Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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Michael realised belatedly that the good-natured ghost was talking about him. Phyllis chimed in on his behalf and introduced him to Black Charley.

“This wiz Michael Warren and ’e choked upon a pep, or so ’e says. I faynd ’im in the Attics of the Breath with no one there to meet ’im, so I took ’im underneath me wing. He’s been nothing but trouble ever since. First ’e got kidnapped by a devil, then we faynd ayt that ’e’d started a big fight between the builders, and now it turns ayt ’e’ll be come back to life by Friday. It’s a lot of bother, but the Dead Dead Gang are looking into it. We’ve brought him dayn ’ere, where ’e lived, so that we can investigate ’is murder-mystery.”

Michael piped up here in protest.

“I coughed on a choke-drop, so I wizzn’t murdered.”

Phyllis turned to stare at him. She clearly didn’t much like being interrupted.

“ ’Ow do you know? What with all the bother what yer cause, I’d be surprised if somebody weren’t planning to get rid of yer. If I were yer mum, I’d be shoving cough-sweets dayn yer throat without unwrapping ’em or even bothering to take them ayt the packet! Anyway, we’re the detectives and yer only the dead body what we’re trying to solve the killing of, so you keep quiet and don’t get in the way of ayr enquiries, or we’ll ’ave you booked for wasting police time and you’ll be put in prison.”

Michael, even though he’d died this morning, hadn’t been born yesterday and was beginning to catch on that almost all of Phyllis’s authority was just a game and a pretence. He took no notice of her, his attention caught instead by what he thought must be a whole flock of ghost-pigeons that were passing overhead towards the foot of Scarletwell. Each of the dead birds drew a fluttering queue of grey potato-prints behind it, dozens of long smoky threads unravelling towards the west, where the blanched sun was slowly settling above a burnished steel-engraving of the railway yards. Michael was more intrigued by the idea that birds and animals went Upstairs when they died than he was in replying to what Phyllis had just said, and anyway, it was at that point that Black Charley intervened, replying for him.

“Now, Miss Phyllis, don’t you tease the child like that. Did you say how he’d started a big ruckus in between the builders?”

The black ghost was staring hard at Phyllis now. She nodded. Something with veined wings that looked like an enormous bat sailed past, bouncing in short hops down the hill and leaving pictures of itself behind it, making Michael jump until he realised it was just the ghost of somebody’s umbrella. Satisfied that Phyllis wasn’t having fun with him, Black Charley carried on.

“Then this boy is the one what I’ve been hearin’ about. Michael Warren, did you say? The way I heard, he plays some part in that big capstone ceremony what the builders talk about, their Porthimoth di Norhan like they calls it. That’s how come the players at the table got upset when this child’s trilliard-ball got placed in dreadful danger, and that’s how come two of ’em wiz fightin’. It’s their battle what they have up on the Mayorhold causin’ all this wind what’s comin’, what I’m warnin’ folks about.”

All of the ghost-kids except Michael suddenly looked worried. Reggie took his bowler hat off as if he were at a funeral, questioning Black Charley anxiously in his peculiarly-accented and twangy voice.

“Gawd love us. There’s not gunna be a ghost-storm, wiz there?”

Charley nodded, gravely and emphatically.

“I fear so, master Reggie, and you bin round these parts longer’n what I have, so you know what happens when them ghost-winds start up blowin’. My advice is get yourself inside and get Upstairs, or up to sometime where the weather ain’t so bad. And you make sure as you look after master Michael here, because if this wiz what the builders do when he’s just put in danger, I don’t wanna think about the way they’d take it if’n you should get him hurt.”

A black cat skittered yowling past, pulling behind it a half-knitted sock of trailing images and followed by the tinkling ghost of a pale ale bottle. Buzzing shoelace threads stitched themselves through the air that Michael finally concluded were a pair of phantom flies. Black Charley picked one foot up off the ground decisively and set it on a pedal. Michael was surprised to notice that the coloured man had blocks of wood strapped underneath his shoes.

“I got me dead folks I should warn about the storm in Bellbarn and around St. Andrew’s Church, so I can’t wait around here anymore. You get yourselves out of harm’s way, and look after that little boy. He’s got important wagers ridin’ on him.”

With that, the determined-looking ghost trod down upon his upraised pedal and the bicycle-and-cart rolled over Scarletwell Street and away uphill, with fading likenesses of its white wheels bowling along behind it in a long string of Olympic hoops. Black Charley rode away from them, into the wind that was now clearly rising, ruffling the ghost of everybody’s hair. To Michael the old coloured fellow seemed strangely heroic, pedalling his rope-wheeled junk-cart like a crow-black herald of the coming storm. The Dead Dead Gang seemed to stand rooted to the spot for several moments after his departure, goggling at each other with wide, anxious eyes. Above them all, a squawking static-pattern of dark stripes that might have been a phantom budgerigar blew past, as did a ghostly undertaker’s top hat with a dove-grey hatband ribbon rippling in its wake amongst the rush of after-pictures. At last, Phyllis Painter broke the silence with a panicked but commanding yelp.

“Ghost-storm! You ’eard ’im! Everybody rabbit-run, dayn to the ’ouse what’s on the corner!”

With a suddenness that frankly startled Michael, Phyllis dropped onto all fours and raced off down the hill with the most puzzling gait that he had ever seen. Taking advantage of the slow, treacle-like quality that ghost-seam air possessed, Phyllis was able to skim lightly down the slope with just her scampering knuckles grazing on the surface of the road, propelled by circling back legs that barely needed touch the ground themselves. It was a sort of rabbit-movement, he supposed, explaining the manoeuvre’s name, although to Michael it looked more like how he though baboons might run, except for all the trailing reproductions that made Phyllis look like a long locomotive that had wheels made out of skinny little girl’s legs. To his great alarm, first Marjorie then Bill and Reggie followed Phyllis’s example, crouching down then bounding off downhill with a surprising speed. He was just starting to get worried about being left behind by all the dead kids when he noticed John, who’d hung back to look after him and who was now encouraging the smaller boy to try the rabbit-run himself.

“Come on, it’s easy. You’ll soon get the hang of it. Just get down on all fours then lift your feet up so you’re walking on your hands.”

Michael squinted uphill into the gathering wind. The sky above the Mayorhold at the top of Scarletwell was speckled by what Michael realised with a lurch of horror was ghost-debris, some of it comprised of flailing animals and people, and all of it blowing rapidly towards them. He needed no further urging. Dropping down onto his haunches and then lifting up his feet as he’d been told, Michael soon found himself bowling along like stripy flannel tumbleweed. Only his hands were scrabbling across the gritty surface of the road beneath him as he scuttled down the hill after the other children, heading for the corner at the bottom where St. Andrew’s Road met Scarletwell Street.

John had been correct. This method of getting around wasn’t just easy, it was also massive fun. It seemed like such a natural way to travel, effortlessly rushing through the streets with your back legs sizzling along behind you like grey Catherine Wheels, kicking up ghost-grit in a shower of welding-sparks. He took to it so readily and found the form of movement so surprisingly familiar that Michael wondered if he had an instinct for it. Was this how his family had walked once, back when they’d reportedly been “living in the trees”, possibly in Victoria Park? It certainly made his descent of Scarletwell into a thrilling ride, the off-white flats flickering by on one side with their rounded balconies that made him think of going to the pictures, and the bleak school playing fields that smeared past on the other.

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