Martin Amis - Einstein's Monsters

Здесь есть возможность читать онлайн «Martin Amis - Einstein's Monsters» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Einstein's Monsters: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Einstein's Monsters»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

MARTIN AMIS hates nuclear weapons, and he doesn't care who knows it. In fact, he wants everyone to know it. At mid-career, he has virtually ceased to be a writer of fiction-from 1974 to 1984, he published five comic novels, including the hugely successful Money-and has metamorphosed instead into a kind of anti-nuclear polemicist. Einstein's Monsters, his most recent work, is a collection of stories based on the theme of nuclear holocaust. Lest anyone think this is a chance engagement, Amis has followed up Einstein's Monsters with an article in the October Esquire railing against the insanity of American nuclear planning. The article, a rehash of the Introduction to the present volume, is most notable not for its politics but for the warning it includes to those of us waiting for the return of a depoliticized Martin Amis: "When nuclear weapons become real to you,' he tells us, "hardly an hour passes without some throb or flash, some heavy pulse of imagined super-catastrophe.' The hydrogen bomb has claimed its first English target, and it is the career of Martin Amis.
In his new role, Amis runs around like the sheriff in Jaws, as if he's the only person who knows there's a shark in town and everyone else is trying to keep the beaches open. The Esquire article gives a good sense of the fundamental cheesiness of his political thinking. The members of the Washington nuclear establishment, he says, don't mind talking about "X-ray lasers and hard-kill capabilities,' but they "go green' when the author tries to light up a cigarette. When the author interviews an attache from the Soviet embassy, on the other hand, things go differently; the two "drink a lot of coffee and smoke up a storm.' "Sergi and I got along fine,' Amis tells us. "He didn't want to kill me. I didn't want to kill him.' Amis has invented the Marlboro Peace Plan.
Einstein's Monsters is only a touch more subtle. It consists of five stories, along with both an "Author's Note' and an Introduction. In his Note, Amis vacillates upon the question of whether the stories are polemical. "If they arouse political feelings,' he tells us, "that is all to to the good,' but really, they "were written with the usual purpose in mind: that is to say, with no purpose at all-except, I suppose, to give pleasure, various kinds of complicated pleasure.'
If there is any confusion in the reader's mind, however, it is cleared up by the first story, "Bujak and the Strong Force.' Reading it, one is reminded of the experience of sitting in a college fiction workshop, the excited author right there next to you, enthusiastically explaining the intricacies of his story's symbolic order.
Bujak, the title character, is a hugely powerful Eastern European living in a bad neighborhood in London. A survivor of the Nazi occupation of Poland, he spends a great deal of time arguing with the (American) narrator over the value of revenge. The narrator is anti, Bujak is pro. Bujak polices his block, rounds up petty criminals, makes the streets safe for young ladies at night. "He was our deterrent,' the narrator says. At the end of the story, when Bujak returns to his home to find his mother, daughter, and granddaughter brutally rape-murdered, the drunken perpetrators lying asleep on the floor, we expect him to exact some terrible revenge. But he doesn't. "Why?' the narrator asks. "No court on earth would have sent you down.' (Is this how Americans speak, by the way?) "When I had their heads in my hands,' Bujak replies, "I thought how incredibly easy to grind their faces together. But no… I had no wish to add to what I found.' It's… unilateral disarmament!
Throughout Einstein's Monsters Amis the author is at war with Amis the nuclear theoretician. "Insight at Flame Lake,' for example, would have been a fine schizophrenic-breakdown story, except that Amis the theoretician felt compelled to tack on an anti-nuclear subtext. "Thinkability,' the long introduction to Einstein's Monsters, has its flashes of brilliant writing (the generations of unborn babies who would be aborted by a nuclear war are described as "queueing up in spectral relays until the end of time'), but it is marred by the same sort of simplistic reasoning that plagues the Esquire piece. Amis wants to pin all our problems on the existence of nuclear weapons. In the face of these missiles, no merely personal atrocity matters: "What vulgar outrage or moronic barbarity can compare with the black dream of nuclear exchange?' It's like asking a meter maid, "How dare you give me a ticket when there are Russian tanks illegally parked on the streets of Kabul?' But Amis the satirist knows that it takes a lot more than nuclear weaponry to explain the spiritual malaise of our century, just as Amis the writer knows (or ought to know) that there is always more than one explanation for any human phenomenon. One suspects, in fact, that Amis's opposition to the Strategic Defense Initiative is derived not from the fear of a perilous escalation in the arms race, but from a (perhaps unconscious) perception that, with nuclear weapons gone, the novelist would have to face the fact of unexcused human weakness again.

Einstein's Monsters — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Einstein's Monsters», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Because the nights were so different, so much longer than the days (at least three times as long), and so full of fear. Squirming in his burrow, while the great animal, senior and atrocious, tore greedily at the narrow opening, the little puppy had no thoughts for the day-the distant, the derisory day. He didn't understand. How had he unleashed such rage in a creature which, or so he felt, he might have looked to for love, for protection, for play? He didn't understand. But he understood one thing; he made a certain distinction, a nice one too. The little puppy understood the difference between, terror and horror. Terror was when the girl had gone and night began to come, wiping color from the world. Horror was when the beast was actually there, the flames of its breath at the opening of the burrow, the saliva that seared the little puppy's rump.

"This can't go on," said Andromeda one morning, when she found the little puppy sneezing and dozing and trembling by the nervous creek. He couldn't eat the food she had smuggled out for him. Reflexively he lifted himself up for a romp, but his hind legs gave way, and he rolled back on to the grass with a fatalistic sigh. Usually when she looked at the little puppy Andromeda always thought: life! Here is life. But now the possibility occurred to her (long-postponed, an idea that made her whole body bend with nausea) that the little puppy was dying. It could be that the little puppy just wasn't going to make it. For you understand that fear had quite emptied him-fear, and intense puppy loneliness, the need for inclusion, the need to be… inside.

Andromeda gulped and said, "I don't care. I'm taking you home with me. Now. I don't care."

And so, very, very carefully, Andromeda bedded down the little floppy-limbed puppy at the bottom of her basket, and covered his weak protesting form with flowers and white grapes and a pink handkerchief. The little puppy was slow to understand this game and would persistently writhe and struggle, and seem to grin, and then play dead. "Shsh," Andromeda kept telling him, but he went on whimpering and elbowing about until at last he was aloft. The air-travel appeared to soothe him. A mile from the village, on the brink of the enfolding hill, she plonked the basket down, lifted the hanky, and gave the little puppy a good talking-to, with much play of the raised forefinger, the stamped foot, the meaning frown. In fact the little puppy was so flummoxed and confused by this stage that he stared up at Andromeda with candid incuriosity-and even yawned in her face. On they went, down into the ringed village. "Good day, good day," came the voices, and Andromeda sang songs at the top of her voice, lest the little puppy should unwarily choose to whinny or yelp. But the little puppy was very good and didn't make a sound. (To be quite honest, he was fast asleep.) When she reached the cabin Andromeda got up on tiptoe and peered in. Keithette was not about. Nor was Tom. So little Andromeda took the little puppy straight to her little room.

Now Andromeda had a lot of explaining to do (this had better be good!). And so, come to that, have we.

As things now stood, the village was the food of the dog -and the dog was, if not the worst of all possible dogs, then certainly the worst dog yet. The genetic policemen and bouncers that once kept species apart had loosened their hold on the living world. In less temperate zones than where lies our scene, there were creatures that limped and flapped in strange crevices between the old kingdoms, half fauna half flora, half insect half reptile, half bird half fish. Natural selection had given way to a kind of reverse discrimination -or tokenism. Any bloody fool of an amphibious parrot or disgraceful three-winged stoat had as much chance of survival, of success, as the slickest, the niftiest, the most singleminded dreck-eating ratlet or invincibly carapaced predator. Many human beings, too, were mildly dismayed to find themselves traveling backward down their evolutionary flarepaths-or, worse, sideways, into some uncharted humiliation of webs and pouches, of trotters and beaks. People, of whom there were few, tended to thin out near the deserts, of which there were plenty. In the deserts the lower forms flourished unchecked in their chaos: you could hardly turn your head without seeing some multipedic hyena or doubledecker superworm pulsing toward you over the mottled sands. The village lay to the north, not too far from the glasslands of ice. At these select latitudes, after its decades of inimical quiet, the planet earth was once again an hospitable, even a fashionable address. With so much food-with so much space and weather- nature had little selecting to do. Until the dog.

Perhaps the dog, then, was the Natural Selector. The dog was eight feet long and four feet high, very lumpily put together, the rolling, snapping head loosely joined to the top-heavy shoulders. In place of a tail he sported an extra limb, bare tibia, tendon and talon-quite useless, and far from decorative. His eyes were a scurvy yellow, his saliva a loud crimson, venomous and also acidic, capable of entirely dissolving human bones. The dog was the beneficiary of a new symbiotic arrangement whereby he healthily played host to several serious but by now ineffective diseases, his numerous parasites having (in this case) taken on rather more than they could handle. In times of yore the dog ate pretty well anything he could keep down, like a shark. These days, though, he was exclusively, even religiously homovorous. He looked bad on his diet. There never was a clearer demonstration of the fact that you shouldn't eat human beings. The dog's chief personal breakthrough was his coat, which was thick, patchy, fungoid and yet synthetic-looking, too shiny, like rayon or lurex. He was the first dog to earn a crust, to eke out a living in the northern lands. The village was his food. He seemed to need about one human being a week. He wasn't all that greedy, and human beings, he found, went a long way.

Nobody in the village had any idea what to do about the dog. Well, they had their shameful strategy; but it wasn't working. Idlers in a rejuvenated world, they had long lost the noble arts of survival and advantage, let alone fighting and killing. No one knew how to raise hell anymore. They milked the land of its rich life: indeed, some of the plants were as nutritious and sanguinary as meat itself; yes, many plants bled. They used few tools, and no weapons. Even fire they hoped soon to foreswear. This was the way the world was now.

For the next couple of days the little puppy was so very poorly that Andromeda was able to keep him bedded down in her clothes cupboard without much fear of detection. Sometimes, in a trance of foreboding, she found herself on the brink of resigning herself to the loss of her new friend. "Stay," she would whisper to him urgently. "Don't leave me. Stay, oh please stay." At night Andromeda brought the little puppy a selection of juicy vegetables and encouraged him to eat. He seemed grateful for the sympathy, for the comfort, but turned away from the food, and sighed his long-suffering sigh. Then on the third day… Well, Andromeda was slowly eating breakfast with Keithette and Tom, her mother and "father." In the silence the sun played subatomic ball with the moody motes of dust. Both Andromeda and Tom were eying Keithette a little warily. No one had spoken with any freedom that morning, because Keithette had yet to select and announce her mood-day. There were seven to chose from (all different now, all sad days, since the dog): Shunday, Moanday, Tearsday, Woundsday, Thirstday, Fireday, Shatterday… Tom was crushing henna into a mortar bowl and saying, "I prefer the single braid anyway."

"Why?" asked Keithette pitilessly. She was a rosy, broad-faced woman, stocky and flat-chested (the standard female form these days); but at such moments her mouth looked as thin as a fissure in glass. "Why? Please tell me, Tom."

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Einstein's Monsters»

Представляем Вашему вниманию похожие книги на «Einstein's Monsters» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Martin Amis - Lionel Asbo
Martin Amis
Martin Amis - Yellow Dog
Martin Amis
Martin Amis - House of Meetings
Martin Amis
Martin Amis - Dead Babies
Martin Amis
Martin Amis - Koba the Dread
Martin Amis
Martin Amis - Night Train
Martin Amis
Martin Amis - Agua Pesada
Martin Amis
Martin Amis - Perro callejero
Martin Amis
libcat.ru: книга без обложки
MARTIN AMIS
Martin Amis - The Drowned World
Martin Amis
Отзывы о книге «Einstein's Monsters»

Обсуждение, отзывы о книге «Einstein's Monsters» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x