Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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“Ooh, sorry, mate. Not looking where I’m going.”

He looked round at her, with his sad eyes and brave-face-on-it smile. She realised that he’d had a drink or two, but then so much the better. When he answered he’d got this high funny voice what had a sort of twang to it. It wasn’t even high all of the time, but sometimes went down in a kind of Farmer Giles ‘Arrrr’, same as with the scarf what he had round his neck, all countrified or something, Marla didn’t know, but then it would go up in this weird laugh, this giggle, sort of nervous laugh thing. He was definitely pissed.

“Aa, that’s all right, love. You’re all right. Ah ha ha ha.”

Oh fucking hell. It was all she could do to keep from cracking up, like when she’d be getting a lecture from some teacher back up Lings and trying not to laugh, that noise you make up in your nose and cover up with coughing. This bloke was a fucking one-off. There was something really mental to him, not like dangerous or like the wombles what they put out into the community, but just like he weren’t on the same world everybody else was on, or like he might be the next Doctor Who. Whatever it was up with him he wasn’t biting, so she went for the direct approach.

“Fancy a bit of business?”

How he acted, she’d never seen anything quite like it. It weren’t like he was all shocked by what she’d said, but more like he was acting shocked and being all exaggerated, making it into a sort of funny turn. He jerked his head back on his neck and made his eyes go wide like he was startled, so his big black eyebrows lifted up. It was like he was being someone in a film what she’d not seen, or more old fashioned, like somebody from a pantomime or what you call it, music hall whatever. No. No, that weren’t it, what he was doing. It was more like films before they had the words in, when it was just music and all black and white and that. The way they made all their expressions right over the top so you’d know what they meant when they weren’t saying anything. He started wobbling his head a bit while he was doing this surprised face, just to make it look more shocked. It was like they were acting out a play at school together, or at least he thought they were, with all the different things you had to say writ out and learned beforehand. How he acted, though, it was like there were telly cameras on them, doing some new comedy. He acted as though she were in on it as well. He broke off the surprised look and his eyes went sad and kind again, all sort of sympathetic, then he turned his head away round to one side like he was looking at this audience or these cameras what she couldn’t see, and did his laugh again like this was just about the funniest fucking thing what ever happened. In a weird way, probably because it had been so long since she’d had some, Marla thought he might be right. This was all pretty fucking funny when you had it pointed out.

“Ah ha ha ha. No, no, no, you’re all right, love, thanks. No, bless your heart, you’re all right. I’m all right. Ah ha ha ha.”

The giggle at the end went really high. It sounded like it might just be he was embarrassed, but he was so fucking freaky that she couldn’t tell. She was out of her depth here. This was just, like, whoosh. She tried again, in case she’d read him wrong or something.

“Are you sure?”

He tipped his head back, showing this great whopping Adam’s apple, and then twisted it about from side to side, doing his giggle. She’d heard all the “he threw back his head and laughed” and that, but just in books. She’d not seen anybody try and do it. It looked really fucking loony.

“Ah ha ha ha. No, love, I’m all right, ta. You’re all right. I’ll have you know that I’m a published poet. Ah ha ha.”

And he was like, that said it all. That was, like, everything explained, right there. She sort of nodded at him with this fixed grin that was, Yeah, all right, mate, nice one, see you, and then Marla carried on along the Peter’s Church side, past them places made from all brown stones with criss-cross windows, Hazel-fucking-whatsit house and all of them. She looked back once and he was still there on the corner, staring down the little side-street waiting for his dog to come back up the hill, or whatever it was had run away from him. He looked up, saw her looking and he did the head thing. Even from this far away she could see that he’d done the giggle too. She turned away and walked on past St. Peter’s Church towards the station, where you could already see the people coming home, crowds of them pushing up towards town on Marefair’s far side, none of them looking at each other, or at Marla.

On her left, past its black railings and the grass all round it, Peter’s Church looked really fucking old, yeah? Really fucking Tudor or Edwardian or one of them. She looked to see if there was anybody sleeping underneath the cover of its doorway, but there wasn’t anybody there. Marla supposed the time was getting on now, five o’clock or round there, and they didn’t let you sleep in doorways over night, just in the day. At night they moved you on which, actually, was fucking stupid. She’d been by St. Peter’s yesterday round lunchtime and there’d been two fellers sleeping underneath the front bit then. Oh, no, hang on, there hadn’t been two, had there? There’d been one. That had been sort of funny, now she thought.

She’d seen two people lying in the doorway, or at least she’d seen the bottoms of their feet, where they stuck out from under all the sleeping bag and stuff. Their toes pointed together, inwards, so she’d thought that they were lying facing one another and thought no more of it. Then she’d looked again when she drew level with the gate, and there was only one pair of soles showing she could see. The other one had disappeared. She’d done a great big complicated working out inside her head, trying to figure out, like, where the other feet had gone. Perhaps, like, what it was, when she’d first seen them there’d been one pair of bare feet and this bloke had just took his shoes off, with them down beside his feet there, toe to toe. Then in between the first and second time she’s looked, he’d put them on, so she could only see one pair of feet the second time and thought someone had disappeared or was a ghost, whatever. Not that Marla thought that there was ghosts, but if there was then Peter’s Church would be like the big hangout, innit? Somewhere from their own times, all the Tudors and the Edwards, all of that lot.

Walking past its gate now, Marla couldn’t help but have a little peep in, just to see, but the space underneath the arch outside the closed black door was empty, except where they had the posters up for some other religion that was renting out the place, Greek Cypriots or Pakis, one of them. She went on, past the front of the Black Lion, where she stopped and looked towards the great big spread-out crossroads with the rush hour traffic, down there near the station. There were tons of people pouring out still, heading off up Black Lion Hill and Marefair into town, and there were all the black cabs in all different colours coming out the station entrance on this side of the West Bridge to wait there at the lights with all the vans and lorries. This was, like, well pointless. What the fuck was she down here for? She could no more walk down in that station forecourt just across the road than she could fly there.

It was Friday night. The girls would all be coming in from Bletchley, Leighton Buzzard, fucking London for all Marla knew, them and their fucking daddies, looking better than what she did ’cause they were looked after and like, looking at her, knowing what she was, how she was one of them but not even as good. That fucking look, yeah? And then there was Keith. Keith might be down there, scouting out new talent. He’d done that on Fridays sometimes and she knew she couldn’t handle that, not having Keith see she was desperate. For fuck’s sake, nobody did their business in the station anyway, not with the cameras. What the fuck had she been thinking? I mean, like, hello? Earth calling Marla. She weren’t going down there, but then she’d have nothing for tonight, but, like, she didn’t care, she still weren’t going down there. But then she’d have nothing for tonight. Oh fuck.

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