Alan Moore - Jerusalem

You could tell from the protracted silence that the kid was thinking about this before he answered. Naturally, he’d want to see his loved ones one more time, but seeing them in mourning for him must have been a daunting prospect. Finally, he piped up.

“Can you show them to me? And will they be shapes with lights in, like they were when we wiz back Upstairs?”

The devil issued a good-natured snort, so that wisps of blue smoke like car-exhaust leaked from his flaring nostrils.

“Well, of course I’ll show them to you. That’s the main part of Sam O’Day’s Flight, in fact. It’s what I’m famous for. And as for what they’ll look like, it won’t be the same as how they seemed from up above. Do you know what the word ‘dimension’ means?”

The infant shook his tousled head. This would, the devil thought, be a long night.

“Well, basically, it’s just another word for plane, as in the different planes a solid object has. If something has length, breadth and depth we say that it has three dimensions, that it’s three-dimensional. Now, in truth, all things in this universe have more than three dimensions, but there’s only three that human beings seem to notice. To be honest, there are ten, or at a pinch eleven, but there are just four of them that need concern you at the moment. These are the three planes that I just mentioned plus a fourth that is as solid as the others, but which mortal men perceive as passing time. This fourth dimension, viewed in its true light, is how we see it from Mansoul, the realm Upstairs, which is a higher-up dimension still. Looked down on from up there, there is no time. All change and movement are just represented by the snaking crystal forms with lights inside that you saw earlier, winding along their predetermined paths. That’s when you’re looking from up there, remember.”

“As for where we are now, we’re not up there anymore. We’re down in the three-sided world where time exists, but we’re still seeing it with higher eyes. That minor detail, by and large, is the whole basis of my fabled Flight, which, if you’ll now permit me, I shall demonstrate.”

The babe in arms, who’d listened to the devil’s monologue uncomprehendingly for the most part, made an ambiguous whining sound that had a slight upward inflection and could thus be taken as conditional assent. Taking his time so as not to alarm the child unnecessarily, and also to restrict their streaming image-trail, the fiend began to float towards the short and semi-darkened row of houses that the boy had indicated, opposite the coal-yard further up St. Andrew’s Road. They drifted over the converted slipper-baths, the devil’s emerald and ruby tatters crackling like a radio of evil, and across the unmowed triangle of meadow, moving south. Upon their left as they approached the corner of Spring Lane they passed the looming tannery, its tall brick chimney and its gated yards with dyed skin-shavings heaped in turquoise treasure-mounds, the bald white stumps of tails left on the cobbles and dissolving into soap and gristle. From this height, the puddles near the pulling-sheds were mother-of-pearl fragments, bright and flaking.

Michael Warren and the devil came to rest suspended up above the yard of the coal-merchant, facing east and looking down at a slight angle on the stretch of terraced houses opposite that ran between the bottom openings of Scarletwell Street and Spring Lane. Dipping his horned and auburn head, the devil whispered in the youngster’s ear.

“You know, whenever they describe this ride I can provide, they always get it wrong. They tell how the great devil slippery Sam O’Day, if asked, will bear you up above the world and let you see its homes and houses with their roofs gone, so that all the folk inside are visible. That’s true enough, for as far as it goes, but it misunderstands what’s really going on. Yes, I bear people up above the world, but only in the sense that I can lift them, if I choose, into a higher mathematical dimension such as those we’ve been discussing. As for my supposed ability to vanish all the rooftops so that sorcerers can spy upon their neighbours’ wives at bath-time, how am I expected to do that? And if I could, why would I bother to? This Flight is my most legendary attribute, apart from all the murders. Don’t they think I might have something to impart that’s rather more important than a glimpse of nipple? Here, you look down at the houses for yourself, and tell me what you think you’re looking at. Have I made all the rooftops disappear, or haven’t I?”

Of course, the devil knew that this was far from a straightforward question. That was largely why he’d asked it, just to watch the puzzled and conflicted look upon the child’s face when he tried to answer.

“No. All of the rooftops are still there and I can see them, but …”

The boy paused for a moment, as if inwardly debating something, then went on.

“… but I can see the people in the rooms inside as well. In Mrs. Ward’s house on the end I can see Mrs. Ward upstairs putting a stone hot-water bottle in the bed, and Mr. Ward’s downstairs. He’s sitting listening to the radio. How can I see them both when they’re on different floors? Shouldn’t there be a ceiling in the way? And how can I see either of them if the roof’s still there?”

The devil was, despite himself, impressed. Children could sometimes take you by surprise like that. You tended to forget amidst the chatter and inanity that their perceptions and their minds were working much, much harder than those of their adult counterparts. This infant had just posed a more incisive question, with more honest curiosity, than mangled Sam O’Day’s last fifteen hell-bound necromancers put together. Thus, he did his best to furnish this intelligent enquiry with a suitable reply.

“Oh, I should think a bright young spark like you could answer that one for himself. You take a closer look. It isn’t that you’re looking through the roof and ceiling, is it?”

Michael Warren squinted dutifully.

“No. No, it’s more like I’m looking round the edge of them.”

The devil hugged the boy until he yelped.

“Good lad! Yes, that’s exactly what you’re doing, peeping into a sealed house around an edge you normally can’t see. It’s like if there were people who were flat, what they call two-dimensional, who lived on a flat sheet of paper. If you were to draw a box round one of them, then that flat person would be sealed off from the rest of the flat world and its inhabitants. They wouldn’t see him, since he would be out of sight behind the line-walls that you’d drawn around him, nor would he be able to see them, enclosed in his flat box.

“But you’re the one who drew the lines, and you have three dimensions. In comparison to all the little flat folk, you have one more whole dimension you can work with, which gives you a big advantage. You can look down through the open top side of the square you’ve drawn, look down through a dimension that the flat folk cannot see and do not know about. You can look down upon the flat chap in the box by looking at him from an angle that, to him, does not exist. Now do you understand how you can see your upstairs and your downstairs neighbours both at once, despite the roof and ceiling in the way? It’s just a matter of perspective. Doesn’t that make much more sense than me conspiring to hide all the rooftops in some unimaginable manner? What am I supposed to do with all the slates?”

The child was staring down towards the row of houses with a dazed expression, but was slowly nodding as if he had taken in at least the bare bones of what he had just been told. Kids had a flexibility and a resilience to their ideas about reality that grown-ups didn’t, in the main. In scrambled Sam O’Day’s opinion, trying to break the spirit or the sanity of children was more effort than the task was worth. Why bother with it? There were adults everywhere, and adults snapped like twigs. Warming reluctantly towards his sickeningly likeable and picture-postcard pretty passenger, the devil went on with his tour-guide’s monologue.