himself and his materials.

As each fresh explanation turned to shreds of flimsy tissue in his hands he felt the panic terror welling in him until he could take no more of it. His tightening throat choked out a sob that sounded womanly in his own ears and turning from the apparition he began to run, but as the footing shuddered under his first step the dreadful fact of where he was, alone and at great altitude, returned to him with overwhelming force. Above, the thunderstorm had clambered to its flashing, crashing peak and even if Ern could have overcome the clenched paralysis that gripped his vocal cords for long enough to scream, nobody down below would ever hear him.

He’d just jump, then, get the whole thing over with and better that, the flailing fall, the pulverising impact, better that than this, this thing, but he had hesitated far too long already, knew he couldn’t really do it, knew he was and always had been in the last analysis a coward when it came to death and pain. He shuffled back around to face the angel, hoping against hope that when he did the trick of light or hearing would have been corrected, but the mammoth physiognomy was looking straight towards him, its peripheral lines still squirming faintly and the highlights on its lids slithering quickly to change places with the eye-whites as it blinked, then blinked again. The roseate tones in which its lips had been depicted swirled and curdled as it tried what seemed intended as a reassuring smile. At this, Ern started quietly weeping in the way he’d wept when he had been a boy and there was simply nothing else save crying to be done. He sat down on the planks and sank his face into his hands as that transfixing voice again began to speak, with its unwinding depths and curlicued reverberations scurrying away to shimmering nothing.

“Justiiyes abdoveer thier straeelthe.”

Just I, yes, I, just my affirming presence and my just eyes watching from above, around a veer or corner in the heavens where the doves and pigeons fly, among the hierarchies and the hierophants of this higher Hierusalem, over the straight and honest straitened trails which are the aether of the poor that I have made my great tribunal whereby do I now announce that Justice be above the Street.

Ern had his stinging eyes closed and his palms pressed to his face, but found he could still see the angel anyway, not through his finger-cracks or eyelids as with a bright light but more as if the rays had swerved around these obstacles by some route Ern could not determine. His attempts to block the sight out proving useless he next clasped his hands across his ears instead, but had no more success. Rather than being muffled by the intervening pads of gristle, bone and fat, the entity’s cascading voice seemed to be circumventing these impediments to sound with crystal clarity, almost as if its source were inside Ernest’s skull. Remembering his father’s madness, Ern was coming rapidly to the conclusion that in fact this might well be the case. The talking fresco was just a delusion and Ern had gone round the bend like his old man. Or, on the other hand, he was still sane and this uncanny intervention was a real event, was genuinely taking place there in the dangling loft above St. Paul’s, there in Ern’s world, there in his life. Neither of these alternatives was bearable.

The sparkling music of each angel-word, its shivering harmonic fronds and its disintegrating arabesques, was crafted so the sounds were subdivided endlessly in ever-smaller copies of themselves, just as each branch is like its tree in miniature, each individual twig a scaled-down reproduction of its branch. A river that fragmented into streams and at last rivulets upon its delta, every syllable would trickle through a thousand fissures and capillaries into Ern’s core, into the very fabric of him, all its meaning saturating him in such a way that its least nuance could not be misheard, misunderstood or missed.