J.G. Ballard - Super-Cannes

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Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

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'That's misleading.' Penrose pointed to two nearby office buildings, each only six storeys high but effectively a skyscraper lying on its side. 'They're all at their computer screens and lab benches. Sadly, you can forget Cyril Connolly here. Forget tuberoses and sapphirine seas.'

'I have. Who are the tenants? Big international companies?'

'The biggest. Mitsui, Siemens, Unilever, Sumitomo, plus all the French giants – Elf-Aquitaine, Carrefour, Rhône-Poulenc. Along with a host of smaller firms: investment brokers, bioengineering outfits, design consultancies. I sound like a salesman, but when you get to know it you'll see what a remarkable place Eden-Olympia really is. In its way this is a huge experiment in how to hothouse the future.'

I turned to glimpse a vast car park concealed behind a screen of cypresses, vehicles nose to tail like a week's unsold output at a Renault plant. Somewhere in the office buildings the owners of these cars were staring at their screens, designing a new cathedral or cineplex, or watching the world's spot prices. The sense of focused brainpower was bracing, but subtly unsettling.

'I'm impressed,' I told Penrose. 'It beats waiting at tables or working as a checkout girl at a Monoprix. Where do you get the staff?'

'We train them. They're our biggest investment. It's not so much their craft skills as their attitude to an entirely new workplace culture. Eden-Olympia isn't just another business park. We're an ideas laboratory for the new millennium.'

'The "intelligent" city? I've read the brochure.'

'Good. I helped to write it. Every office, house and apartment cabled up to the world's major stockbrokers, the nearest Tiffany's and the emergency call-out units at the clinic.'

'Paul, are you listening?' Jane's elbow nudged me in the ribs. 'You can sell your British Aerospace shares, buy me a new diamond choker and have a heart attack at the same time…'

'Absolutely.' Penrose lay back, nostrils pressed to the worn seats, snuffling at the old leather smells. 'In fact, Paul, once you've settled in I strongly recommend a heart attack. Or a nervous breakdown. The paramedics will know everything about you – blood groups, clotting factors, attention-deficit disorders. If you're desperate, you could even have a plane crash – there's a small airport at Cannes-Mandelieu.'

'I'll think about it.' I searched for my cigarettes, tempted to fill the car with the throat-catching fumes of a Gitanes. Penrose's teasing was part camouflage, part initiation rite, and irritating on both counts. I thought of David Greenwood and wondered whether this aggressive humour had helped the desperate young Englishman. 'What about emergencies of a different kind?'

'Such as? We can cope with anything. This is the only place in the world where you can get insurance against acts of God.'

I felt Jane stiffen warningly against the steering wheel. The nearside front tyre scraped the kerb, but I pressed on.

'Psychological problems? You do have them?'

'Very few.' Penrose gripped the back of Jane's seat, deliberately exposing his bitten fingernails. At the same time his face had hardened, the heavy bones of his cheeks and jaw pushing through the conversational tics and grimaces, a curious display of aggression and self-doubt. 'But a few, yes. Enough to make my job interesting. On the whole, people are happy and content.'

'And you regret that?'

'Never. I'm here to help them fulfil themselves.' Penrose winked into Jane's rear-view mirror. 'You'd be surprised by how easy that is. First, make the office feel like a home – if anything, the real home.'

'And their flats and houses?' Jane pointed to a cluster of executive villas in the pueblo style. 'What does that make them?'

'Service stations, where people sleep and ablute. The human body as an obedient coolie, to be fed and hosed down, and given just enough sexual freedom to sedate itself. We've concentrated on the office as the key psychological zone. Middle managers have their own bathrooms. Even secretaries have a sofa in a private alcove, where they can lie back and dream about the lovers they'll never have the energy to meet.'

We were driving along the shore of a large ornamental lake, an ellipse of glassy water that reflected the nearby mountains and reminded me of Lake Geneva with its old League of Nations headquarters, another attempt to blueprint a kingdom of saints.

Apartment houses lined the waterfront, synchronized brises-soleils shielding the balconies. Jane slowed the car, and searched the windows for a single off-duty resident.

'A fifth of the workforce live on-site,' Penrose told us. 'Middle and junior management in apartments and townhouses, senior people in the residential estate where you're going. The parkland buffers the impact of all the steel and concrete. People like the facilities – yachting and water-skiing, tennis and basketball, those body-building things that obsess the French.'

'And you?' Jane queried.

'Well…' Penrose pressed his large hands against the roof, and lazily flexed his shoulders. 'I prefer to exercise the mind. Jane, are you keen on sport?'

'Not me.'

'Squash, aerobics, roller-blading?'

'The wrong kind of sweat.'

'Bridge? There are keen amateurs here you could make an income off.'

'Sorry. Better things to do.'

'Interesting…' Penrose leaned forward, so close to Jane that he seemed to be sniffing her neck. 'Tell me more.'

'You know…' Straight-faced, Jane explained: 'Wife-swapping, the latest designer amphetamines, kiddy porn. What else do we like, Paul?'

Penrose slumped back, chuckling good-humouredly. I noticed that he was forever glancing at the empty seat beside him. There was a fourth passenger in the car, the shade of a doctor defeated by the mirror-walled office buildings and manicured running tracks. I assumed that Greenwood had suffered a catastrophic cerebral accident, but one which probably owed nothing to Eden-Olympia.

Beyond the apartments was a shopping mall, a roofed-in plaza of boutiques, patisseries and beauty salons. Lines of supermarket trollies waited in the sun for customers who only came out after dark. Undismayed, Penrose gestured at the deserted checkouts.

'Grasse and Le Cannet aren't far away, but you'll find all this handy. There's everything you need, Jane – sports equipment, video-rentals, the New York Review of Books…'

'No teleshopping?'

'There is. But people like to browse among the basil. Shopping is the last folkloric ritual that can help to build a community, along with traffic jams and airport queues. Eden-Olympia has its own TV station – local news, supermarket best buys…'

'Adult movies?'

Jane at last seemed interested, but Penrose was no longer listening. He had noticed a trio of Senegalese trinket salesmen wandering through the deserted café tables, gaudy robes blanched by the sun. Their dark faces, among the blackest of black Africa, had a silvered polish, as if a local biotechnology firm had reworked their genes into the age of e-mail and the intelsat. By some mix of guile and luck they had slipped past the guards at the gate, only to find themselves rattling their bangles in an empty world.

When we stopped, pointlessly, at a traffic light Penrose took out his mobile phone and pretended to speak into it. He stared aggressively at the salesmen, but the leader of the trio, an affable, older man, ignored the psychiatrist and swung his bracelets at Jane, treating her to a patient smile.

I was tempted to buy something, if only to irritate Penrose, but the lights changed.

'What about crime?' I asked. 'It looks as if security might be a problem.'

'Security is first class. Or should be.' Penrose straightened the lapels of his jacket, ruffled by his involuntary show of temper.

'We have our own police force. Very discreet and effective, except when you need them. These gewgaw men get in anywhere. Somehow they've bypassed the idea of progress. Dig a hundred-foot moat around the Montparnasse tower and they'd be up on the top deck in three minutes.'

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