J.G. Ballard - Super-Cannes

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Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

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'You broke your knees. That's tough.' He spoke with an American accent, but one learned in Europe, perhaps working as a security guard for a local subsidiary of Mobil or Exxon. 'You have a commercial licence?'

'Private. Or did have, until they took it away from me. I publish aviation books.'

'Now you'll have time to write one yourself. Some people might envy you.'

He stood with his back to the pool, the trembling light reflected in the beads of water on the holster of his pistol. He was strong but light-footed, with the lithe step of a professional dancer, a tango specialist who read Scott Fitzgerald and took out his frustrations on swimming pools. For a moment I saw a strange image of him washing his gun in the pool, rinsing away David Greenwood's blood.

'Keep flying speed…' He saluted and strode away. As he passed the pool he leaned over and spat into the water.

We sat on the terrace beneath the awning, listening to the gentle flap of canvas and the swish of lawn sprinklers from nearby gardens. Far below were the streets of Cannes, dominated by the twin domes of the Carlton Hotel, a nexus of noise and traffic that crowded the beach. The sun had moved beyond La Napoule and now lit the porphyry rocks of the Esterel, exposing valleys filled with lavender dust like the flats of a forgotten stage production. To the east, beyond Cap d'Antibes, the ziggurat apartment buildings of Marina Baie des Anges loomed larger than the Alpes-Maritimes, their immense curved facades glowing like a cauldron in the afternoon sun.

The swimming pool had calmed. Halder's glob of spit had almost dissolved, the sun-driven currents drawing it into a spiral like the milky arms of a nebula. An eager water spider straddled one of the whorls and was busy gorging itself.

Penrose's tour of the house had impressed Jane, who seemed stunned by the prospect of becoming the chatelaine of this imposing art-deco mansion. I hobbled after them as Penrose guided her around the kitchen, pointing out the ceramic hobs and the control panels with more dials than an airliner's cockpit.

In the study, virtually a self-contained office, Penrose demonstrated the computerized library, the telemetric links to hospitals in Cannes and Nice, and the databanks of medical records.

Sitting at the terminal, Jane accessed the X-rays of my knees now held in the clinic's files, along with an unforgiving description of my accident and a photograph of the ground-looped Harvard.

Tapping her teeth, Jane read the pathologist's analysis of the rogue infection that had kept me in my wheelchair for so many months.

'It's right up to date – practically tells us what we had for breakfast this morning. I could probably hack into David's files…'

I clasped her shoulders, proud of my spirited young wife. 'Jane, you'll tear the place apart. Thank God it doesn't say anything about my mind.'

'It will, dear, it will…'

Gazing at the garden, Jane finished her spritzer, eager to get back to the terminal.

'I'll give you a list of interesting restaurants,' Penrose told her. He sat by himself in the centre of the wicker sofa, arms outstretched in the pose of a Hindu holy man, surveying us in his amiable way. 'Tétou in Golfe-Juan does the best seafood. You can eat Graham Greene's favourite boudin at Chez Félix in Antibes. It's a shrine for men of action like you, Paul.'

' […] here. Absolutely perfect. So what went wrong?'

Penrose stared at me without replying, his smile growing and then fading like a dying star. His eyes closed and he seemed to slip into a shallow fugue, the warning aura before a petitmal seizure.

'Wilder…' Concerned for him, Jane raised her hand to hold his attention. 'Dr Penrose? Are you -?'

'Paul?' Alert again, Penrose turned to me. 'The aircraft, they're such a nuisance, I didn't quite catch what you were saying.'

'Something happened here.' I gestured towards the office buildings of the business park. 'Ten people were shot dead. Why did Greenwood do it?'

Penrose buttoned his linen jacket in an attempt to disguise his burly shoulders. He sat forward, speaking in a barely audible voice. 'To be honest, Paul, we've no idea. It's impossible to explain, and it damn near cost me my job. Those deaths have cast a huge shadow over Eden-Olympia. Seven very senior people were killed on May 28.'

'But why?'

'The big corporations would like to know.' Penrose raised his hands, warming them in the sun. 'Frankly, I can't tell them.'

'Was David unhappy?' Jane put down her glass. She watched Penrose as if he were a confused patient who had wandered into Casualty with a garbled tale of death and assassination.'We worked together at Guy's. He was a little high-minded, but his feet were on the ground.'

'Completely.' Penrose spoke with conviction. 'He loved it here – his work at the clinic, the children's refuge at La Bocca. The kids adored him. Mostly orphans abandoned by their north African and pied-noir families. They'd never met anyone like David. He helped out at a methadone project in Mandelieu…'

Jane stared into her empty glass. The sticky bowl had trapped a small insect. 'Did he ever relax? It sounds as if the poor man was overworked.'

'No.' Penrose closed his eyes again. He moved his head, searching the planetarium inside his skull for a glimmer of light. 'He was taking Arabic and Spanish classes so he could talk to the children at the refuge. I never saw him under any stress.'

'Too many antidepressants?'

'Not prescribed by me. The autopsy showed nothing. No LSD, none of the wilder amphetamines. The poor fellow's bloodstream was practically placental.'

'Was he married?' I asked. 'A wife would have known something was brewing.'

'I wish he had been married. He did have an affair with someone in the property-services division.'

'Man or woman?'

'Woman. It must have been.' Jane spoke almost too briskly. 'He certainly wasn't homosexual. Did she have anything to say?'

'Nothing. Their affair had been over for months. Sadly, some things are fated to remain mysteries for ever.'

Penrose scowled at the pool, and chewed on a thumbnail. The garden was now in shadow as the late-afternoon light left the valley of Eden-Olympia, and the top floors of the office buildings caught the sun, floating above the trees like airborne caravels. Our conversation had drained the colour from Penrose's face. Only his hands continued to move. Resting on the cushions beside him, they flinched and trembled with a life of their own.

'Was anyone else involved?' I pointed towards Cannes. 'Co-conspirators on the outside?'

'The investigating magistrate found nothing. He spent weeks here with his police teams, staging reconstructions of the murders. A strange kind of street theatre, you'd think Eden-Olympia was taking over from the Edinburgh Festival. Meanwhile, foreign governments were pressing hard for a result. Half the world's psychologists jammed the baggage carousels at Nice Airport. There was even a televised debate in the conference room at the Noga Hilton. They came up with nothing.'

'He tried to kill you.' Jane pushed her glass away, distracted by the insect's angry buzzing. 'You were wounded. How did he look when he shot you?'

Penrose sighed, his heavy chest deflating at the memory. 'I didn't see him, thank heavens. I'm not sure that I was one of his targets. A glass door blew in while I was checking something in the pharmacy. David was firing from the outside corridor at Professor Berthoud. By the time I stopped bleeding he'd gone.'

'Grim…' I felt a sudden sympathy for Penrose. 'A nightmare for you.'

'Far more for David.' Penrose watched his restless hands and then nodded to me, grateful for this display of fellow-feeling. 'Paul, it's impossible to explain. Some deep psychosis must have been gathering for years, a profound crisis going back to his childhood.'

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