J.G. Ballard - Super-Cannes

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Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

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'That must be quite an achievement. I like pilots – Beryl Markham is my hero.'

'A great flyer,' I agreed. 'Totally promiscuous.'

'Aren't all women, if they want to be? Men have such a hang-up about that.' She stuffed my file into its rack at the foot of the bed.

'They say flying and sex go together. I don't know about that side of your life, but it's going to be a while before you fly.'

'I'm set to lose my licence.'

'How sad.' She took a syringe from the kidney dish and eyed the meniscus. 'I'm sorry. Flying must be important to you.'

'It is. By the way, is that needle clean?'

'Clean? What an idea…' She eased the antibiotic into my arm.

'No one cleans hospitals these days – this isn't the 1930s. We spend the money on important things. Fancy wallpaper for the managers' dining room, new carpets for the senior consultants…'

Already I was staring at the high forehead she disguised behind a dark fringe, and the quick but oddly evasive eyes. I liked the bolshie cast of her mouth, and the lips forever searching for the choicest four-letter word. Her unlined face was pale from too many cigarettes, too many late nights with boring lovers who failed to appreciate her. Despite the name tag – 'Dr Jane Gomersall' – I almost believed that she was one of those impostors who masquerade so effortlessly as members of the medical profession, some renegade sixth-form schoolgirl who had borrowed a white coat and decided to try her hand at a little doctoring.

Keen to meet her again, I was soon out of bed, and spent hours in my wheelchair hunting the corridors. Sometimes I would see her loafing on a fire escape with the younger surgeons, laughing as they smoked their cigarettes together. Later, when we talked near the soft-drinks machine outside the lifts, I learned that she was not a hippie, but adopted her scruffy style to irritate the hospital administrators. She had specialized in paediatrics, but ward closures had reassigned her to general duties. Her clergyman father was the headmaster of a Church of England school in Cheltenham, and the role of rebel and classroom agitator had come early to her.

On my last day, a few minutes before Charles collected me, I heard the familiar flip-flop of worn sandals, and limped to the door as she sauntered past. She waited amiably for me to speak, but I could think of nothing to say. Then she raised her fringe, as if cooling her forehead, and suggested that I show her around Elstree Flying Club.

The next weekend she drove me from my house in Maida Vale to the airfield in north London. She was surprised by the aircraft in the hangars, by their rough, riveted skins and the harsh reek of engine coolant and lubricating oil. My Harvard, still stained by the traffic controller's rhododendrons, especially intrigued her. One of the watching mechanics helped her into the cockpit. Without a parachute to sit on, she was barely visible through the windscreen.

She pushed back the canopy, stood on the metal seat-base and flung out an arm, in the posture of the winged woman screaming to her followers on the Arc de Triomphe. The sculpture had deeply impressed her during a school visit to Paris, and I only wished I could have supplied her with a sword.

Later she dressed in my white overalls and put on an old leather flying helmet, lounging around the Harvard like the women pilots in aviation's heroic days, smoking their Craven A's while they leaned against their biplanes and gazed at the stars.

We were married within three months. I was still on my crutches, but Jane wore an extravagantly ruched silk dress that seemed to inflate during the ceremony, filling the register office like the trumpet of a vast amaryllis. She smoked pot at the reception held at the Royal College of Surgeons in Regent's Park, sniffed a line of cocaine in front of her mother, a likeable suburban solicitor, and gave an impassioned speech describing how we had made love in the rear seat of the Harvard, a complete fiction that even her father cheered.

During our Maldives honeymoon she snorkelled on the outer, and dangerous, side of the reef, and befriended a female conger eel. More out of curiosity than lechery, she set my camcorder to film us having sex in our bamboo hut, watching me like a lab technician who had grown attached to an experimental animal.

Sometimes I sensed that she might walk off into the sea and vanish for ever. At Maida Vale, a week after our return, a policeman called to question her, and she admitted to me that she supplied tincture of cannabis to psoriasis sufferers and had tried to grow hemp plants in a disused laboratory at the hospital.

Already I guessed that the urge to work abroad was part of the same restlessness that had led her to marry me, a random throw of the dice.

'Paul, be honest,' she said when she learned of the Eden-Olympia vacancy. 'How do you feel? Dissatisfied?'

'No. Are you?'

'We all are. And we do nothing about it. You've stopped flying, and keep getting these knee infections. I'm a trained paediatrician and I practically carry bedpans. Think of something really perverse I could do.'

'Have a baby?'

'Yes! That's rather clever, Paul. But I can't. At least not now. There are problems.'

'Medical ones?'

'In a way…'

But I had seen Jane inserting her coil and could feel the drawstring emerging from her cervix.

Now, following David Greenwood, we had arrived in Eden-Olympia, among the most civilized places on the planet and one that promised to stifle the last vestiges of her hunger for freedom. The heroine of ' La Marseillaise' was about to sheathe her sword.

5 The English Girl

The pool lay beside me, so calm that a film of dust lay on the surface. Through the cool depths I could see a small coin on the sloping floor, perhaps a one-franc piece that had slipped from the pocket of Greenwood 's swimsuit. Burnished by the pool detergent, it gleamed like a node of silver distilled from the Riviera light, a class of pearl unique to the swimming pools of the rich.

I listened to the vacuum cleaners working in the bedroom, a relentless blare that had driven the echoes of the Harvard's engine from my mind. The two Italian maids arrived each morning at ten o'clock, part of the uniformed task force that moved from villa to villa. A gardener, Monsieur Anvers, appeared on alternate days, watered the grass and shrubs, and cleaned the pool. He was unobtrusive, an elderly Cannois whose daughter worked in the Eden-Olympia shopping mall.

One of the maids stared cheekily at me from a bathroom window, as if puzzled by my life of ease. Already the concept of leisure was dying in the business park, replaced by a grudging puritanism. Freedom was the right to paid work, while leisure was the mark of the shiftless and untalented.

Deciding to drive into Cannes, I gathered my proof pages and made my way back to the house. Señora Morales, the Spanish housekeeper, moved busily around the kitchen, checking the cartons of groceries delivered from the supermarket. The ever-watchful but tolerant gaze of this middle-aged Spanish woman reminded me of my prep-school matron, translated from the gloom of West Hampstead to the sun terraces of the Mediterranean. She was helpful but garrulous, and I often heard her talking to herself in the kitchen, using a confused mix of Spanish and English.

She nodded approvingly as I took the soda-water siphon and a bottle of rosé Bandol from the refrigerator. Clearly she assumed that any Englishman of quality would be drunk by noon.

'My car,' I explained. 'It's very old. A few drinks make it go better.'

'Of course. You come to Valencia and open a garage.' She watched me raise my glass and toast the morning light. 'It's always good weather at Eden-Olympia.'

'That's true. Except for one very stormy day last May.' I felt the bubbles play against my nostrils and sipped the aerated wine.

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