J.G. Ballard - Super-Cannes

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Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

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'He's an intellectual thug.' Jane massaged my knee. 'That set-to over our bags with Halder. And the nasty way he stared at the African salesmen. He's racist.'

'No. He was trying to provoke us. Visitors from liberal England, we're as naive as any maiden aunt, an unmissable target. Still, he's your colleague now. Remember that you have to get on with him.'

'I will. Don't worry, psychiatrists are never a threat. Surgeons are the real menace.'

'That sounds like hard-won experience.'

'It is. All psychiatrists secretly dream of killing themselves.'

'And surgeons?'

'They dream of killing their patients.' She rotated her seat, turning her back to the computer. 'Paul, that was a weird afternoon.'

'Very weird. I don't know whether you noticed, but a rather odd game is being played. Penrose is testing us. He wants to see if we're good enough for Eden-Olympia.'

'I am.' Jane's chin rose, exposing a childhood scar. 'Why not?'

'So you want to stay?'

'Yes, I do. There are possibilities here. We ought to explore them.'

'Good. I'll back you all the way.'

Jane waited as I embraced her, then held me at arm's length.

'One thing, Paul. It's important. We don't talk about David Greenwood.'

'Jane, I liked him.'

'Did you? I'm not so sure. Face it, we're never going to know what happened to him. He's not coming back, so stop worrying about him. Agreed? Let's go upstairs and unpack.'

Jane led the way, hefting her leather suitcase while I limped after her, stick in one hand and two of the soft bags in the other. Once we reached our bedroom Jane collapsed onto the ivory-white sofa. She ran her cheek along the silk cushions.

'Paul, isn't this a little lavish for a member of staff? Have you wondered why?'

'Are they trying to bribe us? I seriously doubt it. You're a consultant paediatrician, one of the new professional elite.'

'Come off it.' Jane unbuttoned her shirt. 'I'm a barefoot doctor with a short-service contract. Still, sitting in the sun will do you good. Before we leave, you'll be playing tennis again.'

'I might even beat you.'

'Losing to their favourite patients is part of a doctor's job. It happens every day in Bel Air and Holland Park.'

I wandered around the air-conditioned suite, with its dressing room and double bathroom. Despite Jane's comments, the furniture was more Noga Hilton than Versailles, and I guessed that the originals had been replaced. But there were faint ink-marks from a ballpoint pen on the fabric of an armchair by the window.

I moved the chair to one side, then knelt down and felt the dents in the carpet, deep and smoothly polished by the castors.

David Greenwood had probably slumped in this chair at the end of a long day, ticking off the latest bulletins from Médecins Sans Frontières. One May morning he sat with a rifle across his knees and a map of Eden-Olympia, working out a special itinerary.

Jane stood beside me, her dark hair falling to her bare shoulders.

She had stepped from the dressing room and held her nightdress to her chin, admiring herself in the full-length mirror like a child trying on her mother's clothes.

'Paul, are you there?' Concerned, she took my hands, as if leading me out of a dream. 'You were asleep standing up. This house does odd things to people…'

She let the nightdress fall to the floor and drew me towards the bed. I lay beside her, resting my face against her small breasts, with their sweet scents of summer love. Once again I wondered how well she had known David Greenwood. It occurred to me that three of us would sleep together in this large and comfortable bed, until I could persuade David to step out of my mind and disappear for ever down the white staircase of this dreaming villa.

4 A Flying Accident

Sunlight was infiltrating the misty lakes and forests of Eden-Olympia, probing the balconies of the residential enclave as if trying to rouse the company chairmen and managing directors, calling them out to play. I stood in the open doorway of the breakfast room, letting the warm air bathe my legs. An advertising plane was taking off from the Cannes-Mandelieu airfield, and I realized that my shadow was probably one of the few human silhouettes still visible from the sky over the business park.

It was 7.45, but my neighbours had already left for work. Long before the sun reached across the Baie des Anges the senior executives had finished their croissants and muesli, their mortadella and noodles, and set off to another long day at the office.

As I settled myself in a poolside chair the sun seemed to pause, surprised to find someone not already bent over a boardroom table or laboratory bench. Along the Croisette in Cannes the day would hardly have begun. The waiters at the Blue Bar would be pausing for a cigarette before they set out the table placements, and the water trucks would still be spraying the side roads off the Rue d'Antibes. But in Eden-Olympia the mainframes would be wide awake, the satellite dishes draining information stored in the sky. A busy electronic traffic was already sluicing through the cabled floors, bringing the Dow and Nikkei indexes, inventories of pharmaceutical warehouses in Düsseldorf and cod depositories in Trondheim.

Thinking of Jane, who had been up at six and off to the clinic before I woke, I eased myself onto the sun-lounger and lifted my right leg above the foam rubber cushion. After only three weeks at Eden-Olympia, as Jane had promised, I was free of the metal brace. Now I could drive the Jaguar and give Jane a rest from the heavy steering wheel. Above all, I was able to walk, and keep up with her as we strolled down the Croisette towards the seafood restaurants of the Vieux Port.

I counted the titanium claws that held the kneecap together.

My wasted right calf was as thin as my forearm, and gave me a rolling, seadog gait. But exercise would strengthen the muscles.

One day I would be able to work the heavy brake pedals of the Harvard and win back my private pilot's licence.

In the meantime I explored Eden-Olympia on foot, logging miles along the simulated nature trails that ended abruptly when they were no longer visible from the road. Ornamental pathways led to the electricity substations feeding power into the business park's grid. Surrounded by chain-link fences, they stood in the forest clearings like mysterious and impassive presences. I circled the artificial lakes, with their eerily calm surfaces, or roamed around the vast car parks. The lines of silent vehicles might have belonged to a race who had migrated to the stars.

By the early afternoon Charles's e-mails brought me final proof pages, cheery gossip about the latest office romances, and queries over the editorial copy of our aviation journals. I missed Jane, who never returned home before seven o'clock, but I was happy to doze on the sun-lounger and listen to the droning engines of light aircraft trailing their pennants across the cloudless sky, news from the sun of furniture sales, swimming pool discounts and the opening of a new aqua-park.

A lawnmower sounded from a nearby garden as the roving groundstaff trimmed the grass. Sprinklers hissed a gentle drizzle across the flowerbeds of the next-door villa, occupied by Professor Ito Yasuda, chairman of a Japanese finance house, his serious-faced wife and even more serious three-year-old son. On Sundays they played tennis together, a process as stylized as a Kabuki drama, which involved endless ball retrieval and virtually no court action.

My other neighbours were a Belgian couple, the Delages, among the earliest colonists of the business park. Alain Delage was the chief financial officer of the Eden-Olympia holding company, a tall, preoccupied accountant lost somewhere behind the lenses of his rimless glasses. But he was kind enough to give Jane a lift to the clinic each morning. I had met the couple, Delage and his pale, watchful wife Simone, but our brief conversation across the roof of their Mercedes would have been more expressive if carried out by semaphore between distant peaks in the Alpes-Maritimes.

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