Alan Moore - Jerusalem

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Jerusalem: краткое содержание, описание и аннотация

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In the half a square mile of decay and demolition that was England’s Saxon capital, eternity is loitering between the firetrap tower blocks. Embedded in the grubby amber of the district’s narrative among its saints, kings, prostitutes and derelicts a different kind of human time is happening, a soiled simultaneity that does not differentiate between the petrol-coloured puddles and the fractured dreams of those who navigate them. Fiends last mentioned in the Book of Tobit wait in urine-scented stairwells, the delinquent spectres of unlucky children undermine a century with tunnels, and in upstairs parlours labourers with golden blood reduce fate to a snooker tournament.
Disappeared lanes yield their own voices, built from lost words and forgotten dialect, to speak their broken legends and recount their startling genealogies, family histories of shame and madness and the marvellous. There is a conversation in the thunderstruck dome of St. Paul’s cathedral, childbirth on the cobblestones of Lambeth Walk, an estranged couple sitting all night on the cold steps of a Gothic church-front, and an infant choking on a cough drop for eleven chapters. An art exhibition is in preparation, and above the world a naked old man and a beautiful dead baby race along the Attics of the Breath towards the heat death of the universe.
An opulent mythology for those without a pot to piss in, through the labyrinthine streets and pages of Jerusalem tread ghosts that sing of wealth and poverty; of Africa, and hymns, and our threadbare millennium. They discuss English as a visionary language from John Bunyan to James Joyce, hold forth on the illusion of mortality post-Einstein, and insist upon the meanest slum as Blake’s eternal holy city. Fierce in its imagining and stupefying in its scope, this is the tale of everything, told from a vanished gutter.

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Thirty feet above the ground the devil slammed the brakes on and stopped dead, hanging there in the brisk night breeze and summer-scented shadows with his rag-flags spread around him in a rattling carnation cluster. Still clutched in the demon’s sooty grip, the bug-eyed little boy sucked in his first breath of the last half-minute and yelled “Stop”, rather unnecessarily, as they just had. On realising this, the child twisted his head around as far as it would go, so that he could look up across his shoulder at the devil. It was one of those looks kids put on when they’re pretending to be traumatised, the wobbling lower lip, the haunted eyes and obvious affectation of a shell-shocked twitch.

“I never said! I never said I wanted to go on your Flight. I only wanted to go home.”

The devil did his best to sound surprised.

“What, that? That little jaunt that we’ve just been on? That wasn’t my Flight. That was a warm-up lap. Give me some credit, my dear fellow. That was only fast, it wasn’t fabulous. The real ride is much slower and much more mysterious. I promise you you’ll like it. As for wanting to go home, perhaps you ought to take a look around and find out where we are before you start complaining.”

There. That shut the little blighter up.

They were suspended in the night air up above the intersection formed where Spencer Bridge and Crane Hill crossed St. Andrew’s Road. Beneath them as they hung there facing roughly south there was the meadow where the old Victorian slipper-baths had been converted to a public toilet. A broad tarmac pathway stretched diagonally across the swathe of grass below, from Spencer Bridge to Wiggins’s coal yard further up the road. Amongst the trees that fringed the patch of ground there stood the inconspicuous elm down which the fiend and his reluctant cargo had swirled recently from the superior to the lower realm. Upon their left a scattering of headlights crawled up Grafton Street, mounting the valley slope between the factories and pubs on one side and the wasteland sprawl of earth and bricks that had ten years before been people’s homes upon the other.

Up ahead and to their right was the illuminated cobweb knot of Castle Station, strings of light running towards it and away through the surrounding blackness. This site was perhaps the devil’s favourite of the many ruined vistas that the Boroughs had to offer. He recalled the castle that the railway station had deposed with an abiding fondness. Several hundred years back down the line the devil had obtained a ringside seat for King Henry the Second’s spiritually ruinous betrayal of his old chum Tommy Becket, summoning the fledgling saint here to Northampton Castle only to surprise him with a hanging jury of intemperate barons bellowing for the Archbishop’s head (and also for his land, although the fiend could not remember any of them saying this out loud upon the actual occasion).

Sideways Sam O’Day — a name he was becoming gradually more pleased with — also had warm recollections of the castle from the time when he’d stood unseen at the elbow of Richard the Lionheart and tried to keep from sniggering as the King set off on his crusade, the third crusade and thus one of the Christian world’s first major contacts with the world of Islam, which would set the tone for some side-splitting high jinks further up the road. Oh my word, wouldn’t it just, though? It had been at the castle, too, where the fiend had the opportunity to sit in on the western world’s first parliament, the National Parliament raised in 1131, and smirk at how much difficulty that was going to cause. And please, don’t even get him started on the poll tax that had so upset Walter the Tyler and his peasant army back in 1381. The convoluted nature of the troubles that had blossomed here, close to the country’s crux, made it one of the devil’s favourite picnic spots, not just in Angle-land but in the wider 3D world.

Cradled there in the devil’s tender arms above the crossroads, Michael Warren stared down at the streets that he had known in life with an expression of astonishment and longing. For the infant’s benefit the devil executed a slow aerial pirouette, rotating counter-clockwise to show off the glittering nocturnal panorama that surrounded them. By moving slowly, the distracting trail of after-images they left behind them was reduced. Their gaze crawled lovingly across the Boroughs, past the southeast corner that the builders signified upon their gaming-table with a cross of gold. Progressing, Grafton Street climbed east towards the squinting cafeteria- and shop-lights set like a tiara at its top on Regent Square. Then, as the demon monarch turned, the parallel tarmac toboggan-runs of Semilong came into view, slate rooftops with a graphite sheen crowning the rank of terraces as they descended to the valley’s bottom, to St. Andrew’s Road and to the river winding by on its far side. Continuing their lazy swivel, Michael Warren and the fiend next overlooked the dark grass sprawl of Paddy’s Meadow with the Nene a nickel ribbon that unravelled through it, the reflected trees like black and tangled salvage in the river’s cloudy depths.

It was along here to the north, if scrambled Sam O’Day remembered rightly, that the wall of the St. Andrew’s Priory had once extended. Back upstream in the 1260s, King Henry the Third sent out a punitive platoon of mounted troops to quash unrest and insurrection here in this pugnacious little town, the army let in through a breach in the old priory wall by a French Cluniac prior who sympathised with the French monarchy. They’d pretty much destroyed the place, raped it and robbed it and set fire to it, marking this northwest corner of the Boroughs as the point of penetration. On the builder’s billiard table — or their trilliard table as it was more accurately called — this spot was represented by the pocket with the golden penis etched into the wood beside it. Regent’s Square in the northeast, conversely, that was the death corner where the severed heads of traitors were displayed once, and its corresponding snooker pocket was emblazoned with a golden skull.

They twirled above the traffic junction, looking out across the business premises just over Spencer Bridge, the new estates of Spencer and King’s Heath beyond. Spencer. Another local name, the devil noted, that had interesting repercussions up and down the track. Like figures circling on top of a dilapidated music-box, the devil and his passenger revolved unhurriedly to take in Jimmy’s End and then Victoria Park, pretty and melancholy as a jilted bride, arriving finally at the far lights of Castle Station where their orbit reached its end. Clanking and shunting in the dark, the railway terminus was at the Boroughs’ southwest corner, with a gilded turret scratched into the grain of the appropriate pocket on the builder’s table, representing stern authority. Fidgeting in the devil’s grip, the small boy at last found his voice.

“That’s it. That’s where I wiz. That’s where I live.”

One midget hand protruded from his dressing gown’s capacious sleeve to point towards the part-lit terrace on their left, a little further south along St. Andrew’s Road. The devil chuckled and corrected him.

“Not quite. That’s where you lived. Until you died, of course.”

The child considered this, and nodded.

“Oh. Yes. I’d forgotten that. Why has it all got dark so quick? It wiz all sunny earlier, and I’ve not been away for very long. It can’t be night already.”

Obviously, the fiend observed, his young friend needed setting straight on that one, too.

“Well, actually, it can. In fact, this isn’t even the same day as that of your departure. When we flew along the Attics of the Breath just now we must have passed three or four sunsets, which means that we’re presently at some point later on in that same week. From all the cars in Grafton Street, I’d say it looks like Friday night. Your family are probably right in the middle of their teatime about now. How would you like to see them?”

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