Martin Amis - Einstein's Monsters

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MARTIN AMIS hates nuclear weapons, and he doesn't care who knows it. In fact, he wants everyone to know it. At mid-career, he has virtually ceased to be a writer of fiction-from 1974 to 1984, he published five comic novels, including the hugely successful Money-and has metamorphosed instead into a kind of anti-nuclear polemicist. Einstein's Monsters, his most recent work, is a collection of stories based on the theme of nuclear holocaust. Lest anyone think this is a chance engagement, Amis has followed up Einstein's Monsters with an article in the October Esquire railing against the insanity of American nuclear planning. The article, a rehash of the Introduction to the present volume, is most notable not for its politics but for the warning it includes to those of us waiting for the return of a depoliticized Martin Amis: "When nuclear weapons become real to you,' he tells us, "hardly an hour passes without some throb or flash, some heavy pulse of imagined super-catastrophe.' The hydrogen bomb has claimed its first English target, and it is the career of Martin Amis.
In his new role, Amis runs around like the sheriff in Jaws, as if he's the only person who knows there's a shark in town and everyone else is trying to keep the beaches open. The Esquire article gives a good sense of the fundamental cheesiness of his political thinking. The members of the Washington nuclear establishment, he says, don't mind talking about "X-ray lasers and hard-kill capabilities,' but they "go green' when the author tries to light up a cigarette. When the author interviews an attache from the Soviet embassy, on the other hand, things go differently; the two "drink a lot of coffee and smoke up a storm.' "Sergi and I got along fine,' Amis tells us. "He didn't want to kill me. I didn't want to kill him.' Amis has invented the Marlboro Peace Plan.
Einstein's Monsters is only a touch more subtle. It consists of five stories, along with both an "Author's Note' and an Introduction. In his Note, Amis vacillates upon the question of whether the stories are polemical. "If they arouse political feelings,' he tells us, "that is all to to the good,' but really, they "were written with the usual purpose in mind: that is to say, with no purpose at all-except, I suppose, to give pleasure, various kinds of complicated pleasure.'
If there is any confusion in the reader's mind, however, it is cleared up by the first story, "Bujak and the Strong Force.' Reading it, one is reminded of the experience of sitting in a college fiction workshop, the excited author right there next to you, enthusiastically explaining the intricacies of his story's symbolic order.
Bujak, the title character, is a hugely powerful Eastern European living in a bad neighborhood in London. A survivor of the Nazi occupation of Poland, he spends a great deal of time arguing with the (American) narrator over the value of revenge. The narrator is anti, Bujak is pro. Bujak polices his block, rounds up petty criminals, makes the streets safe for young ladies at night. "He was our deterrent,' the narrator says. At the end of the story, when Bujak returns to his home to find his mother, daughter, and granddaughter brutally rape-murdered, the drunken perpetrators lying asleep on the floor, we expect him to exact some terrible revenge. But he doesn't. "Why?' the narrator asks. "No court on earth would have sent you down.' (Is this how Americans speak, by the way?) "When I had their heads in my hands,' Bujak replies, "I thought how incredibly easy to grind their faces together. But no… I had no wish to add to what I found.' It's… unilateral disarmament!
Throughout Einstein's Monsters Amis the author is at war with Amis the nuclear theoretician. "Insight at Flame Lake,' for example, would have been a fine schizophrenic-breakdown story, except that Amis the theoretician felt compelled to tack on an anti-nuclear subtext. "Thinkability,' the long introduction to Einstein's Monsters, has its flashes of brilliant writing (the generations of unborn babies who would be aborted by a nuclear war are described as "queueing up in spectral relays until the end of time'), but it is marred by the same sort of simplistic reasoning that plagues the Esquire piece. Amis wants to pin all our problems on the existence of nuclear weapons. In the face of these missiles, no merely personal atrocity matters: "What vulgar outrage or moronic barbarity can compare with the black dream of nuclear exchange?' It's like asking a meter maid, "How dare you give me a ticket when there are Russian tanks illegally parked on the streets of Kabul?' But Amis the satirist knows that it takes a lot more than nuclear weaponry to explain the spiritual malaise of our century, just as Amis the writer knows (or ought to know) that there is always more than one explanation for any human phenomenon. One suspects, in fact, that Amis's opposition to the Strategic Defense Initiative is derived not from the fear of a perilous escalation in the arms race, but from a (perhaps unconscious) perception that, with nuclear weapons gone, the novelist would have to face the fact of unexcused human weakness again.

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Late that night Andromeda lay awake, her hot face pressed against the soaked pillow. Her thoughts, naturally, were with the little puppy Jackajack. She had carried his little body to the stake, and placed it there on a scarf of white. The villagers had all knelt in homage, and cursed themselves for shame that they had ever scorned or doubted the little puppy, the little puppy that could. There was grief and there was joy. And there was shame. Tomorrow the little puppy would lie in state, for the propitiations of the villagers. Then she would bury him outside the village, over the hills-by the nervous creek. But the scythe would be a sacred place, and everyone who passed there would always think of the little puppy. Now he is gone from life, she said to herself. And what does life look like without him? If he could drink all my tears, she murmured; if he could just lap them up. She thought of his face as he smiled at her for the last time-so gentle, full of such intimate forgiveness. Infinitely intimate, and lit by secrets, too.

Then she heard a soft tapping on her window, patient and remote. She climbed from the bed and looked out. All was dark and grieving. Andromeda wrapped herself in a shawl and went quickly to the passage. She opened the door and said, "Jackajack?"

The boy stood there, against a swirl of stars, his body still marked by the claws and the flames. She reached up to touch the tears in his human eyes.

"John," she said.

His arms were strong and warlike as he turned and led her into the cool night. They stood together on the hilltop and gazed down at their new world.

THE IMMORTALS

It's quite a prospect. Soon the people will all be gone and I will be alone forever. The human beings around here are in very bad shape, what with the solar radiation, the immunity problem, the rat-and-roach diet, and so on. They are the last; but they can't last (though try telling them that). Here they come again, staggering out to watch the hell of sunset. They all suffer from diseases and delusions. They all believe that they are… But let the poor bastards be. Now I feel free to bare my secret. I am the Immortal.

Already I have been around for an incredibly long time. If time is money, then I am the last of the big spenders. And you know, when you've been around for as long as I have, the diurnal scale, this twenty-four-hour number, can really start to get you down. I tried for a grander scheme of things. And I had my successes. I once stayed awake for seven years on end. Not even a nap. Boy, was I bushed. On the other hand, when I was ill in Mongolia that time, I sacked out for a whole decade. At a loose end, cooling my heels in a Saharan oasis, for eighteen months I picked my nose. On one occasion-when there was nobody around-I teased out a lone handjob for an entire summer. Even the unchanging crocodiles envied my baths in the timeless, in the time-mottled rivers. Frankly, there wasn't much else to do. But in the end I ceased these experiments and tamely joined the night-day shuttle. I seemed to need my sleep. I seemed to need to do the things that people seemed to need to do. Clip my nails. Report to the can and the shaving basin. Get a haircut. All these distractions. No wonder I never got anything done.

I was born, or I appeared or materialized or beamed down, near the city of Kampala, Uganda, in Africa. Of course, Kampala wasn't there yet, and neither was Uganda. Neither was Africa, come to think of it, because in those days the land masses were all conjoined. (I had to wait until the twentieth century to check a lot of this stuff out.) I think I must have been a dud god or something; conceivably I came from another planet which ticked to a different clock. Anyway I never amounted to much. My life, though long, has been largely feckless. I had to hold my horses for quite a while before there were any human beings to hang out with. The world was still cooling. I sat through geology, waiting for biology. I used to croon over those little warm ponds where space-seeded life began. Yes, I was there, cheering you on from the touchline. For my instincts were gregarious, and I felt terribly lonely. And hungry.

Then plants showed up, which made a nice change, and certain crude lines of animal. After a while I twigged and went carnivorous. Partly out of self-defense I became a prodigious hunter. (It was hardly a matter of survival, but nobody likes being sniffed and clawed and chomped at the whole time.) There wasn't an animal they could dream up that I couldn't kill. 1 kept pets, too. It was a healthy kind of outdoors life, I suppose, but not very stimulating. I yearned for… for reciprocation. If I thought the Permian age was the pits it was only because I hadn't yet lived through the Triassic. I can't tell you how dull it all was. And then, before I knew it-this would have been about 6,000,000 b.c.-the first (unofficial) Ice Age, and we all had to start again, more or less from scratch. The Ice Ages, I admit, were considerable blows to my morale. You could tell when one was coming: there'd be some kind of cosmic lightshow, then, more often than not, a shitstorm of moronic impacts; then dust, and pretty sunsets; then darkness. They happened regularly, every seventy thousand years, on the dot. You could set your watch by them. The first Ice Age took out the dinosaurs, or so the theory goes. I know different. They could have made it, if they'd tightened their belts and behaved sensibly. The tropics were a little stifling and gloomy, true, but perfectly habitable. No, the dinosaurs had it coming: a very bad crowd. Those lost-world adventure movies got the dinosaurs dead right. Incredibly stupid, incredibly touchy-and incredibly big. And always brawling. The place was like a whaling yard. I was onto fire by then, of course, and so I ate well. It was burgers every night.

The first batch of ape-people were just a big drag as far as I was concerned. I was pleased to see them, in a way, but mostly they were just a hassle. All that evolution-and for this? It was a coon's age before they ever amounted to anything, and even then they were still shockingly grasping and paranoid. With my little house, my fur suits, my cleanshaven look, and my barbecues, I stood out. Occasionally I became the object of hatred, or worship. But even the friendly ones were no use to me. Ugh. Ich. Akk. What kind of conversation do you call that? And when at last they improved, and I made a few pals and started having relationships with the women, along came a horrible discovery. I thought they would be different, but they weren't. They all got old and died, like my pets.

As they are dying now. They are dying all about me.

At first, around here, we were pleased when the world started getting warmer. We were pleased when things started brightening up again. Winter is always depressing -but nuclear winter is somehow especially grim. Even I had wearied of a night that lasted thirteen years (and New Zealand, I find, is pretty dead at the best of times). For a while, sunbathing was all the rage. But then it went too far in the other direction. It just kept on getting hotter-or rather there was a change in the nature of the heat. It didn't feel like sunlight. It felt more like gas or liquid: it felt like rain, very thin, very hot. And buildings don't seem to hold it off properly, even buildings with roofs. People stopped being sun-worshipers and started being moon-worshipers. Life became nightlife. They're fairly cheerful, considering -sorrier for others than they are for themselves. I suppose it's lucky they can't tell what's really coming down.

The poor mortals, I grieve for them. There's just nothing they can do about that molten fiend up there in the middle of the sky. They faced the anger, then they faced the cold; and now they're being nuked all over again. Now they're being renuked, doublenuked-by the slow reactor of the sun.

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