Martin Amis - Einstein's Monsters

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MARTIN AMIS hates nuclear weapons, and he doesn't care who knows it. In fact, he wants everyone to know it. At mid-career, he has virtually ceased to be a writer of fiction-from 1974 to 1984, he published five comic novels, including the hugely successful Money-and has metamorphosed instead into a kind of anti-nuclear polemicist. Einstein's Monsters, his most recent work, is a collection of stories based on the theme of nuclear holocaust. Lest anyone think this is a chance engagement, Amis has followed up Einstein's Monsters with an article in the October Esquire railing against the insanity of American nuclear planning. The article, a rehash of the Introduction to the present volume, is most notable not for its politics but for the warning it includes to those of us waiting for the return of a depoliticized Martin Amis: "When nuclear weapons become real to you,' he tells us, "hardly an hour passes without some throb or flash, some heavy pulse of imagined super-catastrophe.' The hydrogen bomb has claimed its first English target, and it is the career of Martin Amis.
In his new role, Amis runs around like the sheriff in Jaws, as if he's the only person who knows there's a shark in town and everyone else is trying to keep the beaches open. The Esquire article gives a good sense of the fundamental cheesiness of his political thinking. The members of the Washington nuclear establishment, he says, don't mind talking about "X-ray lasers and hard-kill capabilities,' but they "go green' when the author tries to light up a cigarette. When the author interviews an attache from the Soviet embassy, on the other hand, things go differently; the two "drink a lot of coffee and smoke up a storm.' "Sergi and I got along fine,' Amis tells us. "He didn't want to kill me. I didn't want to kill him.' Amis has invented the Marlboro Peace Plan.
Einstein's Monsters is only a touch more subtle. It consists of five stories, along with both an "Author's Note' and an Introduction. In his Note, Amis vacillates upon the question of whether the stories are polemical. "If they arouse political feelings,' he tells us, "that is all to to the good,' but really, they "were written with the usual purpose in mind: that is to say, with no purpose at all-except, I suppose, to give pleasure, various kinds of complicated pleasure.'
If there is any confusion in the reader's mind, however, it is cleared up by the first story, "Bujak and the Strong Force.' Reading it, one is reminded of the experience of sitting in a college fiction workshop, the excited author right there next to you, enthusiastically explaining the intricacies of his story's symbolic order.
Bujak, the title character, is a hugely powerful Eastern European living in a bad neighborhood in London. A survivor of the Nazi occupation of Poland, he spends a great deal of time arguing with the (American) narrator over the value of revenge. The narrator is anti, Bujak is pro. Bujak polices his block, rounds up petty criminals, makes the streets safe for young ladies at night. "He was our deterrent,' the narrator says. At the end of the story, when Bujak returns to his home to find his mother, daughter, and granddaughter brutally rape-murdered, the drunken perpetrators lying asleep on the floor, we expect him to exact some terrible revenge. But he doesn't. "Why?' the narrator asks. "No court on earth would have sent you down.' (Is this how Americans speak, by the way?) "When I had their heads in my hands,' Bujak replies, "I thought how incredibly easy to grind their faces together. But no… I had no wish to add to what I found.' It's… unilateral disarmament!
Throughout Einstein's Monsters Amis the author is at war with Amis the nuclear theoretician. "Insight at Flame Lake,' for example, would have been a fine schizophrenic-breakdown story, except that Amis the theoretician felt compelled to tack on an anti-nuclear subtext. "Thinkability,' the long introduction to Einstein's Monsters, has its flashes of brilliant writing (the generations of unborn babies who would be aborted by a nuclear war are described as "queueing up in spectral relays until the end of time'), but it is marred by the same sort of simplistic reasoning that plagues the Esquire piece. Amis wants to pin all our problems on the existence of nuclear weapons. In the face of these missiles, no merely personal atrocity matters: "What vulgar outrage or moronic barbarity can compare with the black dream of nuclear exchange?' It's like asking a meter maid, "How dare you give me a ticket when there are Russian tanks illegally parked on the streets of Kabul?' But Amis the satirist knows that it takes a lot more than nuclear weaponry to explain the spiritual malaise of our century, just as Amis the writer knows (or ought to know) that there is always more than one explanation for any human phenomenon. One suspects, in fact, that Amis's opposition to the Strategic Defense Initiative is derived not from the fear of a perilous escalation in the arms race, but from a (perhaps unconscious) perception that, with nuclear weapons gone, the novelist would have to face the fact of unexcused human weakness again.

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Why do people love children? Why do children love babies? Why do we all love animals? What do animals love, that way? Everything, the whole world, more, even the stars up there-stars like the star called Andromeda, fixed in the scattered heavens, burning bright.

You couldn't really blame the villagers. They were all having a very bad time, and they weren't equipped for bad times. Whereas, in days gone by, the people would go about their tasks with tears of contentment in their eyes, now they wept the other tears. And where were they to turn? Down the soft decades they had lost the old get-up and go-the know-how, the make-do. Predation and all its paraphernalia had quite petered out of their gene cams and pulse codes. Given a generation or two, and given their new knack or curse of sudden and active adaptation, oh, I suppose they might have come up with something, in time. But there wasn't time.

They looked for authority, and what did they find? The natural leaders were, of course, the women with the loudest voices and the strongest personalities; and if you think Keithette is redoubtable enough, you should check out Clivonne-or Kevinia! At first they tried to hate the dog away. They sat around hating it and hating it, but still the dog lumbered in for his weekly debauch. They tried to cry the dog away, and that didn't work either. They tried ignoring it; but being ignored didn't make much odds to a dog like this dog. So there were more consultations. They didn't hold a meeting: it was simply a matter of a few dozen exhausted and terrified husbands-all the Toms and Tims and Tarns-sprinting with messages from hut to hut. Incidentally, no one had ever decided any of this. It wasn't a reaction to the deep past. You see, there was no deep memory, This was just the way the world was now.

And so they asked death in through the back door, and let him feast on the malevolved, the beakmen and wing-women, the furred or shelled or slippery beings with their expressions of stunned disgrace. It was subliminally decided that everything was all their fault. Ah, the poor Queers… One Fireday, Andromeda took the little puppy that could to the place where the malevolved often hung out; he was tolerantly greeted, and even made much of by some old hinny or heteroclite, who cosseted the puppy's coat with a limp flippered hand. The little puppy took to the Queers, as indeed he took to everyone. They were defeatist, lackadaisical, and inert: faulty survival machines, they knew they weren't made to last. They knew they probably wouldn't be selected, not in the end, not in that sense. And how few of them there were now. Soon, thought Andromeda, the poor Queers will be all used up. Then what? Only one outcome. She considered ways of perhaps saving the little puppy, if it came to that.

On the way home they were followed for a while by a group of women who shrieked and chanted at the little puppy, and made unpleasant faces, cowing him rather badly. "Come on, Jackajack," said Andromeda loudly. "Never mind them." So he jinked along beside her, glancing back uneasily over his dropped shoulders. But Andromeda did not glance back. She walked straight and true, filling her given space. For Andromeda enjoyed an ambiguous prestige in the village; she certainly had rarity value. It was partly to do with such things as her refusal to go and live in the child pool, and the fact that she had changed her own name. She had changed it from Briana-to Andromeda, if you please. But it was really all about beauty: beauty. Nobody knew what people were supposed to look like anymore or could guess at the human forms they once had graced. The women all rugged and ruddy and right; the men all drab, effaced, annulled. And yet everyone has time for beauty, for art, for pattern and plan. We all come around to beauty in the end. As instinctively as the dog salivated with pleasure on encountering human remains in some patch of his own chaotic excretions (his heart soared like a hawk), so the people gazed at little Andromeda's round-eyed face, her dark clefts and latencies, and felt pride in the human molding.

"Look, Jackajack," she said. They had come to the edge of the crater, the core, the deep dish and its great query of fire. Now the flames ate the air, spitting and chewing and clearing their throats. No one fed the fire yet it burned anyway, with no fuel-but with fission, perhaps; perhaps fission's daughters lay trapped beneath the crust. Although the village was godless, the crater was agreed to be at least semisacred, and the people felt its codes, sensed its secrets with reluctant awe. Certainly no one went down there just for the hell of it. And now of course it served a different function. "Look, Jackajack," whispered Andromeda. Down in the contoured chasm, ringed by fire, some women were tethering an old Queer to the stake, ready for Shatterday. The little puppy barked. He didn't like fire. Nor did the dog. But the dog didn't mind fire that much. He could put up with it, if he had to.

Keithette sat heftily at the round table, micromonitored by Tom and Andromeda. Both had been present at the informal, morning-long seminar that Keithette had convened. The subject: Keithette's sensibility. The really warm work of the afternoon, though, had fallen on Tom alone-a tight regime of scalp kneading, hair braiding, intertoe loofahing, and hourly sexual intercourse. It hadn't worked. Nothing worked now. Because tonight was a night of the dog. And now it seemed that every day was Shatterday.

True to Andromeda's prediction, the inevitable came to pass and soon the supply of Queers was pretty much exhausted. Actually they were picked off a lot quicker than anybody bargained for, because even the dog turned his nose up at some of them. He killed them all right, with one swipe of his bleeding claws, and gave the corpses a frightful worrying; but he wouldn't eat them. He just stood there, stupid and implacable, for hour after hour (he stayed upright at all times, even during his egregious naps), before tearing off the dead Queer's best limb and trudging away with it-to return the next night, and the next. Now he would peer down into the lit crater and see no offering for him there. Just the crackling fire, no louder or brighter than the fire of hunger in his heart.

"Here he comes," said Keithette.

Yes, here he comes. You could hear him liquidly snorting and yodeling as he loped toward them over the fields, nearer, ever nearer. The whole village listened-listened in darkness to a world of sound. His creaking gait, his grunts, his great gurglings at the prospect of messy satiation. Next, his long silence at the brink of the crater, his thwarted howl of disappointment, his final scream of ravenous rage. Then the sniffings and rootlings round the huts, the latherings and flappy droolings, the regular flinging of his bulk against any weakness, the splitting of wood, the human cries, the heavy arhythmical bounding of the chase, the incensed rip-pings and gulpings of the kill… Once, as the dog was fizzily consuming his prey, the little puppy (held fast on Andromeda's lap) gave out a piercing yelp. Outside there was sudden silence-followed, several minutes later, by a growl of fabulous greed and hatred, inches from the front door. But the dog's hunger had lost its rawness (and there'd be another night), and all they heard then were the usual sounds of grumbling haulage as the dog dragged the half-eaten carcass out of the village and into the hills.

"He's going now," said Keithette. She closed her eyes and wiggled a finger at Tom, who moved grimly toward her. "When will the dog stop coming? When? When? Why don't I know what to do? Why? Why? Tomorrow I'll speak to Royene, and to Clivonne. I might even speak to Kevinia. I don't know why, but I think I'll be the last to go. Not there," she told Tom. "There. There."

When the danger of predation is great, communities of whatever phylum tend to interknit more closely, and hierarchical roles become sharper and more keenly contested. Or at any rate that's the idea. This particular community, for instance, had long lost all genetic heft. Probably their best bet would have been to move out and go nomad for a while. But site-tenacity was, alas, pretty well the only stable element in the local DNA transcription. How could you run when, in your head, this was the only place?

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