Martin Amis - Einstein's Monsters

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MARTIN AMIS hates nuclear weapons, and he doesn't care who knows it. In fact, he wants everyone to know it. At mid-career, he has virtually ceased to be a writer of fiction-from 1974 to 1984, he published five comic novels, including the hugely successful Money-and has metamorphosed instead into a kind of anti-nuclear polemicist. Einstein's Monsters, his most recent work, is a collection of stories based on the theme of nuclear holocaust. Lest anyone think this is a chance engagement, Amis has followed up Einstein's Monsters with an article in the October Esquire railing against the insanity of American nuclear planning. The article, a rehash of the Introduction to the present volume, is most notable not for its politics but for the warning it includes to those of us waiting for the return of a depoliticized Martin Amis: "When nuclear weapons become real to you,' he tells us, "hardly an hour passes without some throb or flash, some heavy pulse of imagined super-catastrophe.' The hydrogen bomb has claimed its first English target, and it is the career of Martin Amis.
In his new role, Amis runs around like the sheriff in Jaws, as if he's the only person who knows there's a shark in town and everyone else is trying to keep the beaches open. The Esquire article gives a good sense of the fundamental cheesiness of his political thinking. The members of the Washington nuclear establishment, he says, don't mind talking about "X-ray lasers and hard-kill capabilities,' but they "go green' when the author tries to light up a cigarette. When the author interviews an attache from the Soviet embassy, on the other hand, things go differently; the two "drink a lot of coffee and smoke up a storm.' "Sergi and I got along fine,' Amis tells us. "He didn't want to kill me. I didn't want to kill him.' Amis has invented the Marlboro Peace Plan.
Einstein's Monsters is only a touch more subtle. It consists of five stories, along with both an "Author's Note' and an Introduction. In his Note, Amis vacillates upon the question of whether the stories are polemical. "If they arouse political feelings,' he tells us, "that is all to to the good,' but really, they "were written with the usual purpose in mind: that is to say, with no purpose at all-except, I suppose, to give pleasure, various kinds of complicated pleasure.'
If there is any confusion in the reader's mind, however, it is cleared up by the first story, "Bujak and the Strong Force.' Reading it, one is reminded of the experience of sitting in a college fiction workshop, the excited author right there next to you, enthusiastically explaining the intricacies of his story's symbolic order.
Bujak, the title character, is a hugely powerful Eastern European living in a bad neighborhood in London. A survivor of the Nazi occupation of Poland, he spends a great deal of time arguing with the (American) narrator over the value of revenge. The narrator is anti, Bujak is pro. Bujak polices his block, rounds up petty criminals, makes the streets safe for young ladies at night. "He was our deterrent,' the narrator says. At the end of the story, when Bujak returns to his home to find his mother, daughter, and granddaughter brutally rape-murdered, the drunken perpetrators lying asleep on the floor, we expect him to exact some terrible revenge. But he doesn't. "Why?' the narrator asks. "No court on earth would have sent you down.' (Is this how Americans speak, by the way?) "When I had their heads in my hands,' Bujak replies, "I thought how incredibly easy to grind their faces together. But no… I had no wish to add to what I found.' It's… unilateral disarmament!
Throughout Einstein's Monsters Amis the author is at war with Amis the nuclear theoretician. "Insight at Flame Lake,' for example, would have been a fine schizophrenic-breakdown story, except that Amis the theoretician felt compelled to tack on an anti-nuclear subtext. "Thinkability,' the long introduction to Einstein's Monsters, has its flashes of brilliant writing (the generations of unborn babies who would be aborted by a nuclear war are described as "queueing up in spectral relays until the end of time'), but it is marred by the same sort of simplistic reasoning that plagues the Esquire piece. Amis wants to pin all our problems on the existence of nuclear weapons. In the face of these missiles, no merely personal atrocity matters: "What vulgar outrage or moronic barbarity can compare with the black dream of nuclear exchange?' It's like asking a meter maid, "How dare you give me a ticket when there are Russian tanks illegally parked on the streets of Kabul?' But Amis the satirist knows that it takes a lot more than nuclear weaponry to explain the spiritual malaise of our century, just as Amis the writer knows (or ought to know) that there is always more than one explanation for any human phenomenon. One suspects, in fact, that Amis's opposition to the Strategic Defense Initiative is derived not from the fear of a perilous escalation in the arms race, but from a (perhaps unconscious) perception that, with nuclear weapons gone, the novelist would have to face the fact of unexcused human weakness again.

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Andromeda watched him, through the fire. Why, the flames themselves seemed to want to consume the dog, reaching out for him with tongues and fingers-to consume, to transform, to chew him up and spit him out again, detoxified. One little flamelet couldn't resist, and leaned out to stoke the dog's fiery fur. The dog growled abstractedly as a stray patch of his coat briefly crackled like torched gorse. But he plodded on-he could take it-and at last nosed into the query of fire. When he saw Andromeda, when he smelled her, and sensed the quality of the provender staked out before him, his limbs galloped forward (the head and body lurching after them), before pulling to an untidy halt, twenty feet away. Now he paused again. The dog valued beauty, too, in his way. He was going to eat it very, very slowly.

Andromeda met his crimson eyes. Her personal bodyguards or body gods, her gods of swooning, wished to take her elsewhere and mother her into sleep. But with all the fever and magic down there in the ring-you couldn't block the hot oxygen, the performing blood. The fire hissed louder than the crowd, here in the burning pan. She saw the dog's jaw drop open: the carcinogenic teeth, the tumor of the tongue, the flamelets of sizzling drool. Then, as abruptly as an uppercut, the dog's mouth chopped shut, his head dipped, and he lumbered carefully toward her.

Who sensed it first, Andromeda or the dog? In retreating waves the ringed crowd fell slowly silent, spherical music falling through the frequencies and dying on its band. The dog himself seemed struck by the orderly swooning hush. What was that they heard in the flame-flecked quiet? Was it the jink of tiny bells? With a painful twist of the neck the dog looked up at the crater's rim. On the brink of the curling path, the bright red ball in his mouth, stood the little puppy Jackajack.

He too had come to meet his destiny; and down he started, the little puppy, at a prancing trot, the front paws evenly outthrust, the head held pompously erect. The dog watched him with a loathing that bordered on fear. Yes, fear. Of course the dog was as brave as a lion, and a lot stupider; but everything fears its own reverse image, its antimatter or Antichrist. Everything fears itself. Salivating anew, and dully grunting, the dog watched as the little puppy (staring straight ahead) swanked his way down the wide spiral, disappeared behind the veils of flame, and strutted out into the ring. He marched straight up to the dog, right into his ambient miasma, dropped the red ball, skipped backward to crouch with his nose on his paws- and barked.

The dog hesitated, his eyes lit by a weak leer. This shrimp, this morsel, this starter: what was its game? The little puppy yelped again, jumping forward to straddle the ball, then sprang back to his posture of cocked entreaty. For several seconds the dog stared on in leaden surprise, his inner templates shuffling and dealing, looking for stalled memories, messages, codes. The crowd, too, mumbled in confusion, until someone started yelling, hooting-goading, goading the dog on. Now the little puppy dribbled the red ball into the dog's path and repeated his bouncing dance, with many a coquettish swivel and feint. Gruffly the dog pitched forward. But in a trice the little puppy swooped down on the ball and ran two sharp circles-then flopped to the ground with his back to the dog, kissing and nuzzling his incomparable prize. With his flooded mouth gaping the dog watched the puppy's tail sweep unconcernedly back and forth, saw the plump little buttocks tensed and tuned. Suddenly he pitched forward again-and the puppy was up and away, the ball held high as he sauntered out of range. Ooh, that little puppy-good enough to eat.

As the game continued, watched by the crowd and the excited fire (each with its own catcalls and applause), the dog seemed to be getting other ideas about the puppy, judging by the great palatinate extension craning from his warped nethers, his malarial eyes, and tempestuous breath. Now the little puppy had trotted some yards off and languished on his back with his paws upraised, the red ball apparently unregarded at his side. Stupidly, the dog sensed his moment. He came forward, hurdling into his run, picking up speed until, sure of triumph (though the face showed some alarm at his own ballistic daring), he launched himself heavily through the air. Of course the ball and the puppy had both disappeared-and the dog landed with such crunchy chaos on the smelted rock that the crowd momentarily winced into silence, wondering if the dog was dead or damaged, wondering to what fury he would now aspire when he awoke… Seconds passed and the body never stirred. With a quick pining glance at Andromeda the little puppy approached the venomous heap, the steaming wreckage of the dog. No one breathed as the puppy sniffed and barked, and reached out a paw toward the dog's open mouth. He nosed about among growing murmurs of hope. Now the little puppy even raised a back leg and seemed about to… but it was Andromeda's cry that forewarned him. Although he jumped back with a squeal, the dog's claws had done their work, swiping a flash of blood onto the puppy's pink belly.

The dog was playing too: playing dead. But he wasn't playing anymore. Hugely he reared up on four legs, on two legs, and hugely he shook the bloody rags of his rage. Now the chase began, in earnest, the great dog bounding after the little puppy, in tightening circles, skidding and twisting, turned this way, that way, this, that. For a time the puppy seemed freer than air, whimsically lithe, subatomic, superluminary, all spin and charm, while the dog moved on rails like a bull, pure momentum and mass, and forever subject to their laws. It couldn't last. The puppy was always tumbling, as puppies will, and leaving blood on the earth, and looking weaker and smaller each time he mustered himself for the turn, with the dog seeming to fill all space, seeming to fill all hell and more… At last the puppy led the dog into a wide arc at the end of the scythe of fire. Out they came, the large animal following the small, and gaining, gaining. "Turn," said the crowd. "Turn," said Andromeda, as they flashed past. The puppy could now feel the dog's hot breath on his rump, the bunsen of inflamed saliva and gums, and yet he tumbled and bounded on, seemingly propelled only by the desperate rhythm of his stride. Together they fast approached the great join of fire, almost one animal now, the puppy's tail tickling the frothing nose of the dog, whose jaws opened ready for the first seizing snap. Turn, turn-

"Turn," said Andromeda.

But the little puppy did not turn. With a howl of terror and triumph he hurled himself high into the flames-and the dog, like a blind missile, heat-seeking, like a weapon of spittle and blood, could only follow.

And so at last the flames settled down to eat. And what a meal they made of the dog. What coughing and gagging, what outrageous retching and hawking, what bursts and punctures of steam and gas, what eructations, what disgorgements-and the leaping plumes and flashes and pulsing brain-scans the flames made, until they relaxed and quieted, and began to breathe again.

When Tom untethered her, Andromeda pushed past him and walked the length of the scythe of fire. She found the still-smoking body of the little puppy, belly-upward, just beyond the join of fire, and she knelt to cradle him in her arms. The flames hadn't wanted to eat him; they had wanted to bear him through and deliver him safely to the other side. Now the little puppy coughed, and flinched, and blinked up at her for the last time. Yes, the puppy music was fading. The little puppy could not persist, not in that little-puppy form-the singed tail, the blood on the delicate tummy, the poor paws limp now, holding no life. Andromeda looked up. The villagers had lined the curling path, silently. But as her grief began they too began to weep, to make moan, until the sounds, borne heavenward by the fire, drifted up into the fleeces of the sky.

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