Олдос Хаксли - Eyeless in Gaza

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Anthony Beavis is a man inclined to recoil from life. His past is haunted by the death of his best friend Brian and by his entanglement with the cynical and manipulative Mary Amberley. Realising that his determined detachment from the world has been motivated not by intellectual honesty but by moral cowardice, Anthony attempts to find a new way to live. Eyeless in Gaza is considered by many to be Huxley’s definitive work of fiction.

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‘Hi, Professor!’ A piece of orange–peel struck him on the cheek. He started and turned round. ‘What the hell are you thinking about?’ Gerry Watchett was asking in that purposely harsh voice which it amused him to put on like a hideous mask.

The momentarily troubled waters of the aquarium had already returned to rest. A fish once more, a divine and remotely happy Fish, Anthony smiled at him with serene indulgence.

‘I was thinking about Plotinus,’ he said.

‘Why Plotinus?’

‘Why Plotinus? But, my dear sir, isn’t it obvious? Science is reason, and reason is multitudinous.’ The fish had found a tongue; eloquence flowed from the aquarium in an effortless stream. ‘But if one happens to be feeling particularly un multitudinous—well, what else is there to think about except Plotinus? Unless, of course, you prefer the pseudo–Dionysius, or Eckhart, or St Teresa. The flight of the alone to the Alone. Even St Thomas is forced to admit that no mind can see the divine substance unless it is divorced from bodily senses, either by death or by some rapture. Some rapture, mark you! But a rapture is always a rapture, whatever it’s due to. Whether it’s champagne, or saying OM, or squinting at your nose, or looking at a crucifix, or making love—preferably in a boat, Gerry; I’m the first to admit it; preferably in a boat. What are the wild waves saying? Rapture! Ecstasy! Fairly yelling it. Until, mark you, until, the breath of this corporeal frame and even the motion of our human blood almost suspended, we are laid asleep in body, and become a living soul, while with an eye made quiet … ’

‘There was a Young Fellow of Burma,’ Abinger suddenly declaimed.

‘Made quiet,’ Anthony repeated more loudly, ‘by the power of harmony …’

‘Whose betrothed had good reasons to murmur.’

‘And the deep power of joy,’ shouted Anthony, ‘we see … ’

‘But now that they’re married he’s

‘Been taking cantharides … ’

‘We see into the life of things. The life of things, I tell you. The life of things. And damn all Fabians!’ he added.

*

Anthony got back to his lodgings at about a quarter to midnight, and was unpleasantly startled, as he entered the sitting–room, to see someone rising with the violent impatience of a jack–in–the–box from an armchair.

‘God, what a fright … !’

‘At last!’ said Mark Staithes. His emphatically featured face wore an expression of angry impatience. ‘I’ve been waiting nearly an hour.’ Then, with contempt, ‘You’re drunk,’ he added.

‘As though you’d never been drunk!’ Anthony retorted. ‘I remember …’

‘So do I,’ said Mark Staithes, interrupting him. ‘But that was in my first year.’ In his first year, when he had felt it necessary to prove that he was manly—manlier than the toughest of them, noisier, harder drinking. ‘I’ve got something better to do now.’

‘So you imagine,’ said Anthony.

The other looked at his watch. ‘I’ve got about seven minutes,’ he said. ‘Are you sober enough to listen?’

Anthony sat down with dignity and in silence.

Short, but square–shouldered and powerful, Mark stood over him, almost menacingly. ‘It’s about Brian,’ he said.

‘About Brian?’ Then with a knowing smile, ‘That reminds me,’ Anthony added, ‘I ought to have congratulated you on being our future president.’

‘Fool!’ said Mark angrily. ‘Do you think I go about accepting charity? When he withdrew, I withdrew too.’

‘And let that dreary little Mumby walk into the job?’

‘What the devil do I care about Mumby?’

‘What do any of us care about anybody?’ said Anthony sententiously. ‘Nothing, thank God. Absolutely noth … ’

‘What does he mean by insulting me like that?’

‘Who? Little Mumby?’

‘No; Brian, of course.’

‘He thinks he’s being nice to you.’

‘I don’t want his damned niceness,’ said Mark. ‘Why can’t he behave properly?’

‘Because it amuses him to behave like a Christian.’

‘Well, then, tell him for God’s sake to try it on someone else in future. I don’t like having Christian tricks played on me.’

‘You want a cock to fight, in fact.’

‘What do you mean?’

‘Otherwise it’s no fun being on top of the dunghill. Whereas Brian would like us all to be jolly little capons together. Well, so far as dunghills are concerned, I’m all for Brian. It’s when we come to the question of the hens that I begin to hesitate.’

Mark looked at his watch again. ‘I must go.’ At the door he turned back. ‘Don’t forget to tell him what I’ve told you. I like Brian, and I don’t want to quarrel with him. But if he tries being charitable and Christian again … ’

‘The poor boy will forfeit your esteem for ever,’ concluded Anthony.

‘Buffoon!’ said Staithes, and slamming the door behind him, hurried downstairs.

Left alone, Anthony took the fifth volume of the Historical Dictionary and began to read what Bayle had to say about Spinoza.

Chapter Eleven December 8th 1926

‘CONDAR intra MEUM latus ! It is the only place of refuge left to us.’ Anthony rolled the sheet off his typewriter, added it to the other sheets lying before him on the table, clipped them together and started to read through what he had written. Chapter XI of his Elements of Sociology was to deal with the Individual and his conceptions of Personality. He had spent the day jotting down unmethodically a few preliminary reflections.

Cogito ergo sum ,’ he read. ‘But why not caco ergo sum? Eructo ergo sum ? Or, escaping solipsism, why not futuo ergo sumus ? Ribald questions. But what is “personality”?

‘MacTaggart knows his personality by direct acquaintance; others by description. Hume and Bradley don’t know theirs at all, and don’t believe it really exists. Mere splitting, all this, of a bald man’s imaginary hairs. What matters is that “Personality” happens to be a common word with a generally accepted meaning.

‘People discuss my “personality”. What are they talking about? Not homo cacans , nor homo eructans , not even, except very superficially, homo futuens . No, they are talking about homo sentiens (impossible Latin) and homo cogitans . And when, in public, I talk about “myself”, I talk about the same two homines . My “personality”, in the present conventional sense of the word, is what I think and feel—or, rather, what I confess to thinking and feeling. Caco , eructo , futuo —I never admit that the first person singular of such verbs is really me . Only when, for any reason, they palpably affect my feelings and thinking do the processes they stand for come within the bounds of my “personality”. (This censorship makes ultimate nonsense of all literature. Plays and novels just aren’t true.)

‘Thus, the “personal” is the creditable, or rather the potentially creditable. Not the morally undifferentiated.

‘It is also the enduring. Very short experiences are even less personal than discreditable or merely vegetative experiences. They become personal only when accompanied by feeling and thought, or when reverberated by memory.

‘Matter, analysed, consists of empty space and electric charges. Take a woman and a washstand. Different in kind. But their component electric charges are similar in kind. Odder still, each of these component electric charges is different in kind from the whole woman or washstand. Changes in quantity, when sufficiently great, produces changes in quality. Now, human experience is analogous to matter. Analyse it—and you find yourself in the presence of psychological atoms. A lot of these atoms constitute normal experience, and a selection from normal experience constitutes “personality”. Each individual atom is unlike normal experience and still more unlike personality. Conversely, each atom in one experience resembles the corresponding atom in another. Viewed microscopically, a woman’s body is just like a washstand, and Napoleon’s experience is just like Wellington’s. Why do we imagine that solid matter exists? Because of the grossness of our sense organs. And why do we imagine that we have coherent experiences and personality? Because our minds work slowly and have very feeble powers of analysis. Our world and we who live in it are the creations of stupidity and bad sight.

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