Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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“What do you mean? Malone’s a ghost. Ghosts don’t have any heaviness, what they call mass, so here in the three-sided world the pull of things don’t make no difference to ’em. Not much, anyway. It’s just the same for us lot. Here, give me your hand and jump as if we’re in the long-jump.”

Michael did as he was told. To his astonishment he found that he and John were sailing through the air in a slow arc which, at its summit, took them higher than the fencing of the school yard to their right. As light as dandelion clocks they drifted back to earth again a few yards further down the street, their after-images like kite-tails settling behind. Michael was speechless with delight at this exciting new discovery but nonetheless resumed his normal walking style there next to John, who had by now let go of Michael’s hand.

“There’s lots of things like that what you can do. You can jump off a roof and fall so slowly that you don’t get hurt. Or you can fly like old Malone, although there’s lots of different ways of doing it. Most people pick their feet up off the floor until they’re sort of lying in the air, then do a breast-stroke like they’re swimming. Others do a doggie-paddle like Malone, and some just swoop about like bits of paper in the wind. You’ll find with the majority of ghosts, though, that they can’t be bothered flying everywhere. For one thing, it’s too bloody slow. The air’s as thick as marmalade. You’re faster walking, or else running in the special ways that ghosts can run: there’s skimming like you’re on a frozen slide that’s just an inch above the pavement, or there’s what we call the rabbit run, on all fours so that just your knuckles graze the ground. That’s a good laugh, if everybody’s in the mood for it, but by and large it’s safer walking. You’ve got time to spot all the rough sleepers before they spot you.”

They were now at the end of Crispin Street, where it ran over Scarletwell Street and turned into Upper Cross Street. John insisted that they wait again at this new junction for the others to catch up, so Michael practised jumping on the spot, achieving altitudes of several feet before John asked him, genially, to pack it in. From where they stood upon their corner, Scarletwell Street was unrolled down to St. Andrew’s Road upon their right, while on their left it sloped up in between the facing terraces towards the cosy oldness of the Mayorhold. Michael always thought of this familiar enclosure as a sort of town square that was meant for just the people of the Boroughs, even though he knew that the real Market Square was further off uptown.

Standing there in his drool-scorched dressing gown, there in the draughtboard-coloured copy of his neighbourhood, the little boy looked at the weathered brickwork of the houses at the top of Scarletwell and had a sense, for the first time, of how long everything had been here before he’d been born. There was what John had told him about playing on the green behind St. Peter’s Church with Michael’s dad when they’d been boys. He hadn’t really thought before about his dad having once had a childhood, although now it struck him, shockingly and suddenly, that everyone must have been little once. Even his dad’s mum, his nan, May, she’d have begun life as a tiny baby somewhere. Then there was her dad, Michael’s great-grandfather, who John had mentioned, who was mad and had the power to not have any money. Snowy, had John called him? Snowy must have been a boy of Michael’s age once, long ago, who’d had a mother and a father, and so on and so on, back to times he’d heard about “when we were living in the trees”, which he’d assumed were probably the ones down in Victoria Park. Michael stared off down Scarletwell, between the modern maisonettes or flats on one side and the playing fields of Spring Lane School upon the other, feeling as if he were peering down a real well, one that dropped away beneath him, down through all the mums and dads and grandmas and great-granddads, back through all the days and years and hundred-years into a smelly, dark place that was damp and echoey, mysterious and bottomless.

Once all the other dead kids had caught up and joined them on the corner, John and Michael carried on down Scarletwell Street. From the hill’s top, gazing down across the squeaking railway yards towards Victoria Park and Jimmy’s End, the view was much the same as it had been up in Mansoul, except that here it looked like an old silent film, silver like fish-skin, without all of the remembered warmth and colour. It was only when he thought about the way things would have been only a little while back, in his parents’ day, that it occurred to Michael how much change the district must have seen in those few years.

Judging from how he’d heard his mum and gran describe it, the whole big oblong of ground, which stretched from Scarletwell Street to Spring Lane and from St. Andrew’s Road to Crispin Street, had been much simplified. Where once the block had been a maze of homes and yards and businesses, now there were just the classrooms of Spring Lane School sheltered in a concrete hollow at the hill’s crest and a single row of houses at the bottom on St. Andrew’s Road, the terrace that Michael had lived in when he was alive. All of the land between was now banked playing fields, with the exception of a sole surviving factory over on Spring Lane. A hundred warehouses, sheds, pubs, homes that had served for generations, alleyways for kissing couples, outdoor toilets and lamplighter’s shortcuts had been swept away to leave grey meadows where the whitewash margins of the football pitch stood out like old scars. Although this was Scarletwell as Michael knew it, somewhere that seemed always to have been the way it was and where his own house still stood safe and sound, he had a sudden tingling sense of all the names and stories that had been rubbed out to make a place where school-kids could have sack races on sports day. All the people that were gone, and all the things they’d known.

Michael was walking beside John, still, as they sauntered down the washed-out reproduction of the hill. Not far behind them, Phyllis and Drowned Marjorie were sniggering conspiratorially again and Michael wondered if it was at him, but then he always wondered that with girls. Or boys. Following at the rear, Phyllis’s little brother Bill conferred in hushed tones with the bowler-clad boy, Reggie, telling him what Michael thought was probably a dirty joke, then having to explain the modern parts of it that the Victorian boy obviously didn’t get. Michael could hear him saying “Well, okay, the woman in the gag’s not Elsie Tanner, then. What if it’s Mrs. Beeton?” Michael didn’t know the first name, but he thought the second had something to do with either cookery or nursing, or perhaps she’d been a murderer. He strained to hear the finish of the story, which appeared to involve either Elsie Tanner or else Mrs. Beeton answering the door to a delivery boy when she was nude and straight out of the bath, but Phyllis Painter turned round to her younger brother and told him to knock it off before she clouted him. There was a tightness in her voice that Michael didn’t think had been there before they’d had their near run-in with Malone. She sounded a bit scared, and in the light of what he’d heard about the fearless pranks that Phyllis played on ghosts, this puzzled him. He thought that he’d ask John.

“So, if ghosts frighten Phyllis, why does she play tricks on them? If she wiz to leave them alone, perhaps they wizzle do the same.”

John shook his head, so that for a brief instant he had three of them. He and the younger boy were just then strolling past the south side of the school’s top lawn, towards the stone posts of its main gate, further down.

“It’s not Phyllis’s nature, to leave ghosts alone. I’ll tell you, she knows how to bear a grudge, does Phyllis, past the grave if necessary. What it wiz, when Phyllis wiz a living girl, she wizn’t scared of nothing except ghosts. Even if the ghosts wizn’t really there, they played upon her nerves so bad that she made up her mind to one day have revenge. She swore that if she ever got to be a ghost herself, then she’d give all the other ghosts what for, for scaring little children. She’d be such a terror that the ghosts would all end up afraid of kids and not the other way around. I have to say, she’s done a good job so far, even if there’s places in the Boroughs we can’t go in case they lynch her.”

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