Martin Amis - Einstein's Monsters

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MARTIN AMIS hates nuclear weapons, and he doesn't care who knows it. In fact, he wants everyone to know it. At mid-career, he has virtually ceased to be a writer of fiction-from 1974 to 1984, he published five comic novels, including the hugely successful Money-and has metamorphosed instead into a kind of anti-nuclear polemicist. Einstein's Monsters, his most recent work, is a collection of stories based on the theme of nuclear holocaust. Lest anyone think this is a chance engagement, Amis has followed up Einstein's Monsters with an article in the October Esquire railing against the insanity of American nuclear planning. The article, a rehash of the Introduction to the present volume, is most notable not for its politics but for the warning it includes to those of us waiting for the return of a depoliticized Martin Amis: "When nuclear weapons become real to you,' he tells us, "hardly an hour passes without some throb or flash, some heavy pulse of imagined super-catastrophe.' The hydrogen bomb has claimed its first English target, and it is the career of Martin Amis.
In his new role, Amis runs around like the sheriff in Jaws, as if he's the only person who knows there's a shark in town and everyone else is trying to keep the beaches open. The Esquire article gives a good sense of the fundamental cheesiness of his political thinking. The members of the Washington nuclear establishment, he says, don't mind talking about "X-ray lasers and hard-kill capabilities,' but they "go green' when the author tries to light up a cigarette. When the author interviews an attache from the Soviet embassy, on the other hand, things go differently; the two "drink a lot of coffee and smoke up a storm.' "Sergi and I got along fine,' Amis tells us. "He didn't want to kill me. I didn't want to kill him.' Amis has invented the Marlboro Peace Plan.
Einstein's Monsters is only a touch more subtle. It consists of five stories, along with both an "Author's Note' and an Introduction. In his Note, Amis vacillates upon the question of whether the stories are polemical. "If they arouse political feelings,' he tells us, "that is all to to the good,' but really, they "were written with the usual purpose in mind: that is to say, with no purpose at all-except, I suppose, to give pleasure, various kinds of complicated pleasure.'
If there is any confusion in the reader's mind, however, it is cleared up by the first story, "Bujak and the Strong Force.' Reading it, one is reminded of the experience of sitting in a college fiction workshop, the excited author right there next to you, enthusiastically explaining the intricacies of his story's symbolic order.
Bujak, the title character, is a hugely powerful Eastern European living in a bad neighborhood in London. A survivor of the Nazi occupation of Poland, he spends a great deal of time arguing with the (American) narrator over the value of revenge. The narrator is anti, Bujak is pro. Bujak polices his block, rounds up petty criminals, makes the streets safe for young ladies at night. "He was our deterrent,' the narrator says. At the end of the story, when Bujak returns to his home to find his mother, daughter, and granddaughter brutally rape-murdered, the drunken perpetrators lying asleep on the floor, we expect him to exact some terrible revenge. But he doesn't. "Why?' the narrator asks. "No court on earth would have sent you down.' (Is this how Americans speak, by the way?) "When I had their heads in my hands,' Bujak replies, "I thought how incredibly easy to grind their faces together. But no… I had no wish to add to what I found.' It's… unilateral disarmament!
Throughout Einstein's Monsters Amis the author is at war with Amis the nuclear theoretician. "Insight at Flame Lake,' for example, would have been a fine schizophrenic-breakdown story, except that Amis the theoretician felt compelled to tack on an anti-nuclear subtext. "Thinkability,' the long introduction to Einstein's Monsters, has its flashes of brilliant writing (the generations of unborn babies who would be aborted by a nuclear war are described as "queueing up in spectral relays until the end of time'), but it is marred by the same sort of simplistic reasoning that plagues the Esquire piece. Amis wants to pin all our problems on the existence of nuclear weapons. In the face of these missiles, no merely personal atrocity matters: "What vulgar outrage or moronic barbarity can compare with the black dream of nuclear exchange?' It's like asking a meter maid, "How dare you give me a ticket when there are Russian tanks illegally parked on the streets of Kabul?' But Amis the satirist knows that it takes a lot more than nuclear weaponry to explain the spiritual malaise of our century, just as Amis the writer knows (or ought to know) that there is always more than one explanation for any human phenomenon. One suspects, in fact, that Amis's opposition to the Strategic Defense Initiative is derived not from the fear of a perilous escalation in the arms race, but from a (perhaps unconscious) perception that, with nuclear weapons gone, the novelist would have to face the fact of unexcused human weakness again.

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I rafted my way to the mainland and there was nothing there either. Everything was dead. (To be fair, a lot of it had been dead already.) Occasionally, as I groped my way south, I'd see a patch of lichen or a warped mushroom, and later a one-legged cockroach or an eyeless rat or something, and that lifted my spirits for a while. It was a good eighteen months before I came across any human beings worth the name-down in Thailand. A small fishing community sheltered by a cusp in the coastal mountains and by freak wind conditions (freak wind conditions being the only kind of wind conditions there were at that time). The people were in a bad way, naturally, but still hauling odds and ends out of the sea-you wouldn't call them fish exactly. I begged for a boat and they wouldn't give me one, which was understandable. I didn't want to argue about it, so I just hung around until they all died. That didn't take too long. I had about a four-year wait, if I remember correctly. Then I loaded up and pushed off and didn't care where the hell the winds took me. I just pushed off into the dying sea, hoping for life.

And I found it, too, after a fashion, down here among the dust people. The last. I'd better make the most of these human beings, because they're the only human beings I've got left. I mourn their passing. What is it to want others, to want others to be?

Once, finding myself in ancient China with plenty of cash and a century to kill, I bought a baby elephant and raised her from infant to invalid. I called her Babalaya. She lived for a hundred and thirteen years and we had time to get to know each other quite well. The larky way she tossed her head about. Her funny figure: all that bulk, and no ass (from the rear she looked like a navvy, slumped over the bar in a Dublin pub). Babalaya-only woman I ever cared a damn about… No, that's not true. I don't know why I say that. But long-term relationships have always been difficult for me and I've tended to steer clear of them. I've only been married three or four thousand times-I'm not the kind to keep lists-and I shouldn't think my kids are even up there in the five figures. I had gay periods, too. I'm sure, though, that you can see the problem. I am used to watching mountains strain into the sky, or deltas forming. When they say that the Atlantic or whatever is sinking by half an inch a century, I notice these things. There I am, shacked up with some little honey. I blink-and she's a boiler. While I remained stranded in my faultless noon, time seemed to be scribbling all over everybody right in front of my eyes: they would shrink, broaden, unravel. I didn't mind that much, but the women couldn't handle it at all. I drove those broads crazy. "We've been together for twenty years," they'd say: "How come I look like shit and you don't?" Besides, it wasn't smart to hang around too long in any one place. Twenty years was pushing it. And I did push it, many, many times, on account of the kids. Apart from that I just had flings. You think one-night stands are pretty unsatisfactory? Imagine what I think of them. For me, twenty years is a one-night stand. No, not even. For me, twenty years is a knee-trembler… And there were unpleasant complications. For instance, I once saw a granddaughter of mine coughing and limping her way through the Jerusalem soukh. I recognized her because she recognized me; she let out a harsh yell, pointing a finger which itself bore a ring I'd given her when she was little. And now she was little all over again. I'm sorry to say that I committed incest pretty regularly in the very early days. There was no way around incest, back then. It wasn't just me: everyone was into it. A million times I have been bereaved, and then another million. What pain I have known, what megatons of pain. I miss them all-how I miss them. I miss my Babalaya. But you'll understand that relationships of every kind are bound to be fairly strained (there will be tensions) when one party is mortal and the other is not.

The only celebrity I ever knew at all well was Ben Jonson, in London at that time, after my return from Italy. Ben and I were drinking buddies. He was boisterous in his cups, and soppy too, sometimes; and of course he was very blue about the whole Shakespeare thing. Ben used to sit through that guy's stuff in tears. I saw Shakespeare once or twice, in the street. We never met, but our eyes did. I always had the feeling that he and I might have hit it off. I thought the world of Shakespeare. And I bet I could have given him some good material.

Soon the people will all be gone and I will be alone forever. Even Shakespeare will be gone-or not quite, because his lines will live in this old head of mine. I will have the companionship of memory. I will have the companionship of dreams. I just won't have any people. It's true that I had those empty years before the human beings arrived, so I'm used to solitude. But this will be different, with nobody to look forward to at the end of it.

There is no weather now. Days are just a mask of fire- and the night sky I've always found a little samey. Before, in the early emptiness, there were pets, there were plants, there were nature rambles. Well, there's nothing much to ramble in now. I saw what you were doing to the place. What was the matter? Was it too nice for you or something?

Jesus Christ, you were only here for about ten minutes. And look what you did.

Grouped around the poisoned well, the people yawn and mumble. They are the last. They have tried having kids- I have tried having kids-but it doesn't work out. The babies that make it to term don't look at all good, and they can't seem to work up any immunity. There's not much immunity around as it is. Everybody's low.

They are the last and they are insane. They suffer from a mass delusion. Really, it's the craziest thing. They all believe that they are-that they are eternal, that they are immortal. And they didn't get the idea from me. I've kept my mouth shut, as always, out of settled habit. I've been discreet. I'm not one of those wellside bores who babble on about how they knew Tutankhamen and scored with the Queen of Sheba or Marie Antoinette. They think that they will live forever. The poor bastards, if they only knew.

I have a delusion also, sometimes. Sometimes I have this weird idea that I am just a second-rate New Zealand schoolmaster who never did anything or went anywhere and is now painfully and noisily dying of solar radiation along with everybody else. It's strange how palpable it is, this fake past, and how human: I feel I can almost reach out and touch it. There was a woman, and a child. One woman. One child… But I soon snap out of it. I soon pull myself together. I soon face up to the tragic fact that there will be no ending for me, even after the sun dies (which should at least be quite spectacular). I am the Immortal.

Recently I have started staying out in the daylight. Ah, what the hell. And so, I notice, have the human beings.

We wail and dance and shake our heads. We crackle with cancers, we fizz with synergisms, under the furious and birdless sky. Shyly we peer at the heaven-filling target of the sun. Of course, I can take it, but this is suicide for the human beings. Wait, I want to say. Not yet. Be careful- you'll hurt yourselves. Please. Please try and stay a little longer.

Soon you will all be gone and I will be alone forever.

I… I am the Immortal.

ABOUT THE AUTHOR

Martin Amis is well known on both sides of the Atlantic as the author of the novels Money, Success, and The Rachel Papers, as well as The Moronic Inferno and Other Visits to America, a collection of articles. He has contributed to such periodicals as Vanity Fair, The Observer, and The New Statesman. His most recent novel, London Fields, was published this year. He lives in London.

[1]Endorsing America's recently tightened embrace of the nuclear destiny, Margaret Thatcher has echoed this line, claiming that "nuclear weapons can't be uninvented" -an "unimpeachable point," according to The Times. (The Times, like The Economist, like The Sun, is incidentally pro-SDI.) With the assistance of Jonathan Schell's The Abolition, may I put this argument out of its misery? It is true that nuclear weapons cannot be uninvented (or better say undiscovered, since they uti!ize an eternal force of nature); but they can be dismantled. If nuclear weapons are used, they will be used by a lunatic or by a sane man in a crisis. Any appreciable extension of the second-thoughts period would be of epochal significance: it would make a new world. Currently the second-thoughts period is the time that elapses between deciding to press a button and actually pressing it. President Reagan himself seemed to feel the need for greater respite when, after some years in power, he announced his belief that the missiles, once launched, could be recalled. Bullets cannot be recalled. They cannot be uninvented. But they can be taken out of the gun.

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