Олдос Хаксли - Eyeless in Gaza

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Anthony Beavis is a man inclined to recoil from life. His past is haunted by the death of his best friend Brian and by his entanglement with the cynical and manipulative Mary Amberley. Realising that his determined detachment from the world has been motivated not by intellectual honesty but by moral cowardice, Anthony attempts to find a new way to live. Eyeless in Gaza is considered by many to be Huxley’s definitive work of fiction.

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Chapter Twelve August 30th 1933

A FAINT rustling caressed the half–conscious fringes of their torpor, swelled gradually, as though a shell were being brought closer and closer to the ear, and became at last a clattering roar that brutally insisted on attention. Anthony opened his eyes for just long enough to see that the aeroplane was almost immediately above them, then shut them again, dazzled by the intense blue of the sky.

‘These damned machines!’ he said. Then, with a little laugh, ‘They’ll have a nice God’s–eye view of us here,’ he added.

Helen did not answer; but behind her closed eyelids she smiled. Pop–eyed and with an obscene and gloating disapproval! The vision of that heavenly visitant was irresistibly comic.

‘David and Bathsheba,’ he went on. ‘Unfortunately at a hundred miles an hour … ’

A strange yelping sound punctuated the din of the machine. Anthony opened his eyes again, and was in time to see a dark shape rushing down towards him. He uttered a cry, made a quick and automatic movement to shield his face. With a violent but dull and muddy impact the thing struck the flat roof a yard or two from where they were lying. The drops of a sharply spurted liquid were warm for an instant on their skin, and then, as the breeze swelled up out of the west, startlingly cold. There was a long second of silence. ‘Christ!’ Anthony whispered at last. From head to foot both of them were splashed with blood. In a red pool at their feet lay the almost shapeless carcass of a fox–terrier. The roar of the receding aeroplane had diminished to a raucous hum, and suddenly the ear found itself conscious once again of the shrill rasping of the cicadas.

Anthony drew a deep breath; then, with an effort and still rather unsteadily, contrived to laugh. ‘Yet another reason for disliking dogs,’ he said, and, scrambling to his feet, looked down, his face puckered with disgust, at his blood–bedabbled body. ‘What about a bath?’ he asked, turning to Helen.

She was sitting quite still, staring with wide–open eyes at the horribly shattered carcass. Her face was very pale, and a glancing spurt of blood had left a long red streak that ran diagonally from the right side of the chin, across the mouth, to the corner of the left eye.

‘You look like Lady Macbeth,’ he said, with another effort at jocularity. ‘ Allons. ’ He touched her shoulder. ‘Out, vile spot. This beastly stuff’s drying on me. Like seccotine.’

For all answer, Helen covered her face with her hands and began to sob.

For a moment Anthony stood quite still, looking at her crouched there, in the hopeless abjection of her blood–stained nakedness, listening to the painful sound of her weeping. ‘Like seccotine’: his own words re–echoed disgracefully in his ears. Pity stirred within him, and then an almost violent movement of love for this hurt and suffering woman, this person , yes, this person whom he had ignored, deliberately, as though she had no existence except in the context of pleasure. Now, as she knelt there sobbing, all the tenderness he had ever felt for her body, all the affection implicit in their sensualities and never expressed, seemed suddenly to discharge themselves, in a kind of lightning flash of accumulated feeling, upon this person, this embodied spirit, weeping in solitude behind concealing hands.

He knelt down beside her on the mattress, and, with a gesture that was meant to express all that he now felt, put an arm round her shoulder.

But at his touch she winced away as if from a defilement. With a violent, shuddering movement she shook her head.

‘But, Helen … ’ he protested, in the stupid conviction that there must be some mistake, that it was impossible that she shouldn’t be feeling what he was feeling. It was only a question of making her understand what had happened to him. He laid his hand once more on her shoulder. ‘But I care, I’m so fond … ’ Even now he refused to commit himself to the word ‘love’.

‘Don’t touch me,’ she cried almost inarticulately, leaning away from him.

He withdrew his hand, but remained there, kneeling beside her, in perplexed and miserable silence. He remembered the time when she had wanted to be allowed to love, and how he had evaded her, had refused to take more of the person that she was, or to give more of himself, than the occasional and discontinuous amorousness of their bodies. She had ended by accepting his terms—accepting them so completely that now …

‘Helen,’ he ventured once more. She must be made to understand.

Helen shook her head again. ‘Leave me alone,’ she said; then, as he did not move, she uncovered a face now grotesquely smudged with blood and looked at him. ‘Why can’t you go away?’ she asked, making an effort to express a cold dispassionate resentment of his intrusion upon her. Then, suddenly, her tears began to flow again. ‘Oh, please go away!’ she implored. Her voice broke, and turning aside, she once more buried her face in her hands.

Anthony hesitated for a moment; then, realizing that he would only make things worse if he stayed on, rose to his feet and left her. ‘Give her time,’ he said to himself, ‘give her time.’

He took a bath, dressed and went down to the sitting–room. The snapshots were lying as they had left them, scattered over the table. He sat down and methodically began to sort them out, subject by subject, into little heaps. Mary in plumes; Mary veiled, clambering into a pre–war Renault; Mary bathing at Dieppe in a half–sleeved bodice and bloomers that were covered to the knee by a little skirt. His mother in a garden; feeding the pigeons in the Piazza San Marco; and then her grave at Lollingdon churchyard. His father with an alpenstock; roped to a guide on a snow slope; with Pauline and the two children. Uncle James on his bicycle; Uncle James wearing a speckled straw hat; rowing on the Serpentine; talking, ten years later, with convalescent soldiers in a hospital garden. Then Brian; Brian with Anthony’s own former self at Bulstrode; Brian in a punt with Joan and Mrs Foxe; Brian climbing in the Lakes. That girl he had had an affair with in New York, in 1927, was it? His grandmother. His aunts. Half a dozen snaps of Gladys …

Half an hour later he heard Helen’s steps, cautious at first and slow on the precipitous stairs leading down from the roof, then swift along the passage. Water splashed in the bath.

Time, she must have time. He decided to behave towards her as though nothing had happened. It was almost cheerfully, therefore, that he greeted her as she entered the room.

‘Well?’ he questioned brightly, looking up from his photographs. But the sight of that pale and stonily collected face filled him with misgiving.

‘I’m going,’ she said.

‘Now? Before lunch?’

She nodded.

‘But why?’

‘I prefer it,’ was all she answered.

Anthony was silent for a moment, wondering whether he ought to protest, to insist, to tell her the things he had tried to tell her on the roof. But the stoniness of her composure proclaimed in advance that the attempt would be useless. Later, when she had got over the first shock, when she had been given time … ‘All right, then,’ he said aloud. ‘I’ll drive you back to the hotel.’

Helen shook her head. ‘No, I shall walk.’

‘Not in this heat!’

‘I shall walk,’ she repeated in a tone of finality.

‘Well, if you also prefer to swelter … ’ He tried to smile, without much success.

She passed through the glass doors on to the terrace, and suddenly that pale stony face was as though fire–flushed by the reflection from her pyjamas. In hell again, he said to himself, as he followed her.

‘Why do you come out?’ she asked.

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