Alan Moore - Jerusalem

At the last moment, barely fifty feet above the boarded floor with its enormous vats, the devil pulled out of his plummet in a sharp, right-angled swerve that took them soaring off along the length of the immense emporium. The scruffy little Herberts who’d been rubbernecking at the devil and his captive only a few moments back were now running for cover, probably convinced that he’d been swooping down to gather them up in his claws as well. He seared down the gigantic corridor, a dangerous gobbet of ball-lightning shedding sparks and keening with the process of its own combustion, scattering those few scant souls who were about the Attics at that precise juncture of the century, the year, the afternoon, holding a baby in his sweltering arms. The toddler’s howl was stretched into the Doppler wail of an approaching train by the velocity of his blurred transit, streaking yards above the pale pine boards which were lit briefly by the demon’s passage, red and green, poppies and putrefaction.

They were heading west towards the blood-burst of that day’s specific sunset, where the light poured in like smelted ore through the glass panels of the arcade roof. The devil knew the nipper’s eyes would be wide open during all of this. At speeds like these, with all the spare flesh on one’s face rippling towards the rear side of the skull, it was impossible to close them. Saying anything, even a single syllable like ‘stop’, was quite out of the question.

The boy’s head was angled down, watching the huge square vats flash by beneath them. The experience, the devil knew, was very much like viewing a surprisingly engrossing abstract film. The files of apertures that ran along the length of the great attic each allowed a view into a single room at different stages of its progress in the fourth direction. Living beings in those rooms appeared as static tentacles of gemstone, inner lit and still as statues as they wound amongst each other, only the elusive darting lights that were their consciousnesses lending the illusion of mobility and motion. Zooming down a row of tanks from just above them, though, the vats became like single frames on an unreeling spool of celluloid. The winding, frozen shapes appeared to move in the unchanging confines of the endlessly repeated room containing them, sometimes withdrawing altogether for brief stretches when the space was empty, flickering into view again a moment later to resume their strange, fluorescent dance. The fluctuations of the coloured forms mapped random mortal movement through these worldly chambers in a way that was hypnotic and, at times, hauntingly beautiful. The little boy, at least, appeared to be absorbed, in that his high-pitched shriek had sunk to a low moan. This probably meant it was time to step on the accelerator, since the devil didn’t want his passenger to nod off out of boredom. He’d his reputation to consider.

A reverberating peal of layered thunder marked the point where they surpassed the speed of sound, and then a little after that there was a pocket of unearthly stone-deaf hush when they exceeded even the velocity of silence. The resplendent devil and the scamp that he was baby-sitting roared down the unending throat of the arcade, the sky beyond the hall’s glass roof changing its colours every other moment as they dashed through days and days. The sunset red became first violet and then purple, deepening to a profound black in which the construction lines of the unfolding hyper-weather were picked out in silver. This was followed by more purple and then the cerise and peach of dawn. Blue mornings and grey afternoons smeared past in stroboscopic washes. Long and sleepless nights were gone in seconds, swallowed in the brief flare of another molten sunrise. Faster still they hurtled until neither of them could distinguish the exact point at which one hue turned into another. Everything became a tunnel of prismatic shimmer.

Swerving on a sixpence and without reducing speed, the devil veered all of a sudden so that they were locked on a collision course with one of the enormous trees that thrust up through its fifty-foot-square hole on the far side of the emporium: an elm expanded to an ancient redwood by the variation that there was between dimensions. The ear-piercing screech that came from Michael Warren indicated to the devil that at least his charge had shrugged off the ennui from which he’d earlier seemed to be suffering.

The stretch of corridor that had the giant elm erupting through its floor was in the night-miles that provided punctuation along the vast Attics’ length at measured intervals. The firmament seen through the darkened glass above was lustrous ebony. Chrome traceries of snail-slime were delineating the evolving contours of the supra-geometric cumuli outside, the radiance from those huge bodies lending these benighted reaches of the never-ending hall a moonlit and crepuscular appearance. Mixed-up Sam O’Day, the King of Wrath, the groom-slayer, the devil, he scorched through the shadows and the cloudlight, heading for the leafy wooden tower that swelled up terrifyingly out of the silvered murk before them.

Pigeons, rendered almost microscopic in comparison with the huge boughs that sheltered them, awoke from their slow-motion dreams and flapped up in alarm at the loud, spitting pyrotechnics of the fiend’s approach. The devil knew that this most special family of birds were more or less unique in their ability to pass between the Upstairs and the Downstairs world, and often would take refuge in a tree’s higher dimensions where they knew that they’d be fairly safe from cats. Cats, it was true, could sometimes scrabble through an aperture into the Attics of the Breath — the fiend assumed they’d learned this trick originally by climbing after pigeons — but the higher realm was petrifying for a living feline. Usually, they’d noisily evacuate their bowels and leap straight down the nearest window back into the world. The whole manoeuvre was so stressful for them that they seemed to only use it when they needed to move straight from one room to another without passing through the intervening space. The talent wasn’t any use, though, when it came to hunting, so the roosting birds were safe. Not from the devil, obviously, but from practically every other predator that they might reasonably expect to whiz out of the dark towards them, coughing fire. The flock had just been woken unexpectedly from sleep and taken by surprise. There isn’t much, the devil thought, which takes a pigeon by surprise. That was no doubt the reason for their agitation.

A split second before he and Michael Warren would have smashed into the thirty-foot-wide trunk the devil executed one of his most showy moves, a sudden spiral swoop that cleverly combined the Golden Section and the Fibonacci sequence, blazing in a corkscrew-tight trajectory that took them down around the tree, just inches from the elephant-hide of its enlarged bark. The zip and zing of it, the helter-skelter swish, was wickedly exhilarating. They looped five times round the wood Goliath, and somewhere in the hair-raising rip of their descent the devil felt his inner compass flip into the new orientation that attended the inferior, three-sided world. He and his passenger were now immersed in the tenebrous gelatine of Time, careening on a left-hand thread around an elm that now appeared to be of normal scale. They came out of their circling nosedive only feet above the tufted knuckles of its roots, then shot up and away into the intermittent twinkle of the overcast night sky above. Swimming as they now were in the sequential soup of minutes, hours and days, they left a Technicolor mess behind, an afterburn procession of spent images trailing flamboyant in their wake. Predominantly these were in the devil’s signature array of reds and greens, a wild rose-garden stripe bursting from nowhere that wound down around the tree and then fired itself up into the dark and starlight