‘I’ll take you as far as the gate.’
‘There’s no need.’
‘I prefer it.’
She did not return his smile, but walked on without speaking.
Two small bushy plants of buddleia grew on either side of the steps that led down from the terrace. On the hot air the scent of the flowers (itself, so it seemed, intrinsically hot) was of an intense and violent sweetness.
‘Delicious,’ Anthony said aloud as they stepped into the perfumed aura of the blossoms. ‘Almost too delicious. But look!’ he called in another voice, and caught her sleeve. ‘Do look!’
New from the chrysalis, bright and still untattered, a swallowtail had settled on one of the clusters of mauve flowers. The pale yellow wings, with their black markings, their eyes of blue and crimson, were fully outstretched in the sunlight. Their forward edges had the curve of a sabre, and from the tips the line slanted elegantly backwards towards the two projecting tails of the lower wings. The whole butterfly seemed the symbol, the hieroglyph of gay and airy speed. The spread wings were tremulous as though from an uncontrollable excess of life, of passionate energy. Rapidly, ravenously, but with an extraordinary precision of purposeful movement, the creature plunged its uncoiled proboscis into the tiny trumpet–shaped flowers that composed the cluster. A quick motion of the head and thorax, and the probe had been thrust home, to be withdrawn a moment later and plunged as swiftly and unerringly between the lips of another and yet another flower, until all the blooms within striking distance had been explored and it was necessary to hasten on towards a yet unrifled part of the cluster. Again, again, to the very quick of the expectant flowers, deep to the sheathed and hidden sources of that hot intoxicating sweetness! Again, again, with what a tireless concupiscence, what an intense passion of aimed and accurate greed!
For a long minute they watched in silence. Then, suddenly, Helen stretched out her hand and flicked the cluster on which the butterfly was settled. But before her finger had even touched the flowers, the light, bright creature was gone. A quick flap of the wings, then a long soaring swoop; another spurt of fluttering movement, another long catenary of downward and upward slanting flight, and it was out of sight behind the house.
‘Why did you do that?’ he asked.
Pretending not to have heard his question, Helen ran down the steps and along the gravelled path. At the gate of the garden she halted and turned back.
‘Good–bye, Anthony.’
‘When are you coming again?’ he asked.
Helen looked at him for a few seconds without speaking, then shook her head. ‘I’m not coming,’ she said at last.
‘Not coming again?’ he repeated. ‘What do you mean?’
But she had already slammed the gate behind her and with long springing strides was hurrying along the dusty road under the pine trees.
Anthony watched her go, and knew that, for the moment at least, it was no good even trying to do anything. It would only make things worse if he followed her. Later on, perhaps; this evening, when she had had time …But walking back along the garden path, through the now unheeded perfume of the buddleias, he wondered uneasily whether it would be much good, even later on. He knew Helen’s obstinacy. And then what right had he now, after all these months of disclaiming, of actively refusing any rights whatever?
‘But I’m a fool,’ he said aloud as he opened the kitchen door, ‘I’m mad.’ And he made an effort to recover his sanity by disparaging and belittling the whole incident. Unpleasant, admittedly. But not unpleasant enough to justify Helen in behaving as though she were acting Ibsen. Doing a slight Doll’s House, he said to himself—trying to reduce it all to a conveniently ridiculous phrase—when there was no doll and no house; for she really couldn’t complain that old Hugh had ever shut her up, or that he himself had cherished any designs on her liberty. On the contrary, he had insisted on her being free. Her liberty was also his; if she had become his slave, he would necessarily have become hers.
As for his own emotions, up there on the roof—that uprush of tenderness, that longing to know and love the suffering person within that all at once irrelevantly desirable body—these had been genuine, of course; were facts of direct experience. But after all, they could be explained, explained away, as the mere exaggerations, in a disturbing moment, of his very natural sympathy with her distress. The essential thing was time. Given a little time, she would listen once more to what he wanted to say, and he would no longer want to say any of the things she had just now refused to listen to.
He opened the refrigerator and found that Mme Cayol had prepared some cold veal and a cucumber and tomato salad. Mme Cayol had a vicarious passion for cold veal, was constantly giving it him. Anthony, as it happened, didn’t much like it, but he preferred eating it to discussing the bill of fare with Mme Cayol. Whole weeks would sometimes pass without the necessity arising for him to say more than Bon jour and À demain, Mme Cayol , and Il fait beau aujourd d’hui , or Quel vent! , whichever the case might be. She came for two hours each morning, tidied up, prepared some food, laid the table and went away again. He was served, but almost without being aware of the servant. The arrangement, he considered, was as nearly perfect as any earthly arrangement could be. Cold veal was a small price to pay for such service.
At the table in the shade of the great fig tree on the terrace, Anthony settled down with determination to his food, and as he ate, turned over the pages of his latest note–book. There was nothing, he assured himself, like work—nothing, to make oneself forget a particular and personal feeling, so effective as a good generalization. The word ‘freedom’ caught his eye, and remembering the satisfaction he had felt, a couple of months before, when he had got those ideas safely on to paper, he began to read.
‘Acton wanted to write the History of Man in terms of a History of the Idea of Freedom. But you cannot write a History of the Idea of Freedom without at the same time writing a History of the Fact of Slavery.
‘The Fact of Slavery. Or rather of Slaveries. For, in his successive attempts to realize the Idea of Freedom, man is constantly changing one form of slavery for another.
‘The primal slavery is the slavery to the empty belly and the unpropitious season. Slavery to nature, in a word. The escape from nature is through social organization and technical invention. In a modern city it is possible to forget that such a thing as nature exists—particularly nature in its more inhuman and hostile aspects. Half the population of Europe lives in a universe that’s entirely home–made.
‘Abolish slavery to nature. Another form of slavery instantly arises. Slavery to institutions: religious institutions, legal institutions, military institutions, economic institutions, educational, artistic, and scientific institutions.
‘All modern history is a History of the Idea of Freedom from Institutions. It is also the History of the Fact of Slavery to Institutions.
‘Nature is senseless. Institutions, being the work of men, have meaning and purpose. Circumstances change quicker than institutions. What once was sense is sense no longer. An outworn institution is like a person who applies logical reasoning to the non–existent situation created by an idée fixe or hallucination. A similar state of things comes about when institutions apply the letter of the law to individual cases. The institution would be acting rationally if the circumstances envisaged by it really existed. But in fact they don’t exist. Slavery to an institution is like slavery to a paranoiac, who suffers from delusions but is still in possession of all his intellectual faculties. Slavery to nature is like slavery to an idiot who hasn’t even enough mind to be able to suffer from delusions.
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