J.G. Ballard - Super-Cannes

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Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

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'Did David know any of the victims?'

'He knew them all. Several were patrons of the La Bocca refuge, like poor Dominique Serrou, the breast cancer specialist at the clinic. She gave a lot of her free time to the refuge. God only knows why David decided to kill her.'

'Was Eden-Olympia his real target?' Jane carried her glass to the open air and released the trapped insect. 'I love it here, but the place is disgustingly rich.'

'We thought of that.' Penrose watched the insect veer away, smiling at its angry swerves and dives. 'Eden-Olympia is a business park. This isn't Fritz Lang's Metropolis. Drive to Le Cannet or Grasse and you'll find a dozen old "zincs" where you can enjoy your pastis and bet on the horses at Longchamp.'

'Third-World politics?' I suggested. 'Multinational corporations make a perfect terrorist target.'

'IBM Europe? Nippon Telegraph?' Penrose reluctantly shook his head. 'Companies here aren't involved with the Third World. None of them are sweating rubber or bauxite out of a coolie workforce. The raw material processed at Eden-Olympia is high grade information. Besides, political terrorists don't rely on people like David Greenwood. Though you have to admire the way he carried it off. Once the alarm was raised he must have known all the doors would shut around him.'

'Which they did?'

'Tighter than a nun's knees. When he realized it was over, he came back here and killed his hostages, a couple of off-duty chauffeurs and a maintenance engineer. Why he seized them in the first place no one knows…'

'Wait a minute…' Jane stepped forward, pointing to Penrose. 'Are you saying…?'

'Tragically, yes. He killed all three.'

'Here?' Jane seized my wrist, her sharp fingers almost separating the bones. 'You're saying this was David's villa?'

'Naturally.' Penrose seemed puzzled by Jane's question. 'The house is assigned to the clinic's paediatrician.'

'So the murders began…' Jane stared at the white walls of the sun lounge, as if expecting to see them smeared with bloody handprints. 'David lived in this house?'

Penrose ducked his head, embarrassed by his slip of the tongue.

'Jane, I didn't mean to alarm you. Everything happened in the garage. David shot the hostages there, and then killed himself. They found him inside his car.'

'Even so…' Jane searched the tiled floor at her feet. 'It feels strange. David living here, planning all those terrible deaths.'

'Jane…' I took her hands, but she pulled them away from me. 'Are you going to be happy? Penrose, can't we move to another house? We'll rent a villa in Grasse or Vallauris.'

'You could move, yes…' Penrose was watching us without expression. 'It will create problems. Houses here are at a premium – none of the others are vacant. It's a condition of Jane's contract that she stay within Eden-Olympia. We'd have to find you an apartment near the shopping mall. They're pleasant enough, but… Jane, I'm sorry you're upset.'

'I'm all right.' Jane took a clip from her purse. Staring hard at Penrose, she smoothed her shoulder-length hair and secured it in a defiant bunch. 'You're sure no one was killed here?'

'Absolutely. Everything happened in the garage. They say it was over in seconds. A brief burst of shots. Heart-rending to think about.'

'It is.' Jane spoke matter-of-factly. 'So the garage…?'

'Virtually rebuilt. Scarcely a trace of the original structure. Talk it over with Paul and let me know tomorrow.'

'Jane…?' I touched her cheek, now as pale as the white walls. Her face was pointed, like a worried child's, and the spurs of her nasal bridge seemed sharp enough to cut the skin. 'How do you feel?'

'Odd. Don't you?'

'We can move. I'll find a hotel in Cannes.'

Penrose took out his mobile phone. 'I'll get Halder to drive you to the Martinez. We have several guest suites there.'

'No.' Jane brushed me aside, and took the phone from Penrose.

'I'm too tired. We've both had a long drive. We need time to think it through.'

'Good. You're being very sensible.' Penrose bowed in an almost obsequious way. Despite his concern, I was puzzled by his behaviour. He had deliberately concealed from us the crucial fact that David Greenwood had lived in this house and died within its grounds. No doubt Penrose had feared, rightly, that Jane would never have accepted the post at Eden-Olympia if she had known.

I examined the chairs and tables in the sun lounge, pieces of department-store furniture in expensive but anonymous designs.

I realized that Jane was as much the hired help as Halder and the security guards, the murdered chauffeurs and maintenance man, and was expected to keep her sensitivities to herself. Ambitious dentists did not complain about the poor oral hygiene of their richer clients. I remembered Halder's sceptical gaze as he lounged by the Range Rover, making it clear that we were lucky to be admitted to this luxury enclave.

Penrose said his goodbyes to Jane and waited by the pool as I found my walking stick. He had replaced his sunglasses, hiding the sweat that leaked from his eye-sockets. In his creased linen suit, with its damp collar and lapels, he seemed both shifty and arrogant, aware that he had been needlessly provocative but not too concerned by our reactions.

Joining him, I said: 'Thanks for the tour. It's a superb house.'

'Good. You'll probably stay. Your wife likes it here.'

'I'm not sure.'

'Believe me.' His smile drifted across his face like a dismasted ship, detached from whatever he was thinking. 'You'll be very happy at Eden-Olympia.'

I walked Penrose down to the avenue, and waited while he called the nearest patrol car.

'One thing…' I said. 'Why did you tell Halder that I was a pilot?'

'Did I? I hope that wasn't indiscreet.'

'No. But you made a point of it.'

'Halder is a difficult man to impress. He has the special kind of snobbery that servants of the rich often show. As your security man it's important he take you seriously. I thought it might break the ice.'

'It clearly did. Is he an amateur pilot?'

'No. His father was in the US Air Force, stationed at a base near Mannheim. The mother was a German girl working in the PX. He abandoned her and the baby, and now runs a small airline in Alabama. He was one of the few black commissioned officers. Halder's never met him.'

'An airline? That's impressive.'

'I think it has two planes. For Halder, flying is confused with his wish to confront his father.'

'A little pat?'

Penrose playfully punched my shoulder, a hard blow that made me raise my stick to him. He stepped out of my way and signalled to an approaching patrol car. 'Pat? Yes. But I'm not speaking as a psychiatrist.'

'Are you ever?'

With a stage laugh, Penrose drummed his fist against the roller doors of the garage. He swung his large body into the passenger seat of the Range Rover, sprawling against the driver. The sound of his mocking cheer, good-humoured but derisory, was taken up by the vibrating metal slats, a memory of violence that seemed to echo from the sealed garage, eager to escape into the warm August air.

Jane had left the sun lounge and was sitting by the computer in the study, choosing a new screensaver. I limped towards her, already tired by the spaces of the large house. Jane raised a hand to me, her eyes still fixed on the screen. Alone in this white room, she seemed at her prettiest, a charming ingénue in a modern-dress version of a Coward play. I leaned against her, glad to be alone with my sane young wife.

'What was all that, Paul? You weren't hitting him?'

'As it happens, he punched me.'

'Vile man. Are you all right?' She took the walking stick and pulled up a chair for me. 'Speaking of punches, Dr Wilder Penrose was a bit below the belt.'

'Not telling us straight away about David? That's obviously his style – watch out.' I sat beside Jane, and stared at the complex patterns that revolved like a Paisley nightmare. 'What did you make of him?'

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